Book Review: The God of the Woods by Liz Moore

Title: The God of the Woods
Author: Liz Moore
Publisher: Riverhead Books
Publication date: July 2, 2024
Length: 490 pages
Genre: Mystery/thriller
Source: Library
Rating:

Rating: 5 out of 5.

When a teenager vanishes from her Adirondack summer camp, two worlds collide.

Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found.

As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.

In The God of the Woods, an intricate timeline and multiple points of view bring to vivid life the story of missing children, a privileged family, and its influence over the working class people who depend upon them for their livelihoods.

The story opens at Camp Emerson, a summer camp located on the grounds of the Van Laar Preserve. The Van Laar family bought this vast property in the Adirondacks from loggers several generations back, and have turned it into their mountain getaway. Their huge house, named Self-Reliance, dominates the hilltop overlooking the lake; down the hill, the staff of the camp tend to the children of wealthy families each summer.

In the summer of 1975, 13-year-old Barbara Van Laar attends camp for the first time. She’s an independent-minded, punk rock-loving teen who’s happy to be out from under her parents’ control for the eight weeks of camp, and she quickly bonds with one of the other new girls in her cabin. But in August, Barbara’s counselor wakes up to discover that Barbara’s bed is empty, and fears the worst.

Fourteen years earlier, the first Van Laar child — named Peter (Peter IV, to be exact) but known as Bear, also went missing from the Van Laar Preserve and was never found, despite a huge search. Now, fears run high that the same fate has befallen Barbara, and news that a notorious serial killer has escaped prison and is on the lam in the Adirondacks only adds to the searchers’ desperation.

But there is so much more to the story than a missing person’s case. As each chapter begins, a different date is highlighted, and the narrative jumps between the 1950s, 1960s, and 1970s, as well as between different points in that fateful summer of 1975. The story is not told chronologically; confusing at first, but ultimately, adding to the depth of the character portrayals and giving readers plenty of clues and red herrings to chew over.

Beyond the dual mysteries surrounding Bear and Barbara, the book also is a portrait of the deep divide between haves and have-nots. The Van Laars are seemingly untouchable. They and their wealthy, powerful friends control the area, providing the only source of employment for the nearest small town since the paper factory shut down years earlier. No one can afford to get on the Van Laars’ bad side, even if it means looking away when bad things happen.

I was hesitant to pick up The God of the Woods, not sure that the genre and writing would appeal to me, based on comments I’d read here and there. I’m so glad I got past my concerns and gave it a try. After some initial struggles with the jumps between timelines, I became more comfortable with the book’s structure and ended up finding the chronology fascinating. As for the writing itself, it’s tense and illuminating, and doesn’t drag a bit — those 500 pages absolutely flew by.

With so many point-of-view characters, it may feel almost overwhelming at first to keep track of them all, but ultimately, having so many perspectives — some accurate, some not — on the events of 1975 as well as the earlier disappearance, only adds to the depth of the story. The depiction of the Van Laars and their guests, lounging about in satin pajamas even when a child goes missing, is a chilling portrait of cold power and indifference. And then there’s the setting itself, the beautiful, dangerous forests of the Adirondacks — where campers are taught to immediately sit down and start yelling if they realize they’re lost. The Van Laar home may seem luxurious and civilized, but it’s surrounded by wilderness, which ultimately holds more power than the people who come there.

My only quibble with this book is that the title seems like an odd choice to me. Yes, it’s somewhat clearer by the end, but generally speaking, it seems pretty disconnected from the overall story. On the other hand, the cover is brilliant. It’ll make more sense once you read the book!

I can’t say enough good things about The God of the Woods. By the time I passed the halfway mark, I couldn’t put it down and wanted nothing more than uninterrupted time to read straight through to the end. Don’t miss this well-written, thought-provoking, surprising, twisty book!

Book Review: City of the Lost (Rockton, #1) by Kelley Armstrong

Title: City of the Lost
Series: Rockton, #1
Author: Kelley Armstrong
Publisher: Minotaur Books
Publication date: May 3, 2016
Length: 412 pages
Genre: Thriller/mystery
Source: Library
Rating:

Rating: 4.5 out of 5.

Casey Duncan is a homicide detective with a secret: when she was in college, she killed a man. She was never caught, but he was the grandson of a mobster and she knows this crime will catch up to her. Casey’s best friend, Diana, is on the run from a violent, abusive ex-husband. When Diana’s husband finds her, and Casey herself is attacked shortly after, Casey knows it’s time for the two of them to disappear again.

