The Monday Check-In ~ 4/4/2016

cooltext1850356879 My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.

In real life:

Another ridiculously intense week, with not nearly enough time to curl up with a good book. Dislike very much.

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What did I read last week?

Summer Before the WAr8Killing Grounds

The Summer Before the War by Helen Simonson: Sadly, this was a DNF for me. I quit at 45%. The plot was just going nowhere. Small-town life is all very charming, but nothing was happening.

More Kate Shugak! I read book #8, Killing Grounds, and can’t wait for more! Killing Grounds was maybe not the most awesome of the lot (too much time spent on identifying different types of fishing boats and discussing permits and politics), but all Kate is good Kate, as far as I’m concerned.

Outlander update!

I’m continuing with my Outlander rewatch. This week’s posts included:

Episode 111 – The Devil’s Mark
Episode 112 – Lallybroch
Episodes 113 – The Watch and Episode 114 – The Search

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Almost there! Two more episodes to go, although those are the two that are hardest to watch.

Fresh Catch:

Well, yes, I did pick up a few new books this week! It was the spring sale benefiting the public libraries, and let’s just say I scored. Want proof? All this — 41 books — for under $60:

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(Yes, I do already own several copies of ALL of the Harry Potter books! This one is a gift for someone else.)

Here’s another look at my book sale haul, unpacked, stacked up, and waiting for shelf space — except for the gift pile, which is waiting for a box, some packing tape, and a trip to the post office.

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What will I be reading during the coming week?

Currently in my hands:
MessengerBeauty Queen of Jerusalem

Right now, I’m reading Messenger by Lois Lowry, the 3rd book in The Giver series.

I’m expecting some new releases to arrive this week, but meanwhile, if there’s time, I plan to start the ARC of The Beauty Queen of Jerusalem by Sarit Yishai-Levi.

Now playing via audiobook:

Miss Peregrine

Such fun! I’m about halfway done, and really enjoying it! It helps that I’ve read the book before, so I don’t feel that I’m missing out too much by not having all the photos in front of me.

Ongoing reads:

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My book group is reading and discussing two chapter per week of both Written in My Own Heart’s Blood by Diana Gabaldon and Emma by Jane Austen. This is an online group, and anyone is welcome to join us — so if you’re interested, just ask me how!

So many books, so little time…

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Outlander Rewatch: Episodes 113 & 114, “The Watch” and “The Search”

Changing format a bit:

This is going to be a two-in-one post. covering episodes 113 & 114. Time is tight, so I’m trying to force myself to keep the recapping on the shorter side! One week to go until season 2…

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Outlander, Season 1, Episode 13: “The Watch”

The official synopsis, courtesy of Starz:

Jamie finds himself between a rock and a hard place when a redcoat deserter from his past resurfaces. Claire tends to a laboring Jenny while Jamie and Ian join The Watch, resulting in devastating consequences.

My synopsis:

The Watch, led by Taran MacQuarrie, has arrived at Lallybroch. MacQuarrie has mistaken Jamie for a thief doing some breaking and entering, but Jenny soon clears things up with a lie, introducing Jamie as her cousin, Jamie McTavish. Ian and Jenny have been paying off McQuarrie for the past few years in exchange for protection from the redcoats. As extortionists go, he could be worse, although the band of thugs he travels with seem intent on stirring up trouble and getting in Jamie’s face.

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Later, MacQuarrie is joined by the deserter Horrocks, who’s ready and able to blow Jamie’s cover. If the Watch realizes who he is and that he’s wanted, they’ll likely sell him out to the redcoats without blinking an eye. Horrocks realizes that Jamie is at his mercy, and blackmails him. When Jamie goes to pay him off, Horrocks indicates that he needs even more, making it clear that Jamie is safe only so long as he keeps paying. Ian, always there to protect Jamie, runs Horrocks through with a big sword, and the two friends bury him. MacQuarrie doesn’t seem too peeved to find out that Horrocks has been killed, but insists that Jamie join his raiding party to take Horrocks’s place. Ian decides to go along as well.

Jenny is in labor, and the baby is breech. Claire has seen childbirth, and as the midwife is unavailable, it’s up to her to deliver the baby. It’s a looooong drawn-out labor, giving the women plenty of time to bond.

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Jamie and Ian depart with the Watch. Jamie and Claire have a tender good-bye. MacQuarrie and Jamie seem to connect and understand one another, and McQuarrie makes clear that he would never turn Jamie over to the British.

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As they reach the spot picked out by Horrocks for their raid, Jamie realizes that it’s a trap just as their group is ambushed by a band of redcoat soldiers.

Back at Lallybroch, Jenny eventually gives birth to a health baby girl. Three days go by, and the women are getting nervous. Finally, Ian limps into the yard supported by one of MacQuarrie’s men. Most of the men have been killed, Ian reports. MacQuarrie was injured and Jamie wouldn’t leave him — so Jamie has now been captured by the British.

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Claire is devastated, and gazes off down the road, wondering where Jamie is and how to get him back.

Outlander, Season 1, Episode 14: “The Search”

The official synopsis, courtesy of Starz:

Claire and Jenny set out to rescue Jamie from his redcoat captors. When Murtagh joins up, they turn to unorthodox tactics to send word to Jamie. When word finally arrives, the news isn’t what anyone had hoped.

My synopsis:

Claire is ready to dash off in search of Jamie. Ian wants to go with, but he’s injured and in no condition to go anywhere. Jenny to the rescue! Despite just having given birth, Jenny straps on two pistols and rides off with Claire in hot pursuit, using her excellent tracking skills to find out where Jamie has been taken.

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Finally, they come across an encampment of British soldiers and see MacQuarrie held as prisoner, but no sign of Jamie. They capture a courier and Jenny tortures him for information until Claire thinks to look in his messenger back for information. They discover that Jamie has escaped, and the message is a request for the garrison at Ft. William to help find and recapture him. Claire is about to treat the wounds of the courier, but  Jenny points out that they can’t let him live. As the two women debate his fate, they hear a sound and turn to see Murtagh slitting the man’s throat.

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With Murtagh there to ride with Claire, Jenny can go back home to her baby. The women part with hugs and affection, but not before Claire gives her some advice about the coming years of hardship and urges her to plant potatoes. Jenny remarks that Jamie had told her that Claire might sometimes tell her things about the future, and that she should listen to Claire. Not weird at all!

Murtagh has an unusual plan for finding Jamie: Stop looking for him. If Jamie is hiding out in the Highlands trying to avoid detection by the British, there’s no chance of finding him. Instead, they need to make themselves very visible so that Jamie will catch word of their presence and come to them. To that end, they travel from village to village, with Claire providing services as a healer and a palm-reader while Murtagh performs atrociously bad dances. They ask everyone they meet if they’ve seen a tall red-haired lad passing through, but no one has.

