Take A Peek Book Review: The Dreamers by Karen Thompson Walker

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

Synopsis:

(via Goodreads)

In an isolated college town in the hills of Southern California, a freshman girl stumbles into her dorm room, falls asleep—and doesn’t wake up. She sleeps through the morning, into the evening. Her roommate, Mei, cannot rouse her. Neither can the paramedics who carry her away, nor the perplexed doctors at the hospital. Then a second girl falls asleep, and then another, and panic takes hold of the college and spreads to the town. As the number of cases multiplies, classes are canceled, and stores begin to run out of supplies. A quarantine is established. The National Guard is summoned.

Mei, an outsider in the cliquish hierarchy of dorm life, finds herself thrust together with an eccentric, idealistic classmate. Two visiting professors try to protect their newborn baby as the once-quiet streets descend into chaos. A father succumbs to the illness, leaving his daughters to fend for themselves. And at the hospital, a new life grows within a college girl, unbeknownst to her—even as she sleeps. A psychiatrist, summoned from Los Angeles, attempts to make sense of the illness as it spreads through the town. Those infected are displaying unusual levels of brain activity, more than has ever been recorded. They are dreaming heightened dreams—but of what?

Written in gorgeous prose, The Dreamers is a breathtaking novel that startles and provokes, about the possibilities contained within a human life—in our waking days and, perhaps even more, in our dreams.

My Thoughts:

While I love the premise of this book, the execution screams “literary fiction” rather than “science fiction”, and that may be why The Dreamers didn’t thrill me in the end. It’s an awesome set-up: A mysterious illness begins spreading through a remote college town, with no known cause or cure. People infected simply fall asleep, and stay that way. Without medical care, they’d die of malnutrition and dehydration, and soon the hospitals and emergency triage centers are overflowing with these strange sleepers. As the weeks drag on, those who remain awake find themselves trapped within the quarantined area, living in an eerie world of deserted homes and stray dogs.

Should be exciting, right? And yet, the narrative isn’t focused on the epidemiology or the science, but rather on the individuals, their relationships, and their meditations on the meaning of life, connection, time, and reality. How do we know that what we think is reality isn’t really a dream? How do we know that our dreams aren’t an alternate reality? When does the passing of time represent a loss? Can we mourn what we’ve never had? Is it more ethical to save many strangers than to save one person that you love? On and on.

While there are some interesting developments and characters, the metaphor-heavy presentation didn’t particularly work for me. As with this author’s previous novel (The Age of Miracles), I felt that a nifty sci-fi scenario became the canvas for a meditative literary piece, and that just wasn’t what I was hoping for. Perhaps this author just isn’t for me. I don’t regret reading The Dreamers, but I can’t help wondering how the story might have gone if written by a more action-driven, science-driven sci-fi writer.

_________________________________________

The details:

Title: The Dreamers
Author: Karen Thompson Walker
Publisher: Random House
Publication date: January 15, 2019
Length: 320 pages
Genre: Science fiction/comtemporary fiction
Source: I won this book in a Goodreads giveaway

**Save

Save

Save

Save

Save

Save

Save

Shelf Control #150: Echo Boy by Matt Haig

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

cropped-flourish-31609_1280-e1421474289435.png

Title: Echo Boy
Author: Matt Haig
Published: 2014
Length: 400 pages

What it’s about (synopsis via Goodreads):

Audrey’s father taught her that to stay human in the modern world, she had to build a moat around herself; a moat of books and music, philosophy and dreams. A moat that makes Audrey different from the echoes: sophisticated, emotionless machines, built to resemble humans and to work for human masters. Daniel is an echo – but he’s not like the others. He feels a connection with Audrey; a feeling Daniel knows he was never designed to have, and cannot explain. And when Audrey is placed in terrible danger, he’s determined to save her. Echo Boyis a powerful story about love, loss and what makes us truly human.

How and when I got it:

I bought it a couple of years ago.

Why I want to read it:

I’ve read a few of Matt Haig’s books by now, and just love his writing. This is a YA book, as far as I can tell, and I’ve only read his adult books, but the premise sounds really good, so count me in!

__________________________________

Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • If you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and…

Have fun!