Diana has heard of a domestic violence support town made for people like her, a town that takes in people on the run who want to shed their old lives. You must apply to live in Rockton and if you’re accepted, it means walking away entirely from your old life, living off the grid in the wilds of Canada: no cell phones, no Internet, no mail, no computers, very little electricity, and no way of getting in or out without the town council’s approval. As a murderer, Casey isn’t a good candidate, but she has something they want; she’s a homicide detective, and Rockton has just had its first real murder. She and Diana are in. However, soon after arriving, Casey realizes that the identity of a murderer isn’t the only secret Rockton is hiding – in fact, she starts to wonder if she and Diana might be in even more danger in Rockton than they were in their old lives.

An edgy, gripping crime novel from a bestselling urban fantasy writer, City of the Lost boldly announces a major new player in the crime fiction world.

Kelley Armstrong has become an auto-buy author for me, and I’ve been loving her recent series (A Rip Through Time and A Stitch in Time) and stand-alones. I hadn’t had the opportunity to explore her extensive backlist until now… and now that I’ve started, I can’t wait to keep going!

City of the Lost is the first book in the 7-book Rockton series. The premise is certainly unique: There’s a remote town — Rockton, population 200 — located in the wilds of Canada’s Yukon territory. It’s home to those fleeing danger who need complete isolation from the outside world, but it also offers shelter to some with questionable pasts who need a way to hide out and start over. There are no navigable roads in or out — new residents arrive by bush plane, and can only leave the same way. Relocating to Rockton is a serious commitment.

The books opens with a bang:

“I killed a man,” I say to my new therapist.

Detective Casey Duncan has a huge secret that’s been weighing on her for the past twelve years. After a brutally violent attack left Casey with permanent physical and psychological scars, she went to confront the ex-boyfriend whose actions brought about the attack (and who abandoned her to her attackers). During the confrontation, she shot and killed him, although that hadn’t been her intention. While she’s essentially gotten away with the killing, she’s always known that it could catch up to her at any point.

Meanwhile, her best friend Diana has been assaulted yet again by her cruel, abusive ex-husband, and she and Casey fear that they’ll never fully be rid of him. When Diana hears about a town where people can disappear, she proposed that they both go and get the protection they so desperately need. Casey is hesitant, but she realizes that this is the best possible solution for Diana. After an intense screening process, they’re in, but with a catch: The selection process easily unearthed Casey’s secret, but because they need a detective, they’ll let her in — only for a six-month stay.

Casey and Diana’s relocation to Rockton introduces them to a world that’s truly apart from everything they’ve known. And while Diana immediately immerses herself in the social life available to her as one of the small number of women in town, Casey gets right to work under the direction of Sheriff Eric Dalton. Dalton is brusque, demanding, and no-nonsense, and while he initially did not want Casey in his town, he quickly realizes how skilled and valuable she is.

Dalton and the town are in desperate need of Casey’s talents, as dead bodies begin cropping up. At first, it’s assumed that missing Rockton residents have simply wandered off into the woods and perhaps met with accidents, but as gruesome corpses are found, it becomes apparent that a killer is at work. Everyone in town is a potential suspect, and to make matters worse, Casey soon discovers that many of Rockton’s residents are actually more dangerous than she’s been led to believe.

The murder mystery and thriller elements are detailed and complex, with plenty of misleading clues and confusing trails of evidence. For a very small town, Rockton has a lot of characters to introduce, and my one complaint about City of the Lost is that it became difficult at various points to keep all the random people and their backstories straight.

That aside, the drama and tension escalate effectively throughout the story, and I loved seeing the different pieces come together. For me, when I read a mystery series, I enjoy the particular crime to be solved in each book, but what really holds my interest and attention is the character development that connects the books. City of the Lost is only the first book, but I can tell already that the characters are going to keep me coming back for more.

Casey herself is a terrific, imperfect, complex main character, and she has fabulous chemistry with Sheriff Eric Dalton. Even before personal chemistry comes into the mix, they’re amazing as partners, butting heads constantly while also building rock-solid respect for one another as professionals. Seeing them together, for me, is the high point of the story.

Beyond Casey and Eric, there are plenty of side characters who add depth to the story and help create a picture of a full society in this little town. And while the murders do get solved, there is clearly more to uncover in terms of people’s secrets and bigger picture questions about the council that runs Rockton from afar.

City of the Lost is a fantastic way to start a series! After just one book, I can say with certainty that I’m hooked and need more. Fortunately, there are six more books to explore in the main series, and I understand that a spin-off series, Haven’s Rock, includes two books so far, with a third due out in 2025. .