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They decide to up their game after Claire remarks that Murtagh should “jazz up” his performance. Claire ends up dressed as a boy, singing a popular Highlands song to the tune of “The Boogie Woogie Bugle Boy of Company B”. It draws a lot of attention, but no Jamie. Meanwhile, Claire and Murtagh are venting their worry on each other with constant sniping and arguing. Finally, they reach the end of the road and share an emotional moment, as Claire realizes that Murtagh was in love with Jamie’s mother Ellen years ago, and Murtagh confesses that he loves Jamie like a son.

With new determination, they keep looking, and Claire finally gets word of a message to meet at a nearby location. Certain it’s Jamie, she runs to the meeting point…

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… only to find Dougal there instead. Dougal informs Claire and Murtagh that Jamie was captured, and has already been tried, convicted, and sentenced to hang. He’s at Wentworth Prison, and may already be dead.

Claire is ready to rush off, but Dougal stops her for a private word. He declares his interest in Claire, advises her that once she’s done grieving for Jamie she’ll need protection, and asks her to marry him. Shocked, Claire declares that Jamie’s not dead yet. She sees through Dougal’s words, and realizes that if Dougal marries her, he’ll get the Fraser lands that belong to her by marriage. Claire wants Dougal’s men to help her try to rescue Jamie, refusing to give up. Finally, Claire and Dougal strike a bargain: He’ll give her his men, if they choose to go — but if she fails or if Jamie’s already dead, she’ll marry Dougal.

Dougal’s men are reluctant at first, as it seems like a no-win situation, but ultimately Willy, Rupert, and Angus agree to help. The five ride toward Wentworth Prison, a massive fortress that looms in the distance.

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Thoughts and Highlights:

Romance:

Jamie and Claire’s good-bye is sweet and tender — but there’s an ominous feel as well. After they kiss, time slows as Jamie walks off and Claire gazes after him. She may not realize it, but it’s the last time she’ll see him free and whole.

Images:

The entire labor and delivery sequence is so well done. I particularly love this shot of Jenny, making her pregnancy look both real and beautiful, as she describes the intimate sensations of being pregnant:

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In “The Search”, Claire looks full-out adorable in her “drag” get-up:

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Here’s a closer look at that amazing coat and vest:

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Key points:

Major facts that the episodes get on the table:

  • The Watch is dangerous, but also holds up its end of the bargain by protecting the lands that pay them off.
  • Ian and Jamie fought as mercenaries together in Europe years earlier, which is how Ian lost his leg.
  • Claire is afraid that she’s unable to have children, something she tearily confesses to Jamie after he shares his dream of a large family. Jamie being glorious, selfless Jamie, he immediately reassures Claire that he’s fine with not having babies, so long as he has her.
  • Murtagh is completely loyal to Jamie (and to Ellen’s memory), and will do anything to protect Jamie.
  • Dougal is creepy and stalkerish as he tries to seduce Claire, basically declaring Jamie dead in advance and advising her to give up hope. He seems to have gotten over Geillis’s death already.

Memorable lines:

Episode 113:

Jamie, telling Claire why it might be best if she can’t have children:

“I can bear pain myself, but I couldna bear yours.”

Saying good-bye:

Claire: “Haste ye back, or else.”

Jamie: “Or else what?”

Claire: “Or else I’ll follow you, I’ll drag you back by your thick red curls, and you won’t like it one bit.

Episode 114:

Murtagh: “You think you’re the only one who loves Jamie? He’s a son to me.”

Character impressions:

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Jenny is one bad-ass woman. From the way she handles her pistols to getting on horseback three days post-partum to the casual stop by the side of the road to express breastmilk, Jenny is tough, determined, and committed to doing whatever she needs to protect her family.

McQuarrie seems a decent guy. His men seem like thugs, but McQuarrie is a former soldier with a sense of honor. And — added bonus — he’s played by Douglas Henshall, who’s always wonderful.

Takeaway:

We don’t see Jamie at all in “The Search”, and it’s a very effective way of keeping the tension high. We have no more idea than Claire does whether Jamie is alive or dead, free or a prisoner. The little bits shown of Claire singing and dancing may be amusing, but the desperation behind the roadshow is always apparent.

Claire is determined to find Jamie and save him, and it’s 100% believable that she’ll do it or die trying.

Outlander Rewatch: Episode 112, “Lallybroch”

Outlander, Season 1, Episode 12: “Lallybroch”

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The official synopsis, courtesy of Starz:

Reunited, Claire and Jamie make their way to Lallybroch – Jamie’s family home. Reality quickly sets in, and old wounds are reopened between Jamie and his sister, Jenny.

My synopsis:

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A glorious opening: Claire and Jamie, riding a single black horse, gallop across the most breathtaking Scottish countryside. It’s sunny and bright, and so are Claire and Jamie. They indulge in some truly cute and silly conversation in which, among other things, Jamie learns about flying in airplanes, and the fact that he’s married an older woman.

“When I’m 40, you’ll be 245!”

As they arrive at Lallybroch and catch sight of Jamie’s family home, a darkness descends as Jamie remembers the last time he was at Lallybroch. Once again, we flash back to the day that Jack Randall showed up, whipped Jamie and assaulted Jenny, and then dragged Jamie off to Ft. William.

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Visually, the flashbacks are stunning — in greys and sepias, with the flashes of red on the British soldiers the only color.

As they walk into the yard at Lallybroch, Claire greets the small child at play, and a very pregnant Jenny runs to greet Jamie and embrace him. It’s been four years without a word. Jenny introduces her child, wee Jamie, and big Jamie immediately gets upset. He’s heard rumors, you see, that Jenny was left pregnant by BJR, and so he jumps to the conclusion that Jenny’s given her bastard child Jamie’s name “to be a reproach” to him for leaving her in harm’s way. And he wants to know whose bastard Jenny is carrying now. “Mine,” says Ian Murray, Jamie’s childhood friend, as he limps forward on his wooden stump to greet the new arrivals.

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It’s a tense homecoming, and to be honest, Jamie acts kind of like a jerk here. Jenny’s not so great either, referring to Claire as a trollop and giving her the stink-eye. As the two couples sit together, Jamie asks Jenny to tell him the truth about what happened with BJR. More flashbacks: Jenny went into the house with Randall and went with him upstairs. He was gross, sticking his bloody fingers in her mouth, and she took a chance to bop him over the head with a candlestick, but was unable to escape. BJR threw her on the bed and unbuttoned his trousers, but was unable to… umm… stand at attention. Jenny started to laugh, somehow realizing that this would further make him unable to perform. She laughed in his face until he knocked her out, and when she awoke, he was gone, and had taken Jamie off to prison.

Further tension: Claire tells Jamie he should apologize to Jenny for how he behaved when they arrived, which pisses off both Jenny and Jamie. Jenny wants Claire to stay out of her business with her brother, and Jamie pulls Claire aside and tells her not to shame him in front of his family and servants. He’s Laird here, and she needs to be respectful. They reach a tenuous understanding — Claire can be bossy and argumentative as much as she wants when they’re in private, but in public, they need to be seen as Laird and Lady.