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Top Ten Tuesday: The best books I read in 2018

snowy10

Happy New Year! Welcome to 2019! 

Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is Best Books I Read In 2018.

According to Goodreads, I gave a 5-star rating to 73 books in 2018, and a 4-star rating to 83. That makes 156 books that I pretty much loved. Yowza, what a year! I don’t think I can limit myself to just 10 books here… so I’ll highlight a few, include a few others by category, and see how it all works out…

Here are (just a few of) my favorites from 2018:

1) Powerful family drama set in Alaska: The Great Alone by Kristin Hannah (review)

2) Two views of an an ancient classic: The Song of Achilles by Madeline Miller and The Silence of the Girls by Pat Barker (review)

3) Terrific historical fiction that I read because of my book group: The Tea Girl of Hummingbird Lane by Lisa See (review) and The Chilbury Lady’s Choir by Jennifer Ryan (review)

4) A surprising moving short novel by Stephen King:  Elevation (review)

5) Amazing woman-power science fiction:  The Calculating Stars by Mary Robinette Kowal (review)

6) Action/adventure with THE BEST heroic duo: Hope Never Dies by Andrew Shaffer (review)

7) New books in beloved series:

8) Deliciously fun contemporary romance: 

9) Intriguing story collections:

10) A couple of classics that I finally read!

 

What were your favorite reads of 2018? Please leave me your link!

♥♥♥♥♥♥♥♥

Wishing one and all a terrific new year filled with wonderful books!

Save

Save

Save

Save

2018: My year in books

2018 has had its ups and downs… but one thing has remained constant, and that’s the joy of spending time with great books. Here’s a look back at my reading life in 2018.

I love the little words of encouragement from Goodreads! My 202 books reads this past year include novellas, children’s books, audiobooks, and graphic novels, in addition to novels and a handful of non-fiction books. It’s always fun to mix things up.

 

Goodreads stats as of 12/31/2018:

I don’t particularly like that Goodreads uses “least popular” in this context. Maybe it should just be “least read”? In any case, Rat-Catcher is a story set in the Toby Daye world, I loved it immensely, and I think more people should read it!

According to my average rating, I’ve been pretty successful this year when it comes to choosing book that appeal to me:

Star rating used most often: 4 stars (83 total)
Star rating used least often: 2 stars (4 total — and I didn’t give any books only 1-star. I think if I thought that little of a book, I just DNFd.)
DNFs: 3 – I gave up on three different books this year — one science fiction, one fantasy, and one historical fiction. With the historical fiction, I just wasn’t in the mood at that moment (and needed to return it to the library). For the other two, the tone of the writing simply didn’t work for me, and I decided not to push myself to continue something I wasn’t enjoying.

First and Last on Goodreads:

Interestingly (or not), my first and last (and bunches of others) were re-reads. I’ve definitely become fond of re-reading the previous book in a series right before the newest gets released. What can I say? I value a good refresher.

Highlights from my series reading:

2018 was the year of the series for me. I started the year with some idea of a few series I wanted to try — and was happy to discover that I picked some great ones! My best series reads this year were:

The October Daye series by Seanan McGuire: 12 novels, plus all sorts of related novellas and short stories.

Newsflesh by Mira Grant: 4 novels and a collection of stories.

From the world of Tortall by Tamora Pierce: I read three quartets and a duology (and am now reading the first book in a trilogy), for a total of 14 books set in Pierce’s amazing fantasy world.

Old Man’s War by John Scalzi: 6 novels

Eye-candy covers:

Let me just take a minute to appreciate some of the most beautiful and/or eye-catching covers from my reading this year… because who doesn’t love a great looking book?

 

But wait! What were my favorite books of the year?

It’s too hard to narrow down! It’s like choosing my favorite child! But, okay, if I must… I’m working on my Top Ten list for tomorrow, when I’ll finally have my list whittled down to just 10 (or so) books that I loved to pieces in 2018. Stay tuned!

Insta-Reaction: Outlander, Season 4, Episode 9

Season 4 is here! My intention is to write an “Insta-Reaction” post for each episode soon after viewing, to share some initial thoughts, questions, reactions — you name it.

Warning:

Spoilers

I may be talking about events from this episode, other episodes, and/or the book series… so if you’d rather not know, now’s your chance to walk away!