I’m going to try to take my time and not do a series binge… but it’s incredibly tempting to barge straight ahead! I’m looking forward to continuing the Rockton series. Next up: Darkness Absolute.

Book Review: Extinction by Douglas Preston

Title: Extinction
Author: Douglas Preston
Publisher: Forge books
Publication date: April 23, 2024
Length: 370 pages
Genre: Science fiction / thriller
Source: Library
Rating:

Rating: 4.5 out of 5.

Erebus Resort, occupying a magnificent, hundred-thousand–acre valley deep in the Colorado Rockies, offers guests the experience of viewing woolly mammoths, Irish Elk, and giant ground sloths in their native habitat, brought back from extinction through the magic of genetic manipulation. When a billionaire’s son and his new wife are kidnapped and murdered in the Erebus back country by what is assumed to be a gang of eco-terrorists, Colorado Bureau of Investigation Agent Frances Cash partners with county sheriff James Colcord to track down the perpetrators. As killings mount and the valley is evacuated, Cash and Colcord must confront an ancient, intelligent, and malevolent presence at Erebus, bent not on resurrection but on extinction.

A secret luxury resort where the ultra-rich can walk among “de-extincted” creatures from the Pleistocene era. What could possibly go wrong?

This is no Jurassic Park, as the Erebus head of security informs newly arrived visitors to the resort. But that doesn’t mean that the expected series of disasters don’t result from the ill-advised combination of advanced science and hubris.

As Extinction opens, a newlywed couple is enjoying a camping trip through the backcountry of the Erebus Resort. Their elation at seeing woolly mammoths roaming free is cut short by a brutal attack. When the couple are determined to have been either kidnapped or murdered, the Colorado Bureau of Investigation sends in Frankie Cash, newly appointed agent in charge, accompanied by local sheriff James Colcord.

As Cash and Colcord investigate the grisly crime scene, inexplicable evidence begins to pile up. Their investigation widens to include the Erebus security team, its billionaire CEO, and the high-tech labs hidden in converted mines in the mountains. The resort and labs are supposed to be impenetrable, completely safe, and completely controlled — but as more attacks follow, it’s clear that something deadly and relentless has also taken up residence at the resort, and it’s coming for them all.

Extinction is a taut, tension-filled thriller that starts off with high action and never lets up. The science is definitely something like Jurassic Park dialed up to eleven. Sure, Erebus has only “de-extincted” herbivorous creatures with genes linked to aggression carefully edited out, but something bent on bloody, vicious murder is out there. As we know from countless sci-fi movies and books, when humans figure out how to do something, they’re going to do it… even if it’s clear to most rational people that the outcome will be terrible.

Crime thrillers are not usually my jam, but I enjoyed this one a lot — I started it at the beginning of a flight, and by the time we landed, I’d read about 90%. Unputdownable, to say the least! The author’s decision to have local law enforcement investigating an unimaginable scientific disaster is a masterful choice. The main characters feel relatable — they’re ordinary people thrust into an insane situation, applying investigative techniques and approaches to a crime scene that contains layers upon layers of secrets, lies, and threats. Ultimately, Cash and Colcord find themselves fighting for their lives in a nightmarish hellscape… and the adrenaline-fueled, breathless sense of danger and terror just never lets up.

Sure, I question some of the science, and a few elements regarding timelines, how events unfolded, and motivations left me scratching my head. But I can put these small quibbles aside. Overall, Extinction is a terrific, engrossing read, and I could not look away once I started.

Be warned, though: There’s quite a bit of blood and violence throughout the book, and parts are downright terrifying. This book will leave you on edge, frightened, and possibly prone to nightmares!

Extinction is not a book I’d likely have picked up on my own. I was intrigued after reading a review by a favorite author, Dana Stabenow, and knew I needed to know more! I’m so glad I gave it a try. What a crazy ride!

Book Review: Middletide by Sarah Crouch

Title: Middletide
Author: Sarah Crouch
Publisher: Atria Books
Publication date: June 11, 2024
Length: 288 pages
Genre: Thriller/mystery
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 2.5 out of 5.

In this gripping and intensely atmospheric debut, disquiet descends on a small town after the suspicious death of a beautiful young doctor, with all clues pointing to the reclusive young man who abandoned the community in chase of big city dreams but returned for the first love he left behind. Perfect for fans of All Good People Here and Where the Crawdads Sing

One peaceful morning, in the small, Puget Sound town of Point Orchards, the lifeless body of Dr. Erin Landry is found hanging from a tree on the property of prodigal son and failed writer, Elijah Leith. Sheriff Jim Godbout’s initial investigation points to an obvious suicide, but upon closer inspection, there seem to be clues of foul play when he discovers that the circumstances of the beautiful doctor’s death were ripped straight from the pages of Elijah Leith’s own novel.