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Speaking of which, Jenny insists that Jamie and Claire moved into the Laird’s bedroom (which had been hers and Ian’s), but there’s clearly still tension between Jenny, who’s been running the estate all these years, and Jamie, who just waltzed in and expects to be right back in charge.

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Jamie is overcome by memories once again as he and Claire settle in, and he tells Claire about the last time he saw his father, who lies buried in the Lallybroch graveyard. Flashback: When Jamie was being held at Ft. William, after his first flogging, Jamie’s father came to bargain for his release. As Jamie is being led to a meeting with Randall, he encounters Brian in the hallway. Brian, clearly devastated, kisses Jamie and tells him “Remember to pray. I’ll stand by you no matter what happens.” Jamie is brought to BJR, who tells him how worried his father is about him, but informs Jamie that sadly, there’s no chance that Brian will be able to arrange to get Jamie released in time to save him from a 2nd flogging.

Jamie is still in agony from his first flogging. BJR tells him that it’s a shame that they two have gotten off to such a poor start. Jamie doesn’t understand at first where BJR is going with all this, although he eventually figures out that Randall “likes to play with his toys.” Finally, BJR makes it plain what he wants from Jamie:

“Give over to me. Make free of your body. And there will be no second flogging.”

Jamie admits to Claire that he considered it. He was in horrible pain, and knew there was much more on the way, perhaps enough to kill him. And he figures that an episode of “buggery” would probably be less painful and over more quickly than a flogging, and then he’d be set free. But he could still feel his father’s kiss on his cheek, and knew that his father wouldn’t want him to let Randall break him, and so he couldn’t do it.

On the day of the flogging, Dougal was there, and so was Brian. As Jamie fell unconscious, they thought he was dead, and Brian collapsed (apparently a stroke). Jamie never saw his father fall, and didn’t see him buried. He’s blamed himself for his father’s death ever since.

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Back to the present — there’s a tense dinner, and the next day is Quarter Day, when the tenants come to pay their rents. It’s a festive occasion, as the Laird has returned, and Jamie and Claire are fussed over and given gifts. Claire interferes when she sees a small boy being abused by his father, and later Jamie acts like a big man by giving back the rents to the tenants because they had a hard year.

Jamie stays up drinking with the local men until the wee hours and comes to bed very drunk, which is, quite honestly, adorable. Claire gives him some major side-eye, but secretly smiles over how gosh darn cute he is.

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The next day, he’s not quite as cute due to being extremely hungover. Jenny is disgusted with both of them — Claire, for disrupting plans she’d been making to take care of the boy Rabbie, and Jamie for giving back the rent, which is what keeps the estate running and ultimately provides land for the tenants to live on.

“Do ye think life just started when the two of you walked through that door?”

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Jamie’s head hurts and he growls at everyone, including poor Mrs. Crook, the housekeeper. The bread is awful because the mill isn’t working, so Jamie storms out to go try to fix it. Something is jammed in the waterwheel and Jamie strips down to just a shirt to dive underwater and try to get it moving again. Claire and Jenny are waiting for Jamie by the millpond when a group of British soldiers ride up. The officer offers to help and is about to dive in as well when the wheel starts turning, so they ride off. Once they’ve gone, Jamie resurfaces — very, very cold and naked. Jenny yells at him at first, until she catches a glimpse of his scarred back, at which point she runs off

That night, Claire has a middle-of-the-night hallway conversation with Ian, and they commiserate on how hard it is to be married to these hard-headed Frasers. Claire goes back to her room and dumps Jamie out of bed, telling him he’s been acting like a jerk and he needs to shape up.

The next day, Jamie is visiting Brian’s grave, and Jenny comes to join him. Jamie hands Jenny the rent money, which he has recollected from the tenants, and offers to smooth things over with wee Rabbie’s family. Jenny tells Jamie that he did the right thing with the boy, and they begin to make up.

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Jenny apologizes to Jamie: “I was wrong, and I’m so ashamed.” She’s blamed Jamie all these years for Brian’s death. She thought Jamie must have shot off his mouth or done something to deserve the punishment he got… but when she saw his back, she realized that he was tortured by an animal, and that he was not to blame. Jenny feels that it’s her fault that BJR sought to hurt Jamie, in retaliation for her laughing at him when he tried to rape her. If she hadn’t laughed at him, would he still have had so much fury? Would things have been different for Jamie?

As it turns out, Jamie has blamed himself for Jenny’s rape and Brian’s death all these years. As they talk, they realize and accept that neither of them is to blame, and that Black Jack Randall is the one who’s responsible for their family’s pain and suffering. Jamie and Jenny embrace and truly forgive one another, and can finally enjoy their reunion with love and happiness.

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At night, Jamie and Claire share a private moment in their room. Claire is beginning to feel at home at Lallybroch. Jamie tells Claire that he knew he wanted her from the moment he first saw her, and loved her from the moment she first wept in his arms. He’s loved her ever since, and loves her more every day.

For the very first time, Claire tells Jamie:

“I love you.”

Claire wakes up the next morning with a smile, and goes downstairs to find Jamie… standing in the main room as a strange man holds a pistol to his head.

Cliffhanger! Jamie is in danger, and that’s the end of the episode.

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Steam factor:

Nothing explicit, but the romantic moment between Claire and Jamie is very swoonworthy, especially their declarations of love. And okay, the naked-Jamie-in-the-water moment is hot, but I’m not giving into the urge to objectify Jamie Fraser any further, so you’ll have to look somewhere else for that visual treat. (Hint: Google “outlander jamie naked”. You’re welcome.)

Fashion statements:

There’s a wonderful moment in the episode when Jamie and Claire are in their glory as Laird and Lady greeting the tenants — and it’s a great visual touch to have Jamie wearing his father’s coat:

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For some reason, I’m just really in love with the fasteners on Jenny’s cloak in this scene:

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Key points:

Major facts that the episode gets on the table:

  • Jenny married Jamie’s friend Ian and has a child with him (and another on the way).
  • Jenny and Ian have been keeping Lallybroch going all this time.
  • Jamie has some major daddy issues and lots of guilt.

Memorable lines:

As Jamie and Jenny forgive one another, Jamie tells Jenny that he would gladly have been killed if it that could have kept Jenny safe from Randall. Jenny’s response:

“And if your life is a suitable exchange for my honor, tell me why my honor is not a suitable exchange for your life.”

Jenny to Jamie, as the two make peace:

“Welcome home, Laird Broch Tuarach.”

Character impressions:

Jamie and Jenny love each other deeply, but they’re both so hard-headed and quick to anger that they almost miss the chance to reconcile. It’s wonderful to see how their two more sensible spouses pave the way for them to admit their hurt and fear and find a way back to one another.