Outlander, episode 409: “The Birds & the Bees”

The official synopsis (via Starz):

As Brianna struggles to compartmentalize the trauma she’s suffered in the wake of the tragedy that befell her in Wilmington, she refocuses on finding her parents.

My take:

Major plot points:

  • Brianna deals with the aftermath of her rape.
  • Brianna finds Jamie and Claire!
  • The family spends time together at Fraser’s Ridge. Jamie and Brianna start to bond as father and daughter.
  • Roger is forced to sail further with Stephen Bonnet’s crew before he’s able to return to Brianna.
  • Brianna is pregnant, and tell Claire about the rape.
  • Jamie beats Roger to a bloody pulp, believing he’s the rapist.

Insta-reaction:

The first meeting between Jamie and Brianna is all we could have hoped for! But first, we deal with the aftermath of the rape that occurred at the end of the previous episode.

Brianna returns to her room, stunned and bloody, but refuses Lizzie’s attempts to assist her. While she won’t tell Lizzie what happened, Lizzie sees Brianna’s bruises and her bloody petticoats, and draws her own conclusions.

Roger comes to look for Brianna, but is intercepted by Bonnet, who reminds him that he signed on to be part of Bonnet’s crew for the entire voyage, and they’re not done yet. It would cost Roger a limb or his life to try to run off, so he reluctantly leaves to sail onward with the Gloriana to Philadelphia.

Brianna hears that Roger came looking for her in the morning and left with the Gloriana’s crew, so she rushes to the waterfront, only to find that the ship has already sailed. She believes that Roger is sailing back to Scotland, to return through the stones to the 20th century. Lizzie rushes up with big news — apparently, a Scot’s wife performed surgery on a man at the theater the night before! Sure sounds like something Claire would do, right?

Brianna finds Jamie, and the meeting is lovely and *sniff* there may have been some off-screen tears *in my living room* to go with the tears in Jamie and Brianna’s eyes. Claire is stunned to see Brianna as well. Man, it’s beautiful seeing the three of them together!

Bree meets her cousin Ian, and they all travel back to Fraser’s Ridge together (along with a smitten Lizzie). Murtagh is staying at the Ridge for a while, laying low to avoid capture as a Regulator, so it’s a happy time for the family to be together (and for Murtagh to share embarrassing stories about Jamie’s youth.)

Jamie and Brianna get time to bond and get to know one another. He acknowledges that Frank was a good man who loved Brianna, and tells her that he doesn’t want to take Frank’s place. Brianna starts calling Jamie “Da”. *sniff* *dammit, eyes, stop that!*

Time passes. Eventually, Claire uses her mommy super power to guess that Brianna is pregnant. She’s about two months along, says Brianna, but doesn’t know who the father is. She tells Claire about the rape, but not who did it. Claire shares the news with Jamie. Later, Claire finds her missing wedding ring among Brianna’s belongings, and realizes that Stephen Bonnet is the man who raped her daughter. Brianna confirms this, but makes Claire promise not to tell Jamie — she’s afraid that Jamie would try to find Bonnet to get revenge and would end up getting killed himself.

And we end with yet another “Poor Roger!!” moment. Roger finds his way to Fraser’s Ridge. Lizzie sees him coming, and identifies him to Ian as the man she saw man-handling Brianna in the street. Ian brings her to Jamie, where she tells more of the story, including what Brianna looked like when she returned to the room in the inn after being raped. Jamie goes off in a fury and pounds Roger until he’s a bloody, unconscious mess. He then throws him over a horse and tells Ian to get rid of him.

All together now — poor Roger!

Insta-reaction wrap-up:

The episode feels very true to the book, down to the details of Jamie and Brianna’s meeting, as well as the ending with Jamie and Roger. True, some elements are altered or embellished, but the overall story flows from the source material, and it’s quite effective.

I can’t say enough good things about the acting here. Caitriona Balfe has one of the most beautifully expressive faces on television, and she’s stunning here as Claire experiences both the joy of reuniting with the daughter she never expected to see again, and the horrified pain of a mother who learns about the suffering of her child.