Out of money and motivation, thirty-three-year-old Elijah returns to his empty childhood home to lick the wounds of his futile writing career. Hungry for purpose, he throws himself into restoring the ramshackle cabin his father left behind and rekindling his relationship with Nakita, the extraordinary girl from the nearby reservation whom he betrayed but was never able to forget.

As the town of Point Orchards turns against him, Elijah must fight for his innocence against an unexpected foe who is close and cunning enough to flawlessly frame him for murder in this scintillating literary thriller that seeks to uncover a case of love, loss, and revenge.

In this new mystery, a man returns to the small town he left behind long ago, to hide out from the world after the failure of the novel he spent ten years writing. Elijah’s family cabin in Point Orchards has been slowly deteriorating since his father’s death years earlier. Bit by bit, Elijah brings the cabin and its land back to life, eventually taking pride in managing to live off the land — raising chickens, growing and canning his own vegetables, even learning to bake bread.

But the one element of his former life that he can’t face is the girl he left behind. When he left for college, he promised to return to Nakita, but never did, lured instead by the shiny promise of a book deal. Now both in their mid-thirties, Elijah and Nakita have faced more in their lives than they’d ever imagined, and the question is, can they find a way to forgive past wrongs and reconnect, possibly even fall in love once again?

The framing of the story is a suspicious death: The town doctor, the beautiful, tragic Erin Landry, is found hanged on Elijah’s property. It looks like a suicide, but circumstances just don’t add up. As the local sheriff investigates, signs start to point to Elijah himself as the perpetrator, especially once it’s discovered that his novel lays out a very similar death, in which a murder is set up to appear to be a suicide.

Chapters in Middletide alternate between the investigation into Erin’s death and the earlier years of Elijah’s return to Point Orchards and his attempts to start fresh and rebuild his life. Eventually, the two timelines merge into one, as the book culminates in a courtroom drama.

I probably could have saved myself some earlier false theories if I’d read the synopsis above, which makes it clear that Elijah is, in fact, innocent. (There’s room to doubt that at some points in the story.) But really, the answer to the murder mystery is about as obvious as it gets — I guessed the overall solution pretty early on, and was correct in just about every way.

To put it bluntly, this is not a great story. Elijah comes off as arrogant in some key scenes, even when we’re meant to like and understand him. His shallow emotional responses undercut our investment in him and make it harder to root for him to find happiness with Nakita.

“You have no clue what it feels like to have your entire future drop out from beneath your feet without warning. You can’t possibly imagine how devastating that is.”

“Actually, I can,” Elijah shot back “I know what it’s like to have to start over from scratch after the life you thought you were meant for doesn’t pan out, remember?”

“Doesn’t pan out? Elijah, my husband was shot in the head and died at thirty-five years old. Where do you get the nerve to compare that to your failed writing career?”

The author includes a note at the beginning stating that Nakita’s tribal affiliation and reservation are fictional inventions, inspired by real indigenous nations. Which, fine, except Nakita’s heritage and the relationship between the town and the reservation don’t actually matter much in Middletide. I excepted this aspect to be more developed, but really, the impact on the plot is minimal and the characters are underdeveloped.

The courtroom scenes feel almost like an afterthought. For anyone who’s ever watched a lawyer show on TV, the trial is not structured as we’d expect. The prosecution calls a few witnesses, then the defense immediately jumps in with a witness, but the prosecution never rests, and as far as I could see, there was no discovery before the trial. Hey, I’m no lawyer… but I’ve seen enough courtroom dramas to know that this didn’t go the way it should. And don’t get me started on Elijah’s lawyer not actually being a lawyer…

Here’s a spoilery bit, so skip this next paragraph if you care about avoiding spoilers:

One key piece of evidence is the diary found at Erin’s house. The entries all start with “Dear Diary” and seriously, do you know of any adult women who actually write in their diaries that way? It’s supposed to be written by a mature professional woman, and she’s writing as if she’s in middle school? Don’t get me started on the non-existent chain of custody for evidence either. Well, okay, in one scene, the deputy hands the diary to Elijah to look at in his jail cell. Excuse me, what? That’s a key piece of evidence, and you’re just handing it to the accused to paw through?

End of spoilers…

On the positive side, Middletide is relatively short (under 300 pages) and goes by quickly, so reading this book isn’t a huge time commitment. It moves quickly, and kept me turning the pages, although by midway through, I was tearing through it mostly to prove myself right rather than out of any real engagement with the characters.