We get yet more insights into BJR’s desires and how he functions. He’s a danger to anyone who winds up in a situation where he holds the power. As Jamie rightly observed, BJR likes to toy with his victims, and causing fear and pain is obviously what turns him on.

Claire and Jamie!! Hearing Claire finally say that she loves Jamie is amazing!

Takeaway:

It’s a nice, warm scene finally at Lallybroch, so of course danger and trouble must be looming! Jamie and Claire get almost no time to enjoy normal life together. Claire reminds us early on that Jamie has a price on his head still, and Jenny asserts that he’s safe at Lallybroch, because there’s not a single tenant who would betray him. Uh oh… foreshadowing?

Outlander Rewatch: Episode 111, “The Devil’s Mark”

Outlander, Season 1, Episode 11: “The Devil’s Mark”

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The official synopsis, courtesy of Starz:

Claire and Geillis are on trial for witchcraft. Jamie manages to rescue Claire, but not before she discovers a secret about Geillis’s past.

My synopsis:

Boom! Claire and Geillis are dumped in the thieves’ hole — a dirty, smelly, rat-infested hole under the ground with a locked iron grate across the opening. The women are angry at each other and trade accusations.

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Geillis believes Claire is to blame:

“I kept your secrets, Claire. You should have kept mine.”

Claire points out that Geillis isn’t exactly spotless — she did, after all, murder her husband. Geillis doesn’t bother denying it, and in fact, owns up to dosing Arthur with white arsenic for a while now, building up to the final dose of cyanide. She’s confident that they won’t remain in the hole long — Dougal will come and take them both away from there.

Claire is horrified, and tells Geillis the cold, hard facts: Dougal is gone. Colum has sent him away, and Jamie too.

“No one is coming, Geillis.”

They spend a wretched night, but things don’t look better in the morning. In fact, things only get worse, as they’re hauled out of the thieves’ hole, dragged through the streets of the village with their hands bound by leather thongs, and brought into the church for a trial. As they’re led through the village, they pass the stakes erected in the town square, with branches being piled around them. It’s always handy to have a pyre ready when you’re trying witches.

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The courtroom/church is packed with angry townspeople who seem to find a lot of satisfaction in shouting angrily at the two women. There are no familiar faces in the crowd; Claire sees no one there from Castle Leoch. As the judges (priests, apparently, or some sort of religious figures, in any case) start the trial, there’s an interruption as Ned Gowan barges in. Ned points out that witch trials are no longer the law of the land in Scotland, but the judges are not impressed, as this is a religious matter. Ned insists on acting as defense lawyer for both women, and the trial commences.

First up is Geillis’s serving girl, who tells tales of women from the village coming to Geillis for charms and amulets, and reports seeing Claire in league with Geillis, with the two women chanting “ominous incantations” Ned discredits her testimony pretty easily, pointing out how she’s a disgruntled servant who’d been seeking other jobs and is now getting back at Geillis for not paying her more.

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Next is a young, grieving woman — the mother of the dead child Claire found on the fairy hill. The woman describes seeing Claire pick up the child and speak words over it, and the next morning it was dead. She claims that she’d left the ailing child for the fairies to take back, so they’d return her own child to her, but with Claire’s witchery, the fairies didn’t bring back her own child.  Ned offers sympathy to the woman, but gets her to admit that the child was too ill to survive and that Claire did nothing.

Still, the crowd continues to shout “Witch!” at Claire and Geillis, and Claire shouts back that she’s a healer. The courtroom is outraged that Claire is speaking out, and Ned cautions Claire to stay quiet and let him do his job.

Another witness comes forth — a man who swears he saw Geillis call down lightning as she laughed in a storm, then fly into the sky like a bat. The crowd eats it up, of course… and the court is adjourned for the day. Back to the hole go Geillis and Claire, along with a flask from Ned to help them keep warm.

Geillis’s optimism from the previous day is gone:

“You still don’t understand, do you? They mean to kill us.”

Claire questions Geillis. Why has she done the things she’s done? Was it Dougal that she wanted? A better position? Money? Geillis scoffs — as Arthur’s wife, she had a respected position and plenty of money. In fact, she managed to divert over a thousand pounds from Arthur… for Scotland. Geillis is a Jacobite, dreaming of a Stuart king back on the throne.

“Come the Rising, I shall know I helped.”

She has no regrets, she declares. Claire responds by quipping, “I only regret that I have but one life to give for my country.” Geillis seems amused as she comments, “Nicely put.” Ah, a hint!

As the women bond over their miserable situation, Geillis asks Claire if she truly loves Jamie. It’s his name she cries out in her sleep. The two women huddle together to keep warm. As they’re pulled from the hole the next morning, it’s clear that they’ve reconnected. They describe themselves as a flock of two, and promise to protect one another. It’s a moment of shared affection and peace, before they head back into the storm.

Things at the trial take a dismal turn. Laoghaire strolls in as the next witness. She tells the court that she came to Claire for a love potion to open Jamie’s heart, and declares that she was the one that Jamie was meant to marry. But Claire took the potion herself, hexed Jamie, and stole him away from her. Ned tries to dismiss Laoghaire as just a heart-broken girl, but the crowd is on her side and Laoghaire seems gleeful to be getting revenge on Claire.

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From bad to worse — next is Father Bain… who, surprisingly, seems almost to be saying that Claire isn’t a witch. He tells the story of Claire saving the boy that he was trying to exorcise, and exclaims that he has failed God and the congregation, and therefore he’s giving up his post. It’s all a sinister, clever ruse. As Father Bain announces his departure, the crowd yells for him to stay, and shout that this is yet further proof that Claire is a powerful witch who has even managed to enchant and hex such a godly man. The crowd is incensed, the judges seem ready to pronounce a decision, and Ned calls for a recess.

He takes Claire and Geillis into a back room and tells them the harsh truth. The climate has turned ugly, and the only chance for either to survive is if one turns against the other. He bluntly tells Geillis that she’s beyond saving, given her history and reputation in the town, and advises Claire to denounce Geillis and accuse her of tricking Claire with her evil ways. Otherwise, they’ll both be burned. Ned leaves to give the women a moment to consider.

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Geillis, full of emotion, questions Claire. Why is she here? What is the real reason? She knows Claire is hiding something, and now she must tell the truth! Claire tells Geillis that she is there by accident, and her answer deflates Geillis. So she doesn’t want to change anything? Is it really all for nothing? She seems to accept Ned’s recommendation that Claire save herself by giving up Geillis.

As they return to the courtroom, Ned announces that Claire has something to say. But after a moment’s pause, Claire states that Ned is mistaken – she has nothing to say. The women are found guilty and condemned to death. As the crowd swarms around them, Geillis turns to Claire and tells her, “I think it is possible. 1968.” What does this mean?