Not to shortchange the rest of the cast — Jamie and Brianna’s initial scene together is lovely and emotional, and their subsequent conversations are just the right mix of nervousness, hesitation, love, and joy. They look wonderful together as well – such a terrific father/daughter pairing.

Oh, Roger… We never actually believed that he’d leave after storming off like that last episode, did we? Of course not! His beating is brutal and horrible to watch, as Jamie takes out his fury on the face of the man he believes hurt his beloved daughter. It’s scary seeing Jamie like that, and Roger’s life is hanging in the balance.

And furthermore…

Just a beautifully created and performed episode, capturing the small moments as well as the big ones. Kudos to the show — so well done.

I can’t wait for next week! Although I’m already getting in some pre-Droughtlander mourning, knowing there are only four episodes left in the season. How did season 4 go by so quickly?

Save

Save

Save

Save

The Monday Check-In ~ 12/31/2018

cooltext1850356879 My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.

Happy New Year!

Wishing all a splendiferous 2019, filled with health, laughter, love, friendship, and of course, endless hours of delightful reading.

What did I read during the last week?

Fire & Blood by George R. R. Martin: Wow! This book is huge and dense, but also incredibly fascinating. I’d say it’s a must for Game of Thrones fans. My review is here.

My Life in Middlemarch by Rebecca Mead: An interesting look at George Eliot’s Middlemarch, its themes and messages, and how those relate to modern life. Having just finished Middlemarch with my book group, this was a great way to wrap up the experience!

The Girl in the Tower by Katherine Arden: I did a quick re-read of this book, since it’s almost release time for book #3!

Outlander, baby!

I’m writing reaction posts for each episode of season 4… but didn’t quite have time to finish up the most recent. Stay tuned for my reaction post for Episode 409, “The Birds & the Bees” (aired 12/30/2018) – it’ll be up later today!

Such a great episode!

Pop culture goodness:

I saw two terrific movies:

And continued my current TV binge, Gilmore Girls — I’m on season 2 now!

Fresh Catch:

A new Mira Grant novella is always reason to celebrate!

What will I be reading during the coming week?

Currently in my hands:

The Dreamers by Karen Thompson Walker: I’m just getting started…

Now playing via audiobook:

Terrier (Beka Cooper, #1) by Tamora Pierce: I’m about 2/3 done with this audiobook, and I’m really liking it! Tamora Pierce’s creativity here is just so amazing. Looking forward to continuing with the rest of the trilogy once I finish Terrier.

Ongoing reads:

None at the moment! All of my book group reads are wrapped up at this point. A new classic read and a new Lord John read will both be starting in January!

So many books, so little time…

boy1Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Shelf Control #149: The Bone People by Keri Hulme

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

cropped-flourish-31609_1280-e1421474289435.png

Title: The Bone People
Author: Keri Hulme
Published: 1984
Length: 450 pages

What it’s about (synopsis via Goodreads):

In a tower on the New Zealand sea lives Kerewin Holmes, part Maori, part European, an artist estranged from her art, a woman in exile from her family. One night her solitude is disrupted by a visitor—a speechless, mercurial boy named Simon, who tries to steal from her and then repays her with his most precious possession. As Kerewin succumbs to Simon’s feral charm, she also falls under the spell of his Maori foster father Joe, who rescued the boy from a shipwreck and now treats him with an unsettling mixture of tenderness and brutality. Out of this unorthodox trinity Keri Hulme has created what is at once a mystery, a love story, and an ambitious exploration of the zone where Maori and European New Zealand meet, clash, and sometimes merge. Winner of both a Booker Prize and Pegasus Prize for Literature, The Bone People is a work of unfettered wordplay and mesmerizing emotional complexity.

How and when I got it:

I bought it years ago, probably at a library sale (like so many of the books on my shelves!).

Why I want to read it:

I’ve been hearing about The Bone People for years, and have been told repeatedly that it’s a must-read. I haven’t read much fiction set in New Zealand, and I’m fascinated by the sound of the story!

Have you read any books set in New Zealand? Any you’d recommend? Please let me know!

__________________________________

Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • If you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and…

Have fun!

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Book Review: Fire & Blood by George R. R. Martin

 

With all the fire and fury fans have come to expect from internationally bestselling author George R. R. Martin, this is the first volume of the definitive two-part history of the Targaryens in Westeros.