As negatives, though, in addition to the implausibility of the legal case, the convoluted timeline (those chapters set in the past and the present mush together and are annoying to track), and the predictability of the outcome, the writing can be clunky and/or not well considered. For example:

On the day his editor called and read him that horrible review he had flung open his bedroom window in a fit of rage and dropped the orange typewriter to the sidewalk three stories below.

I suppose this is meant to show us a possible violent side of Elijah, but I just had to laugh. The guy was living in San Francisco at the time — no way did he throw his typewriter out a third-floor window in the middle of the city and not end up arrested for killing or injuring a pedestrian.

Also, it’s mentioned that his publishers had high expectations for his book’s success, but apparently this one very bad review absolutely sank it, and the book only sold 48 copies. What? If the book only sold 48 copies, then it wasn’t just one bad review that was responsible. This makes no sense to me.

As I mentioned already, there are scenes where it is very hard to like Elijah. While perhaps that’s meant to create suspicion or doubt, in actuality it just leaves us with a main character whose self-centeredness makes us not particularly want the very likable love interest to subject herself to being with him.

And so on. I could give more examples, but I’ll stop here.

Middletide is a murder mystery with a hollow center. On the one hand, it did keep me interested enough to speed through to the end — but on the other hand, I didn’t buy into the characters, found the mystery utterly predicable, and felt the courtroom drama was rushed and not believable. I expected a much better reading experience.

Book Review: Good Girls Don’t Die by Christina Henry

Title: Good Girls Don’t Die
Author: Christina Henry
Publisher: Berkley
Publication date: November 14, 2023
Length: 320 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

A sharp-edged, supremely twisty thriller about three women who find themselves trapped inside stories they know aren’t their own, from the author of Alice and Near the Bone.

Celia wakes up in a house that’s supposed to be hers. There’s a little girl who claims to be her daughter and a man who claims to be her husband, but Celia knows this family—and this life—is not hers…

Allie is supposed to be on a fun weekend trip—but then her friend’s boyfriend unexpectedly invites the group to a remote cabin in the woods. No one else believes Allie, but she is sure that something about this trip is very, very wrong…

Maggie just wants to be home with her daughter, but she’s in a dangerous situation and she doesn’t know who put her there or why. She’ll have to fight with everything she has to survive…

Three women. Three stories. Only one way out. This captivating novel will keep readers guessing until the very end.

Wow. What a wild ride. I didn’t have a very clear idea of what to expect when I picked up Good Girls Don’t Die — but having read a bunch of Christina Henry’s books already, I was pretty sure it would be dark and full of twists… and I was totally right about that.

As Good Girls Don’t Die opens, we’re thrust right into a weird and confusing situation. Celia is in the kitchen making her daughter’s lunch… but she doesn’t recognize the kitchen, the daughter, or even the fact that she has a daughter. Where is she? What’s going on? Her husband wishes her a good day, her best friend calls to see if she wants to go for a run before work… but who are these people? Since when is she a runner? And why aren’t there any books in her house?

Is this really my life? Did I sacrifice everything interesting about myself in order to get married, have a baby, drive a compact car?

Every time a hint of a memory enters her mind (like, hey, I prefer yoga, actually), it’s accompanied by a sharp headache. Still, something tells Celia not to admit that she remembers nothing, so she heads off to the restaurant she apparently owns to start her day.

Things go downhill pretty quickly. The irate old lady next door stops by to confront Celia over a non-existent problem, then the old lady’s nephew — an obnoxious, bigoted cop — comes to accuse Celia of assault. When the old lady winds up dead, guess who’s the prime suspect?

Then there’s Allie, in a situation nothing like Celia’s. Allie and her two friends were planning a girls’ weekend at the beach to celebrate Allie’s birthday, but suddenly not only are the friends’ boyfriends coming along, they’ve also changed the destination… to a cabin in the woods. That can’t be good. (It’s not.) As they stay at the remote cabin, Allie notices more and more details that just don’t add up, and before long, extreme danger comes for all of them.

And finally, there’s Maggie, who finds herself in a bizarre, danger-filled environment with no option but to fight through it, if she ever wants to see her daughter again. It may feel like something out of a novel or movie, but the life-threatening obstacles are all too real.

What do these three scenarios have in common? Well… I’m not telling, because that would ruin all the fun!

Good Girls Don’t Die presents the three main characters’ stories sequentially, in separate sections of the book, and then wraps it all up. Each section is fascinating, twisty, and mind-warping, and if you’re anything like me, you’ll be tying your brain in knots trying to understand what’s going on.