The crowd goes nuts. Claire yells that they’re all murderers, and the judges decide to give Claire one last lesson on her way to the stake, ordering her to be “stripped and skelped”. Her dress is torn down the back, and she’s held still as another man begins to whip her. Claire cries out in pain — but then the door bursts open, and finally, Jamie is there! He storms in, defies the crowd with sword and pistol, and stands over Claire to protect her.

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He’ll be attacked in a second himself, but then Geillis offers the ultimate distraction: She yells out that Claire is not a witch, but she is — and pulls her gown from her shoulders to display what she calls a devil’s mark, but which Claire recognizes as a smallpox vaccination scar.

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Geillis continues to shout about serving the devil as she strips off her clothes and shows her pregnant belly. She’s bearing Satan’s child! As the mob rushes her, Geillis mouths the word “Run!” to Claire and Jamie, then continues to scream as she is lifted and carried out, providing enough cover for Claire and Jamie to make an escape. There’s nothing they can do to help Geillis. They escape on horseback, riding fast and far from the awful village.

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Finally, Jamie stops in a glade to tend Claire’s wounds. It’s a first — Claire is injured, and Jamie’s the one providing care. At last, they talk. Jamie asks Claire for honesty. He knows that there are things that she maybe can’t tell him, but whatever she does tell him, let it be the truth. Are you a witch, he asks. He’s seen the same mark on Claire that Geillis has.

No, she’s not a witch, Claire tells him… and tells him the truth. She was born on October 20 in 1918. She’s from the future. Jamie confesses that he doesn’t really understand, but he does believe her. He asks to know more, and she tells him everything — about the war, about Frank, and about the stones at Craigh na Dun, as well as about the Jacobite cause and the disaster of Culloden.

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Jamie realizes to his horror that when she ran away and ended up captured at Ft. William, she’d only been trying to get home, to her own time and to Frank. He feels awful that he beat her for this, now that he knows why she did what she did. He tells Claire how truly sorry he is, and vows that no one will harm Claire again.

They ride hard for several more days, leaving Leoch and the trial far behind. Jamie describes Lallybroch and what their life could be like there. They camp at night, and Jamie holds Claire by the fire, tracing her face with his fingers, gazing at her as he touches her and gives her pleasure. The next morning, he asks Claire if she’s ready to go home… and walks her up a hill so that she can see where he’s taken them. They’re back at Craigh na Dun.

“It’s what you wanted. What you’ve always wanted. To go home.”

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Jamie takes Claire by the hands and leads her to the stones. As she’s about to touch the main stone, he pulls her back for one last embrace. He wasn’t ready, but now he knows it’s time for them to part.

“There nothing for you on this side. Nothing, except violence and death. Good-bye, Sassenach.”

And he walks away. Heartbreak!

Claire sits by the stones, looking at her hands with her two wedding rings, touching each in turn, deep in thought. She looks back toward Jamie, and looks toward the stones. We see her walking toward the stones, and then all goes black.

Next, we see Jamie sleeping by his fire. And then there’s Claire, saying “On your feet, soldier.” She’s made her decision — she’s staying with Jamie. She asks him to take her home to Lallybroch. In tears, Jamie takes Claire in his arms for a kiss and a loving embrace.

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Holy moly, what an emotional roller-coaster of an episode!

Steam factor:

That scene by the fire! It’s sexy and tender at the same time, and while all the clothes stay on, it’s a fairly explicit depiction of sexual exploration and gratification.

Fashion statements:

Claire  and Geillis are dirty and bedraggled most of the episode, wearing the same clothes they had on previously, so I wouldn’t say this was an episode for high fashion!

Key points:

Major facts that the episode gets on the table:

  • Geillis is from the future! There have been hints, but now Claire knows for sure. Apparently, Geillis is from 1968, although with her on the way to being burned as a witch, Claire has no opportunity to find out more.
  • Laoghaire shows her true colors, willing to bring about Claire’s death if it means she gets a shot at Jamie.
  • And the biggest moment of all: Claire has the opportunity to finally go home to Frank… but chooses Jamie instead.

Memorable lines:

Geillis, after Ned asks what she’s going to do:

“It looks like I’m going to a fucking barbecue.”

Laoghaire to Claire:

“I shall dance upon your ashes.”

Jamie, in heroic rescue mode:

“I swore an oath before the altar of God to protect this woman. And if you tell me that you consider your authority to be greater than that of the Almighty, then I must inform you that I am not of that opinion myself.”

Character impressions:

It’s all there, isn’t it? Geillis did murder her husband, but she considers herself justified by her devotion to Scotland and the Jacobite cause. Her morals are definitely shady, but she comes through for Claire in the end, sacrificing herself so that Claire can live.

Laoghaire is a vengeful little trollop. Ugh.

Jamie is brave and true, and listens to Claire with an open-heart. He believes her because he loves her, and trusts her to tell him the truth, whether or not it makes sense to him.

Takeaway:

LOVE! Claire finally has a real decision to make, the ability to choose her future, and she chooses Jamie. It’s a wonderful moment, and the confession scene between Claire and Jamie really gives us a chance to see how far they’ve come and how much trust and devotion exists between the two of them.

Geillis really shines in this episode, thanks to the amazing work of Lotte Verbeek. She does an extraordinary job of portraying Geillis as a powerful, driven, enigmatic woman, who may be delusional in her beliefs and aspirations, but ultimately is willing to give her own life to save her friend.

Thursday Quotables: Miss Peregrine’s Home For Peculiar Children

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Welcome back to Thursday Quotables! This weekly feature is the place to highlight a great quote, line, or passage discovered during your reading each week.  Whether it’s something funny, startling, gut-wrenching, or just really beautifully written, Thursday Quotables is where my favorite lines of the week will be, and you’re invited to join in!

NEW! Thursday Quotables is now using a Linky tool! Be sure to add your link if you have a Thursday Quotables post to share.

Miss Peregrine

Miss Peregrine’s Home for Peculiar Children by Ransom Riggs
(published 2011)

I read this book back in 2011, and now I’m listening to the audiobook to get reacquainted with the story before reading books 2 and 3. The first-person narrative is working really well via audio, even though I miss all the odd pictures!

I had just come to accept that my life would be ordinary when extraordinary things began to happen. The first of these came as a terrible shock and, like anything that changes you forever, split my life into halves: Before and After.

What lines made you laugh, cry, or gasp this week? Do tell!

If you’d like to participate in Thursday Quotables, it’s really simple:

  • Write a Thursday Quotables post on your blog. Try to pick something from whatever you’re reading now. And please be sure to include a link back to Bookshelf Fantasies in your post (http://www.bookshelffantasies.com), if you’d be so kind!
  • Click on the linky button (look for the cute froggie face) below to add your link.
  • After you link up, I’d love it if you’d leave a comment about my quote for this week.
  • Be sure to visit other linked blogs to view their Thursday Quotables, and have fun!