Centuries before the events of A Game of Thrones, House Targaryen—the only family of dragonlords to survive the Doom of Valyria—took up residence on Dragonstone. Fire and Blood begins their tale with the legendary Aegon the Conqueror, creator of the Iron Throne, and goes on to recount the generations of Targaryens who fought to hold that iconic seat, all the way up to the civil war that nearly tore their dynasty apart.

What really happened during the Dance of the Dragons? Why did it become so deadly to visit Valyria after the Doom? What is the origin of Daenerys’s three dragon eggs? These are but a few of the questions answered in this essential chronicle, as related by a learned maester of the Citadel and featuring more than eighty all-new black-and-white illustrations by artist Doug Wheatley. Readers have glimpsed small parts of this narrative in such volumes as The World of Ice & Fire, but now, for the first time, the full tapestry of Targaryen history is revealed.

With all the scope and grandeur of Gibbon’s The History of the Decline and Fall of the Roman Empire, Fire and Blood is the ultimate game of thrones, giving readers a whole new appreciation for the dynamic, often bloody, and always fascinating history of Westeros.

This massive 700+ page book is not for the faint of heart or noncommitted. By no means an easy read, Fire & Blood takes determination to get through — but now that I’ve finished it, I’d say the effort is well worth it.

You know how people often describe great non-fiction as “reads like fiction”? Well, here the opposite is true. While a work of fiction (to the best of my knowledge, Westeros and Valyeria are not real places, although after soldiering through this book, they certainly feel real to me), Fire & Blood is written as a work of history, not as a novel, and reading it definitely feels like reading a densely researched piece of non-fiction. There are no overarching plotlines, and little in the way of dialogue or character development. Instead, Fire & Blood is a history of the reign of the Targaryens, starting at a point some 300 years prior to the beginning of A Song of Ice and Fire, as the first Targaryen king, Aegon the Conqueror, flies on dragon-back from Dragonstone to Westeros to claim a kingdom.

The amount of detail in this book is staggering. Written as a history book from the pen of an Archmaester of Oldtown, Fire & Blood takes us through the bloody, violent years from the conquest through the early period of the reign of Aegon III, leaving off with still over a century to go before the events that begin A Game of Thrones.

Don’t even attempt to read this book without a strategically placed bookmark on the chart of the Targaryen Lineage at the back of the book. I must have flipped back to it at least once every 10 – 20 pages, from start to finish. The names are mind-boggling to try to keep straight. Among the Targaryens in this 130 year period are notable women such as Rhaenys, Rhaena, Rhaella, and Rhaenyra, not to mention Alysanne, Alyssa, and Alicent. Men’s names are just as hard to keep straight, like Jacaerys and Jaehaerys, or the numerous Aegons, Aemons, and Baelons. Unfortunately, this book does not include a map of Westeros or a guide to the many dragons, but luckily I had a copy of The World of Ice and Fire on hand for quick reference.

Fire & Blood is a fascinating read. While I’ve read the five novels published to date in the ASoIaF series, I haven’t delved much beyond these book in terms of additional histories and the myriad of supplemental materials out there in the fandom. As a first encounter with a Westerosi history, my reading experience was intense but ultimately enjoyable. I can’t even begin to fathom the intricate working of George R. R. Martin’s mind, to be able to come up with a world so complete that its history makes for compelling reading, with no details left unexplored.

While I sometimes felt like I’d be reading this book FOREVER, once I got into the rhythm of it, it didn’t take me nearly as long as I’d imagined. Parts go more slowly than others, and there are a lot of lords and ladies, houses, bannermen, etc to keep track of. The most compelling (and horrifying) part of the book is the section about the war of succession known as the Dance of the Dragons. Lasting a relatively brief number of years, it inflicted devastation upon the kingdom and its people, and brought about the destruction of nearly all of the Targaryen dragons. Maybe it should be obvious from the title — Fire & Blood is very heavy on war and death and horrible cruelty, and like any account of war, while the names remembered are those of the knights and the rulers who set the course of battle, it’s the common people who consistently pay the largest price.