I loved how each woman deals with her unique situation, having to figure out what’s going on, who to trust, what the risks are, and — hopefully, how to survive. The characters are each quite different, but they all have the determination needed to keep fighting, even when the odds are decidedly not in their favor.

It’s only in the final, concluding section of the book that I felt just a little bit let down. Without going into detail, I’ll say that the wrap-up felt almost too easy to me, and I wasn’t entirely convinced that the book as a whole sticks the landing.

Still, Good Girls Don’t Die is a trippy, exciting, compelling thrill. I absolutely couldn’t put this book down, and finished it all in one day.

There’s plenty of violence and blood, so be aware if that doesn’t appeal to you. Otherwise, do check it out! Good Girls Don’t Die is fascinating — pick it up when you have time to keep reading. You won’t want to stop.

Book Review: Whalefall by Daniel Kraus

Title: Whalefall
Author: Daniel Kraus
Publisher: MTV Books
Publication date: August 8, 2023
Length: 336 pages
Genre: Contemporary fiction
Source: Purchased
Rating:

Rating: 4.5 out of 5.

Whalefall is a scientifically accurate thriller about a scuba diver who’s been swallowed by an eighty-foot, sixty-ton sperm whale and has only one hour to escape before his oxygen runs out.

Jay Gardiner has given himself a fool’s errand—to find the remains of his deceased father in the Pacific Ocean off the coast of Monastery Beach. He knows it’s a long shot, but Jay feels it’s the only way for him to lift the weight of guilt he has carried since his dad’s death by suicide the previous year.

The dive begins well enough, but the sudden appearance of a giant squid puts Jay in very real jeopardy, made infinitely worse by the arrival of a sperm whale looking to feed. Suddenly, Jay is caught in the squid’s tentacles and drawn into the whale’s mouth where he is pulled into the first of its four stomachs. He quickly realizes he has only one hour before his oxygen tanks run out—one hour to defeat his demons and escape the belly of a whale.

I can promise you that you’ve never read a book like Whalefall before! I’ve seen some comparisons to The Martian, and that’s pretty fair… more on that below!

In Whalefall, our protagonist is 17-year-old Jay, a teen wracked by guilt over his fractured relationship with his deceased father. Mitt Gardiner was revered in the Monterey dive community, but as a father, he inspired fear in his son. Mitt’s focus was 100% on the ocean and its mysteries, but his fury at the encroachment of humans and his dissatisfaction with daily life made him a man whose anger and bitterness cost him job after job.

While Jay’s older sisters were mostly immune to Mitt’s moods, Jay spent all his life as the focus of Mitt’s obsessions, forced out on dives from a young age, forced to parrot back Mitt’s teachings and support his ill-thought-out pipe dreams and get-rich-quick schemes. After a terrible confrontation, Jay left home and spent the last years of his father’s life, as Mitt deteriorated due to mesothelioma, living with friends and refusing to see his father.

We learn about Jay’s history and the torturous relationship with Mitt through flashback chapters, interwoven with the “now” of Jay’s story. As the book opens, Jay is heading for Monastery Beach, a dangerous area on Monterey Bay, to search for his father’s remains. Preferring to die at sea than in a hospital bed, Mitt committed suicide there by throwing himself off a boat while loaded down with dive weights. Jay has convinced himself that if he can retrieve Mitt’s bones from the Bay’s floor, he’ll find some sort of peace or redemption.

He definitely doesn’t believe in closure. People aren’t doors. They’re whole floor plans, entire labyrinths, and the harder you try to escape, the more lost inside them you become.

Using shoddy, second-hand gear, Jay heads into the water, at first allowing himself to marvel at the undersea world and its beauty, his father’s words echoing in his mind. Disaster strikes soon enough: Jay ventures across the edge of an undersea canyon that leads to true depths, is awed by the sight of a giant squid, and realizes too late that the squid is being hunted by a sperm whale. Caught up in the squid’s tentacles, Jay is pulled into the whale’s mouth, and then swallowed.

As the chapter headings show us, Jay’s oxygen tank will sustain him for no more than an hour. As each chapter passes, we see the tank’s readings decrease. He’s in a seemingly hopeless situation — how could a small human possibly manage to escape from a whale’s belly? And yet, Jay looks around and determines not to give up… at least, not until he has to.

As the situation deteriorates, and possibly due to the dangerous levels of nitrogen and methane, Jay begins to hear his father’s voice. Is it real? Is it in his mind? Is the whale channeling Mitt? Doesn’t matter — this voice reminds him again and again of incidents from his past, and through these memories, Jay is given hints of knowledge that he can use.