Shelf Control #29: Mistborn

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Welcome to the newest weekly feature here at Bookshelf Fantasies… Shelf Control!

Shelf Control is all about the books we want to read — and already own! Consider this a variation of a Wishing & Waiting post… but looking at books already available, and in most cases, sitting right there on our shelves and e-readers.

Want to join in? See the guidelines and linky at the bottom of the post, and jump on board! Let’s take control of our shelves!

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My Shelf Control pick this week is:

mistbornTitle: Mistborn
Author: Brandon Sanderson
Published: 2007
Length: 643 pages

What it’s about (synopsis via Goodreads):

Once, a hero arose to save the world. A young man with a mysterious heritage courageously challenged the darkness that strangled the land.

He failed.

For a thousand years since, the world has been a wasteland of ash and mist ruled by the immortal emperor known as the Lord Ruler. Every revolt has failed miserably.

Yet somehow, hope survives. Hope that dares to dream of ending the empire and even the Lord Ruler himself. A new kind of uprising is being planned, one built around the ultimate caper, one that depends on the cunning of a brilliant criminal mastermind and the determination of an unlikely heroine, a street urchin who must learn to master Allomancy, the power of a Mistborn.

How I got it:

I bought it.

When I got it:

A couple of years ago.

Why I want to read it:

People recommend this one to me all the time, and I still haven’t read it! I’ve been unwilling to start a new series, but I think it’s about time I finally break down and give Mistborn a try.

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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link below!
  • And if you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and have fun!


For more on why I’ve started Shelf Control, check out my introductory post here, or read all about my out-of-control book inventory, here.

And if you’d like to post a Shelf Control button on your own blog, here’s an image to download (with my gratitude, of course!):

Shelf Control

Top Ten Tuesday: Ten Of My Most Recent 5-Star Reads

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Top Ten Tuesday is a meme hosted by The Broke and the Bookish, featuring a different top 10 theme each week. This week’s topic is 10 Of My Most Recent 5 Star Reads.

I feel like I’ve already praised most of these to death, but hey — if a book is that good, it’s always worth talking about again! My top ten, in no particular order:

 

1) Breakup by Dana Stabenow: I can’t help raving about this terrific series!

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2) And Then There Were None by Agatha Christie: My first Christie, finally!

and then

3) Lock In by John Scalzi (review): Fascinating sci-fi.

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4) All the Winters After by Seré Prince Halverson (review): Love and Alaska – what could be better?

All the Winters After

5) The Guest Room by Chris Bohjalian (review): Disturbing, shocking, and moving.

Guest Room

6) In the Shadow of Blackbirds by Cat Winters (review): So far, every one of this author’s books has been a 5-star read for me.

In the Shadow of Blackbirds

7) Uprooted by Naomi Novik (review): Utterly magical and absorbing.

Uprooted

8) Alex + Ada by Jonathan Luna and Sarah Vaughn (review): An amazing graphic novel trilogy.

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9) Depth by Lev AC Rosen (review): Sci-fi noir — a detective story set in the drowned city of New York.

Depth

10) The Marvels by Brian Selznick (review): This author continues to amaze with his words-and-pictures approach to storytelling.

The Marvels

What books made your list this week? Please share your links!

If you enjoyed this post, please consider following Bookshelf Fantasies! And don’t forget to check out our regular weekly features, Shelf Control and Thursday Quotables. Happy reading!

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Do you host a book blog meme? Do you participate in a meme that you really, really love? I’m building a Book Blog Meme Directory, and need your help! If you know of a great meme to include — or if you host one yourself — please drop me a note on my Contact page and I’ll be sure to add your info!

The Monday Check-In ~ 3/28/2016

cooltext1850356879 My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.

In real life:

Another crazy, busy week! I feel like I did nothing but work and sleep, and barely had time to read. Frustrating!

Elsewhere on the blog:

I pondered whether reading the book before watching the TV or movie version is always the best approach. I’d love to hear what you think! Check out my post, here.

What did I read last week?

Steep & Thorny WayHFJGathering Blue

The Steep & Thorny Way by Cat Winters: Another outstanding book from an author who has quickly moved onto my list of favorites! My review is here.

I finished the audiobook of The Hundred-Foot Journey by Richard C. Morais, my book group’s pick for March. My thoughts are here.

And although I was in the midst of something else, I gave into a sudden urge to read the 2nd book in Lois Lowry’s The Giver quartet, Gathering Blue. It was a quick but powerful read. Now I need #3!

Outlander update!

I’m continuing with my Outlander rewatch. This week’s posts included:

Episode 109 – The Reckoning
Episode 110 – By The Pricking Of My Thumbs

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I just haven’t had enough time! Six more episodes to go… and season two starts in 2 weeks!!!

Fresh Catch:

No new books this week!

What will I be reading during the coming week?

Currently in my hands:
Summer Before the WAr

I’m about 20% of the way into The Summer Before the War by Helen Simonson. I would have gotten further, except for my detour to read Gathering Blue. But now I’m back on track!

Now playing via audiobook:

Miss Peregrine

I’m about to start the audiobook of Miss Peregrine’s Home For Peculiar Children. I read it when it first came out, but I’ve been wanting to do a re-read before reading the other two books in this series. We’ll see how it goes, and whether the audiobook is satisfying without being able to see all the bizarre photos that go with.

Ongoing reads:

MOBYemma

My book group is reading and discussing two chapter per week of both Written in My Own Heart’s Blood by Diana Gabaldon and Emma by Jane Austen. This is an online group, and anyone is welcome to join us — so if you’re interested, just ask me how!

So many books, so little time…

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Outlander Rewatch: Episode 110, “By the Pricking of My Thumbs”

Outlander, Season 1, Episode 10: “By the Pricking of my Thumbs”

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The official synopsis, courtesy of Starz:

Jamie hopes the newly arrived Duke of Sandringham will help lift the price from his head, while Claire attempts to save an abandoned child.

My synopsis:

The episode opens on a private moment. A very private moment. Claire and Jamie are in bed, and let’s just say that Murtagh’s unrelenting pounding on the door is not at all welcome. Jamie, ever diligent, opts to ignore the door until he finishes the task in front of him, with apparent great success. Whew… is it getting hot in here?

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The news from Murtagh is important, though. The Duke of Sandringham has arrived. He’s always been fond of Jamie (hinting that he was *wink, wink* very fond of some of Jamie’s attributes), and perhaps he’s be willing to help get the price lifted from Jamie’s head. Claire warns Jamie not to trust the Duke blindly — she knows from her time with Frank that the Duke was suspected of being a secret Jacobite supporter, and also of being a protector of Black Jack Randall’s. Jamie promises to be cautious, but he’s also puppy-dog excited at the idea that he could be free and could finally take Claire home with him to Lallybroch, where they could have a good life and be happy.