Fire & Blood is part one of a two-part history, and while I’m afraid that we’ll end up waiting years for the next installment, I’m definitely committed to wanting to read part two. This was really an engrossing, rewarding read… and has had the added side-effect of making me even more excited for the final season of the GoT TV series. What a world George R. R. Martin has created! If you’re a fan, don’t miss Fire & Blood.

_________________________________________

The details:

Title: Fire & Blood
Author: George R. R. Martin
Publisher: Bantam
Publication date: November 20, 2018
Length: 706 pages
Genre: Fantasy
Source: Purchased

**Save

Save

Save

Save

Save

Save

Save

Further thoughts on Outlander episode 408, “Wilmington”

I watched the newest Outlander episode (#408, “Wilmington”) yesterday evening, then posted my weekly Insta-Reaction post… and since then, haven’t been able to stop thinking about the episode and why it bothered me so much.

SPOILERS AHEAD!

I’m going to be talking about specifics from the episode as well as the book series, including future developments in the books. You have been warned!

There are two key parts of the episode that I have issues with, and both center on Brianna.

Brianna and Roger

Let’s start with what most of the episode focused on — Brianna’s reunion with Roger. Having both traveled through the stones and 200 years back in time, Brianna and Roger separately made their way to the Colonies and end up in Wilmington, North Carolina. Roger searches for Brianna, and finally finds her. She goes from happy to mad to happy again, and Roger — well, much as I usually like him, he comes across as a jerk.

He’s immediately aggressive with Brianna, yanking her outside by the arm so they can talk about time travel away from the nosy people in the tavern. Out in the street, they both do their share of yelling, but Roger is the one looming over Brianna, in her face, being what an outsider would interpret as physically threatening. And as we see, Lizzie does see all this, and is rightfully worried about her mistress. If you didn’t know who this man was, it would appear that a stranger just grabbed Brianna, threatened her, and then took her off somewhere.

So then the two of them admit that they love one another, start kissing — and stop again when Brianna asks Roger if he’s changed his mind about having sex with her without being engaged first. Oh yeah, that… is what Roger’s face is saying. He hasn’t. So all of a sudden, after not seeing Roger for months and only just now reuniting with him, Brianna is willing to marry him, so they marry each other via Scottish handfasting, then get on with their wedding night.

(In a barn. That isn’t theirs. Where for all they know, the owner is going to come in any second. But I digress.)

(Oh, and Brianna gives him credit for pursuing her for 200 years — but she specifically didn’t want him to follow her! He follows her because he’s worried something will happen to her without him. Overbearing much? I love Roger (especially in the books), but somehow seeing this all on screen drives home for me how condescending some of his actions are. He’s doing what he’s doing because he’s sure that he knows best and Brianna can’t handle her own business.)

We then get one of the most awkward sex scenes I’ve seen in a while. Why is it that Jamie and Claire sex scenes are sexy, and Roger and Brianna’s isn’t? For starters, we’re not all that invested in Roger and Brianna. The show and the books are positioning them as couple #2, the next generation’s power couple, but in the show anyway, they’re not there yet. I think too that we’ve been viewing Brianna as Claire and Jamie’s daughter for the little that we’ve seen of her. Maybe I’m reaching here, but perhaps it’s this view of Brianna through a maternal lens that made the scene so uncomfortable to watch. Jamie and Claire’s scenes are always sensual and loving and steamy. This scene had no sense of physical chemistry, was too long, and simply felt voyeuristic to me.

Okay, so after blissful lovemaking (or so they say), once again the arguments start. It’s ugly. I don’t care all that much about the issue at hand (the obituary) — it’s about control, and it’s not good. Roger had information that he chose not to give to Brianna. First he claims he did this because she was happy, but really, he was taking away her ability to choose to go to her parents, and he knows it. The angrier Bree gets, the angrier Roger gets, and he basically asserts that he knows best and now that he’s her husband, she should listen to him.

And so quickly it could make your head spin, they sound like bickering children. Well, maybe I should leave. Well, maybe you should. Look me in the eye and tell me to leave. Leave if you want to. Ugh. This was ridiculous. Yes, they need to separate in order for what happens next to happen… but it’s so nonsensical for Roger to walk out like that, and reinforces the idea that these two had no business talking marriage when they’re not mature enough to actually deal with disagreements like adults. Roger just traveled back in time and risked his life (of which he reminds her a couple of times) to follow her, then is going to leave just like that? And if he was so motivated by concern for her safety, then he’d stay with her or at least remain nearby until he knew she was safe with her parents. Who would just walk out like that? It’s idiotic.