Depending only on what he has with him, as well as the weird flotsam floating in the whale’s stomach, Jay begins to fight a seemingly unwinnable battle to save himself. And little by little, as his father’s voice guides him, Jay begins to find an inner peace with his past as well.

The descriptions in Whalefall are brutal and terrifying. Jay’s body goes through unimaginable degrees of punishment, from acid burns to bone-breaking compression due to the whale’s stomach’s peristalsis, to the painful pressure damage caused by the whale’s sudden dive for the depths. Readers with weak stomachs and/or an inclination toward claustrophobia might want to think twice before starting this book!

So how is the story of a teen inside a whale similar to The Martian, the story of an astronaut stranded on Mars? In both cases, a person in an apparently hopeless, fatal situation finds a way to survive through science, knowledge, and a McGyver-ish ability to take what he has and use it to his advantage. For Jay, that means using neoprene, a squid’s beak, Brillo pads, batteries, and more to create tools, first aid supplies, and other devices necessary to last just a little bit longer and try to find a way out before his air is gone.

While a harrowing tale of danger and escape, Whalefall is also a deeper story of love, regret, and the complicated power of parent-child expectations and disappointments. Mitt is not a nice guy by any means, yet it’s his presence that enables Jay to survive, and as we learn through Jay’s memories, there are kernels of value buried deep in Jay’s subconscious that let him see that life with Mitt wasn’t only the nightmare he remembers.

I first heard about Whalefall thanks to Tammy at Books, Bones & Buffy, who featured it months ago as a Future Fiction pick. Thank you, Tammy! Don’t miss her review, here.

Whalefall is a tense, addictive read that’s impossible to put down once started. I did wish to know more about what happens next at the end, even though I recognize that that’s not the point of the story. (Can’t help that I’m super practical and curious…)

I’m so glad that I decided to read Whalefall. I loved the Monterey setting, the references to Steinbeck, the glimpses of lives devoted to the sea, and the depiction of the power and mystery of whales and other deep-dwelling creature. More than anything, this story of survival and desperation is a look inside a young man’s pain, longing, and regret, and these elements — the personal and the thriller — come together to make a compelling whole. Highly recommended.

Book Review: The Soulmate by Sally Hepworth

Title: The Soulmate
Author: Sally Hepworth
Publisher: St. Martin’s Press
Publication date: April 4, 2023
Length: 336 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3 out of 5.

Get ready for a thrilling, addictive novel about marriage, betrayal, and the secrets that push us to the edge in Sally Hepworth’s The Soulmate.

There’s a cottage on a cliff. Gabe and Pippa’s dream home in a sleepy coastal town. But their perfect house hides something sinister. The tall cliffs have become a popular spot for people to end their lives. Night after night Gabe comes to their rescue, literally talking them off the ledge. Until he doesn’t.

When Pippa discovers Gabe knew the victim, the questions spiral…Did the victim jump? Was she pushed?

And would Gabe, the love of Pippa’s life, her soulmate…lie? As the perfect facade of their marriage begins to crack, the deepest and darkest secrets begin to unravel.

I’ve read all but one of Sally Hepworth’s novels by now, and when I look back at my ratings and reviews, I can see that her books are either big hits for me (especially The Good Sister and The Things We Keep) or so-so reads that I could have done without. Sadly, The Soulmate falls into the latter category.

Content warning: Suicide is a recurring topic in this book, as are mental health concerns, diagnoses, and treatments. I would not recommend this book for readers for whom these topics might be triggering.

In The Soulmate, two different women narrate a dramatic occurrence, what happened before, and what happens next. Oddly, one of these two women is already dead when we meet her as a narrator, and she tells her side of the story from her afterlife.

Pippa lives with her gorgeous, wonderful husband Gabe in a cottage by a cliff’s edge. It’s a beautiful location, but with a downside — the cliff facing their home is known locally as The Drop, and it’s a spot that’s known for its number of suicides. Once they move in, Gabe keeps an eye on the cliff, and in the year they’ve been there, has managed to talk seven different people away from the edge with his calm, caring approach. He’s a local hero.

But everything changes when a woman on the cliff doesn’t step away. Pippa comforts Gabe, assuring him that he did all he could. But something nags at Pippa — what she saw and the way Gabe described it to police don’t quite match up.

The woman who died is Amanda, and she shares her story as well, going back to the early days of her own marriage. As the story progresses, we see how Amanda and her husband Max are connected to Pippa and Gabe. There are dark secrets, and clearly there’s more to Amanda’s death than meets the eye.