Ned Gowan considers the best way to proceed. Even with the Duke’s backing, it would be next to impossible to prove that BJR is the one guilty of the murder Jamie’s wanted for. But perhaps there’s a different approach. If Jamie and Claire swear to a complaint again BJR, itemizing his cruelty and abuse, and have it presented by the Duke, BJR would be disgraced and would likely be recalled from the Highlands, perhaps even court-martialed or sent somewhere far, far away. And if BJR is disgraced, a general pardon for Jamie would be possible. This seems like the best chance they have for finally clearing Jamie’s name.

In the kitchen at Leoch, Mrs. Fitz is ecstatic over a new apron given to her by her granddaughter Laoghaire. Claire arrives and asks to speak with Laoghaire alone, then accuses her of leaving the ill-wish under her bed. Laoghaire denies it. Claire tries to be nice to the girl at first, telling her that she was misguided in thinking that Jamie had feelings for her, but Laoghaire insists otherwise:

“The truth is, he was never yours to begin with.”

“That’s a lie. Jamie Fraser was, and is, mine. And you did us both a wrong past bearing when you stole him away.”

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Their confontation ends with a big slap right across Laoghaire’s face, and Claire apologizes with a very not-sorry “sorry”. Laoghaire is well and truly pissed now, and tells Claire that yes, she was the one who placed the ill-wish, and furthermore, she got it from Geillis Duncan, supposedly Claire’s friend. Claire warns Laoghaire:

“Stay away from me and my husband.”

Claire goes to visit Geillis to find out the truth, arriving to find Geillis out, but Arthur Duncan rummaging about looking for a treatment for his usual gastric yuckiness. The serving girl tells Claire that she’ll find Geillis in the woods at night while the moon is full. And so Claire does, spying on Geillis as she lights fires and chants a prayer to the Earth Mother, dancing and rolling on the ground in a sort of religious ecstasy, clad only in the overshawl and brooch she’d worn at the gathering. Claire watches in shock, especially as Geillis’s near-nakedness reveals a distinct baby bump.

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Geillis acknowledges that she knows Claire is there, and tells Claire that she has a lover — Dougal MacKenzie. It’s his baby that she’s carrying, and she’s prayed to Mother Nature to ask for freedom for herself and Dougal so they can be together. Geillis admits selling the ill-wish to Laoghaire, but claims that she didn’t know who it was for.

The two women continue to walk through the woods, and Claire asks more about Dougal. It turns out that Dougal is married, but he keeps his wife back home at his estate while he lives at Castle Leoch. As they walk, Claire hears a baby’s cries. Geillis warns her to ignore it: They’re near a fairy hill, and that must be a changeling, not a human child. Claire insists on looking for the baby, and Geillis takes off. Claire finally finds the baby, but it’s dead already from exposure, having been left out all night. Jamie finds Claire cradling the dead baby and makes her put it back in its hiding place, explaining the superstitious nature of the local people, and making it clear that it could be dangerous to ignore these superstitions, even knowing that they’re ridiculous.

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Claire and Jamie sign the document outlining BJR’s crimes. Later, unbeknownst to Jamie, Claire pays a visit to the Duke of Sandringham, during which she insinuates that that the Duke’s reputation could be harmed if his support and connection to BJR were revealed. He calls Claire’s statements “libelous falsities”, but after the two exchange some veiled and not-so-veiled threats, it seems that the Duke will help Jamie after all.

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Claire returns to the castle to find everyone in a tizzy. Dougal has just received word that his wife has died of a sudden illness, and he’s going nuts, raging with grief and guilt, highly drunk, and flinging his sword about whenever anyone gets near. Colum wants Claire to do something to calm him down, so she slips a sedative into some wine which Dougal guzzles, sending him into a heap on the floor.

Outlander 2014

Geillis acts as though all this is great news. “Can you believe it?” she asks Claire. It’s like her prayers have been answered, and now she and Dougal can be together. Claire reminds Geillis that she has a husband, but Geillis basically shrugs that off. No big deal.

Now it’s Jamie’s turn to visit the Duke. He’s always delighted to see Jamie (he apparently has an eye for pretty young boys), and would be happy to help Jamie out… in exchange for a wee favor. It seems that the Duke has a debt he owes to the MacDonalds, who’ve demanded satisfaction in a duel. It’s just for show, the Duke hastens to reassure Jamie. They’ll fire pistols off to the side, everyone’s honor will be satisfied, and that’ll be that. In exchange for helping Jamie in his case against BJR, Jamie must act as second to the Duke in the duel.

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That evening, there’s a banquet at the castle in the Duke’s honor. Everyone is dressed up and fancy, and it’s quite an evening… until Arthur Duncan begins to choke and then collapses on the floor, foaming at the mouth. He’s dead, and Claire catches a whiff of bitter almonds, the tell-tale scent of cyanide. While everyone else is focused on the dead man, Claire spots Geillis and Dougal exchanging a meaningful glance.

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Back to the Duke’s duel. It’s a simple and straightforward formality, but afterwards, the MacDonald lads get rude and insulting. When Jamie responds to their taunts with a diss against their mother, the swords come out. The Duke scampers off (a duel is one thing, but a common brawl quite another), and it’s three against one. Jamie holds his own until the fight is over, but he comes out of it with a nasty wound on his side.

Claire must stitch Jamie up once again, and she’s pissed. Jamie is summoned to Colum’s chamber, where Colum reams out Dougal for his stupidity in carrying on with Geillis Duncan. Colum exiles Dougal back to his own estate until the scandal blows over, and orders Jamie to go with Dougal, along with Rupert and Angus. And just to make sure that Jamie is doing Colum’s bidding and keeping Dougal out of trouble, Colum insists that Claire remain behind at Castle Leoch.

After a loving and tender good-bye, Jamie rides off, but not before warning Claire to stay away from Geillis Duncan. There’s a good chance that Colum will go after Geillis, and Jamie doesn’t want Claire anywhere near when or if this happens.

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So, naturally, Claire goes rushing off to Geillis’s house after receiving a note summoning her — only the note is a forgery, not from Geillis. Claire begs Geillis to pack up her belongings and leave. She’s in danger — but Geillis dreamily replies that “Dougal will never allow anything to happen to me. To us.”

A banging on the door — it’s the warden. Geillis is arrested for witchcraft, and so is Claire. As they’re shoved into a barred wagon to be taken away, Claire catches sight of Laoghaire peering around the corner with a very satisfied little smirk on her face.

Steam factor:

The opening scene is intimate and explicit, showing a lot without showing anything that can’t be shown on TV. It’s an intense, passionate moment, and shows the deepening connection and trust between Jamie and Claire.

Fashion statements:

Claire looks amazing with her fur cowls and cloaks, but Geillis really takes the cake in this episode. From her filmy shawl in her woodland ritual to the point-hooded cloak in the woods to her black-and-white dress at the end, Geillis continues to have one of the most unique looks on the show.