(And not much better in the book, where they argue and part, but without it seeming like quite so definite a break-up. Although, Roger still leaves to try to steal some gemstones for their journey back through the stones. Again, not very smart. They’re not leaving yet, they still want to find Claire and Jamie — what’s the rush?)

It feels extra manipulative watching it unfold on the screen, but it has to be that way so we can get to the terrible thing that happens next.

Brianna and Stephen Bonnet

And here’s where I’m going to declare that the show does itself no favors by following the books too closely.

In my reaction post, I talk about the rape scene and how awful it is, but I also stated that the repercussions of the rape ripple through the rest of the book and the next two after that. In other words, it’s so important to the plot that there’s no way the show could omit it.

And then I spent all night thinking about it some more, and I’ve completely changed my mind.

Look, the books have a lot of rape in them. There’s really no getting around that. And I say this as a huge fan of the series, but it’s a lot. Too much. Rape should not be a plot device, and that’s exactly what Brianna’s rape feels like.

Plot-wise, this has to happen, because Brianna ends up pregnant and doesn’t know who the father is. On top of that, when Roger finally finds Brianna again at Fraser’s Ridge, Lizzie identifies him as Brianna’s rapist (remember her watching the argument through the window?), and before he can introduce himself to the Frasers, Jamie and Ian beat him senseless and then sell him to the Iroquois.

Eesh. That’s a lot. And the ripple effects of not knowing the baby’s father continue through book #6, as does Stephen Bonnet’s continuing, looming and threatening presence in their lives.

But still, did the show have to honor this part of the plot? I’m ready to argue that it didn’t.

If we assume that we need a similar outcome in order for the rest of the plot to work — Brianna being traumatized, Brianna being pregnant, Roger’s being beaten and sold — I’m sure the show could have found a way to make that happen. What if Brianna doesn’t tell her parents that she’s pregnant right away? What if she refuses to talk about how she ended up pregnant because it’s all too upsetting, so they’re left to draw their own conclusions? What if Lizzie confides what she thinks she knows, so when Roger shows up, Jamie and Ian jump to the same conclusion? It could work, that’s all I’m saying.

Meanwhile, the show does not need more rape. Brianna did not have to by assaulted by Stephen Bonnet. It was a brutal scene. And does it make sense that a tavern full of people chose to ignore or be amused by the screams from the next room? This is the inn where Brianna is lodging — did no one recognize her or consider that she might need help? Not one shred of concern? In the book, this happens on board Bonnet’s ship, where he is the captain and the undisputed lord and ruler. His crew would never stand up to him, even if they thought a woman was being abused, although as I recall, they assumed it was Bonnet engaging in some sex play, not necessarily a young woman being raped. In the episode, while it’s horrifying to see all these men sitting around doing nothing, just drinking and gambling, I’m not convinced that it was realistic, especially if we assume that this is at least a semi-respectable inn at the center of a growing town. Again, is the show going for shock value? If so, they found it, but it just adds to my sense that this scene and the entire rape-as-plot-device ploy was unnecessary.

I find myself agreeing with the New York Times recapper’s comments:

This scene serves no immediate purpose. We didn’t need the reminder Bonnet is a villain. The show did not need another sexual assault to prove the past was dangerous (Roger seems proof that men can be horrible in any era). In fact, the scene is so otherwise disconnected from the episode that it suggests a chilling, unspoken conclusion: This is Brianna’s comeuppance. She gets victimized as proof that she’s vulnerable. Bonnet’s attack is more violent than Roger’s lying, and therefore Roger looks better. Brianna gets raped, in effect, because she told Roger to leave, and “Outlander” apparently wants her to regret it.

 

Final thoughts

Because I’ve read all the books, I’ve seen how Roger and Brianna work through their differences, establish a relationship that’s an equal partnership, and build a family and a life together. But if I were basing my thoughts strictly on what I’ve seen of them on TV so far, I’d think that this pair was ill-suited and not a good fit. Brianna is headstrong and independent; Roger is traditional and conservative. He wants to protect and guide; she wants to make her own decisions and set her own path. Because I know him from the books, I know that Roger has a very good heart and is truly devoted to Brianna, but on the show, he’s coming across more and more as a controlling male who wants his woman to toe the line. As I mentioned earlier, Roger and Brianna are being built up as the show’s next-gen romantic lead couple, but so far at least, their chemistry and dynamic just aren’t working for me.

As for the Bonnet plotline, I think I’ve made my point clear. I don’t care what’s in the book (shocking, I know) — the show didn’t need to go there. Rape isn’t a convenient plot device. Surely, a creative writers’ room could have come up with some other plot twist to get us to the same or a similar point, without inflicting sexual assault on yet another female character.

For a show that has gained so much praise for its female gaze, it’s a disappointment to see it falling back on rape as a way to move a story forward.

The Monday Check-In ~ 12/24/2018

cooltext1850356879 My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.

What did I read during the last week?

Love and Other Words by Christina Lauren: I finished this the previous week, but just posted a review a few days ago.

The Proposal by Jasmine Guillory: More contemporary romance! My review is here.

In audiobooks:

I finished a re-read of Beneath the Sugar Sky via audio, and now I’m all set for the next book in the series, coming in January. Can’t wait!

Book group books:

Our group re-read of The Scottish Prisoner wrapped up this week. We’ve been reading and discussing two chapters per week since July — so much fun. For any Outlander fans out there who haven’t year explored the Lord John works, I strongly urge you to do so! The Scottish Prisoner is particularly fun, since John and Jamie share the spotlight. As always, reading with my book group made the experience extra sweet for me.

We also read The Night Before Christmas by Nikolai Gogol for our December book of the month — nice and short, and perfect holiday reading!

And my biggest accomplishment — I finished Middlemarch! My book group started Middlemarch back in March, and have been group-reading two chapters per week ever since. I actually cheated a bit — we had three chapters left, to be read in January, and I just couldn’t stand waiting! I need to digest it all a bit… and I think I’m going to watch one of the movie/mini-series versions too. I’m so glad to have read it, and once again need to say how grateful I am to be in a book group where we can tackle big, challenging books like this together.

Outlander, baby!

I’m writing reaction posts for each episode of season 4:

Check out the most recent:

Episode 408, “Wilmington” (aired 12/23/2018) – my reaction post for last night’s episode is here.

Pop culture goodness:

I don’t know what I was up to in the early 2000s (oh yeah, that’s right, having a baby!), but clearly I was way too busy to start watching Gilmore Girls. In the category of “never too late”, I finally sat down to start at the beginning, and I’m finding season 1 awfully cute. It does kind of crack me up to see how dated it is (pagers! flip phones! landlines! a Bangles concert! and oh, the clothing…), but the characters and mother/daughter dynamic are truly charming.

Fresh Catch:

More and more books! A few of my used book orders arrived in the mail this week, including these two non-fiction books that sound really interesting:

I also treated myself to a brand-new book by a favorite author:

Signed and everything!

What will I be reading during the coming week?

Currently in my hands:

Fire & Blood by George R. R. Martin: I started this MASSIVE book thinking I’d read straight through, but I’m finding that I can’t handle more than a one or two chapters a day before my eyes start to cross and I lose all ability to keep my Targaryens and their respective dragons straight. This book is absolutely going to take me a while, although I’m still hoping to finish before the end of the year.

And meanwhile, I’m giving myself little breaks from Westerosi history by reading My Life in Middlemarch by Rebecca Mead, which is really interesting so far, and helps me make sense of Middlemarch and why it’s considered such an important book in English literature.

Now playing via audiobook:

Back to Tortall! I’ve started my next Tamora Pierce trilogy, the Beka Cooper books. Book #1 is Terrier, and I’m liking it so far, even though I don’t think I’d make it without a print copy handy so I can check the glossary to figure out all the terminology and slang.

Ongoing reads:

None at the moment! All of my book group reads are wrapped up at this point. A new classic read and a new Lord John read will both be starting in January!

So many books, so little time…

boy1Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save