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Key points:

Major facts that the episode gets on the table:

  • Laoghaire is out to hurt Claire, even to the point of endangering Claire’s life.
  • The Duke is slippery, and it’s impossible to know where his loyalties lie or whether his pledges of help can be believed.
  • Dougal gives into his passions despite the consequences, and Colum can’t stand it.
  • Jamie dreams of taking Claire home to Lallybroch, where he’ll once more be Laird and Claire his lady.

Memorable lines:

The Duke, to Claire:

“Has anyone ever told you you have the most gorgeous neck? It holds your head so prettily. I’d hate to see them parted.

Dougal, watching Jamie and Claire having a looooong kiss good-bye:

“I said kiss her. Dinna swallow her.”

Jamie, as Claire silently glares while she stitches his wound:

“Ye’re not normally a closed-mouth woman, Claire. I expected noisier displeasure. But, quiet anger can be very effective.”

Character impressions:

The differences between Colum and Dougal are very clear in this episode. Dougal thinks with his heart and his… um… other head, but Colum always takes the rational, logical approach. Emotions be damned — it’s the well-being of the clan that always comes first.

Geillis seems foolishly indifferent to consequences here. She’s usually so aware of actions and reactions and how to take advantage of any situation, but she seems to let her reliance on Dougal and her hopes for their future blind her to the real risk, not just of murdering her own husband but of making Colum angry. You wouldn’t like him when he’s angry.

Claire seems much more settled into her marriage to Jamie. They’re happy together, and she wants him.

Takeaway:

While the situation with the Duke of Sandringham may bring either safety or greater danger to Jamie, the ultimate threat in this episode is against Claire. Jamie is now conveniently out of the way, while Claire’s been arrested and accused of witchcraft. Claire lacks a protector, and unless Jamie returns in a hurry, she may not last.

 

Audiobook Review: The Hundred-Foot Journey by Richard C. Morais

HFJThe Hundred-Foot Journey is the story of Hassan Haji, who travels over the course of the story from his boyhood in Mumbai to the pinnacle of the French culinary world as a Parisian chef and restaurateur. When we first meet Hassan, he is just a boy, growing up in a loud, boisterous Muslim family, with the family’s kitchen and restaurant the center of his world. The tastes and smells of Indian curries and spices are with him from birth, and his large, gregarious father is the heart that keeps them all going at top speed.

But after Hassan’s mother is killed, the family sells the restaurant and spends months traveling through Europe, finally stopping in the small village of Lumiere in the French Alps, when Hassan’s father declares that it’s time to set down new roots. He buys a vacant property and decides to open a new restaurant, Maison Mumbai, and all seems well with the family once more…

Except. Maison Mumbai is located just across the road from La Saule Pleureur, an upscale French inn and restaurant run by the indomitable Madame Mallory, practically an institution in the world of French cuisine. Madame Mallory is outraged by the impertinent Indian family and its noisy, uncouth intrusion into her refined world, and she sets out to make them feel as unwelcome as possible, going so far as to blackmail all the local vegetable and fish purveyors into not selling to the Hajis.

Madame Mallory’s greatest pain, though, comes after eating at Maison Mumbai. Hassan, now a teen-aged boy, is the head cook, and Madame Mallory cannot believe what she’s tasting. To her shock and dismay, she realizes that Hassan has a natural gift, which she describes as the food equivalent of having perfect pitch in music. Finally, Madame Mallory’s jealousy drives her to an act that causes real harm to the Haji family, and in penance and remorse, she asks Hassan’s father to allow Hassan to cross the street — the hundred-foot journey — and become her apprentice. Her greatest desire is to train Hassan in the art of French classical cuisine, and as it turns out, it is Hassan’s greatest wish as well.

All this occurs in roughly the first half of the book. From here, we follow Hassan’s training in Madame Mallory’s kitchen, his eventual departure for Paris, and ultimately the opening of his own restaurant, Le Chien Mechant. Hassan rises through the ranks of the elite chefs of France, a remarkable achievement for someone seen as an outsider.

And… that’s about it.

The book is weirdly anticlimactic, and wasn’t at all what I expected. It has a charming and engaging start, focusing on the Haji family and its eccentricities, especially with the outsized personality of Hassan’s irrepressible father. The conflict in Lumiere between the proper, elegant French restaurant and the noisy Indian restaurant, with its plastic menus and statues of elephants, is a funny, relatable portrait of a culture clash.

But from the moment Hassan moves over to Madame Mallory’s kitchen, the story loses all its steam. The second half of the book feel like a recitation of events, rather than a story. Hassan tells us about where he’s been, what he’s done, what he’s cooked, but it’s all just reporting. It simply does not feel lived in. As Hassan grows older and pursues the success he’s dreamed of, we see him doing it all, but I could not feel it. Even in relating what seems to be the emotional turning point of the second half, Hassan’s friendship with a star chef who is driven to suicide by the impending collapse of his business empire, there’s a lack of emotional connection. I didn’t feel that we got to know Paul particularly well, and while Hassan talks about their friendship, it seems more like listening to someone tell you about an old friend that actually meeting that friend yourself.

The narrator of the audiobook, Neil Shah, does a nice job with Hassan’s first-person narrative, and I loved his depiction of Hassan’s father. The voice for the female characters was not as convincing, bordering on mimicry, especially when putting on a French accent for Madame Mallory.

HFJIn terms of the writing style, I had a problem with the author’s descriptions of the female characters. Madame Mallory is a highly respected French chef in her mid-sixties when we meet her, yet the author persists in describing her as elderly and crone-like — and indeed, he’s not kind to any of the women in the novel. Do we need to know that a woman Hassan briefly dates is thick-thighed? I don’t think so, especially as he doesn’t bother to describe anything else about her. Madame Mallory acts awfully toward the Haji family but ultimately becomes important to Hassan, yet it’s hard to get past the incredibly negative descriptions of her looks that get so much emphasis.

I know The Hundred-Foot Journey was made into a movie (starring Helen Mirren), and I’d still like to see it as a point of comparison, even though I didn’t much care for the book. My impression from what I’ve read about the movie is that it focuses on the first half of Hassan’s story. I only wish the book had had the same focus. Sadly, the second half of the book often seems like a boring slog through lectures on food preparation, the French economy, and the challenges of the restaurant business. Without any drama or personal investment, it’s hard to care much at all about Hassan’s ultimate triumph.

Note: I read/listened to this book after my book group selected it for our March group read. I haven’t yet checked in with the group to see what they thought. For me, this was not one of our more successful picks.

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The details:

Title: The Hundred-Foot Journey
Author: Richard C. Morais
Narrator: Neil Shah
Publisher: Scribner
Publication date: 2008
Audiobook length: 8 hours, 551 minutes
Printed book length: 272 pages
Genre: Fiction
Source: Library (Overdrive)