I found the characters very hard to relate to or even care about. Pippa is the only decent one in the mix, although Amanda isn’t a bad person necessarily — but she does allow herself to turn a blind eye to all sorts of shady and criminal business dealings and enjoy the lifestyle funded by Max’s success.

The more we learn, the harder it is to fathom why Pippa would remain in her marriage, and it’s frustrating to see how her protective parents and sister wait until much too late to actually share with her what they observe.

The twists and turns in the plot felt like cheap shock devices to me, and the big reveal at the end did not satisfy me. Being vague here, but a fact that should have been redemptive doesn’t override the fact that some of these people did or were responsible for awful things.

I’m not typically a reader of thrillers, but once in a while, if the plot twists are new and surprising, the writing is great, and the characters can make me care, I’ll find myself enjoying them. Sadly, that isn’t the case here. Even the writing has some strange, jagged edges. For example, when Pippa is asked whether her two little girls are twins, she replies that they’re “Irish twins […] born less than a year apart”. Maybe it’s me, but I’ve never heard that phrase before, and there’s no reason for it — it feels derogatory, and a weird way to describe one’s own children.

Pippa is a lawyer, clearly very intelligent, yet she acts as if she has no clue about many things, including Gabe’s business dealings:

I never asked too many questions about his work. The truth was, I had only the most rudimentary understanding of what Gabe did, and when he talked about it I understood less rather than more.

Then there’s the whole issue of Amanda’s narration from the great beyond. It’s weird and off-putting; at the end she states that after death, she could now see “the whole scene unfurl” regarding events she hadn’t known prior to death — so death makes someone omniscient? Such a strange way to reveal backstory and secrets.

The Soulmate tries, I think, to illustrate deep truths about marriage, trust, and fidelity, but on the whole, it misses the mark. Yes, the book held my attention, but I felt that there were too many false notes and much too much obliviousness to make any of it believable.

I’ve given The Soulmate 3-stars, but that may be overly generous. It’s a quick, compelling read, but at the end of the day, I found it unsatisfying.

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Book Review: Killers of a Certain Age by Deanna Raybourn

Title: Killers of a Certain Age
Author: Deanna Raybourn
Publisher: Berkley
Publication date: September 6, 2022
Length: 368 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

Older women often feel invisible, but sometimes that’s their secret weapon.

They’ve spent their lives as the deadliest assassins in a clandestine international organization, but now that they’re sixty years old, four women friends can’t just retire – it’s kill or be killed in this action-packed thriller.

Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills.

When the foursome is sent on an all-expenses paid vacation to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realize they’ve been marked for death.

Now to get out alive they have to turn against their own organization, relying on experience and each other to get the job done, knowing that working together is the secret to their survival. They’re about to teach the Board what it really means to be a woman–and a killer–of a certain age.

Just because a woman hits 60, it doesn’t mean she’s weak or powerless. And the women of Killers of a Certain Age are here to make sure we don’t forget it!

In this action-rich thriller by the talented Deanna Raybourn, the four women at the heart of the story should be enjoying the celebratory luxury cruise marking their retirement — but when they spot a fellow assassin from the shadowy organization they work for hidden among the ship’s crew, they realize they’ve been targeted, and soon enter a fight for their lives.

As the foursome evade death through all sorts of clever, daring, inventive means, they know that the kill order must have come from the top, and in their world, as the blurb says, it’s kill or be killed. Banding together, they plot, scheme, and fight to take out the Museum’s Directors. With their own lives on the line, one mistake could mean the end for all of them.

Killers of a Certain Age is a fast-paced adventure, with the four main character at its heart using their mad skills, cunning, and whatever tools they have at hand to turn their own assassinations back on their adversaries and, they hope, finally leave the business behind them for good.

Each woman is given a backstory, although some are more fleshed out than others. The Museum, we’re told, was originally founded in the aftermath of the second World War, with the purpose of finding and eliminating the many Nazis who managed to slink away and evade justice. Over the years, the Museum’s mission expanded to include drug lords and criminal masterminds. Unaffiliated and uncontrolled by any one government, the Museum is a well-funded, top secret, highly powerful organization that moves through the world via stealth and surveillance, and takes out those deemed the highest threats.

Now, to enjoy Killers of a Certain Age, we readers have to put aside any qualms about the morality of an extra-legal assassination organization. We’re clearly meant to root for Billie, Mary Ann, Helen, and Natalie, and to understand that they see themselves as forces of good. Yes, they clean up the rot that pervades the world and evades more traditional types of justice. But at the end of the day, they’re women who’ve spent 40 years traveling the world and murdering people. I can’t bring myself to feel sorry about them dispensing justice to Nazis and cartel bosses… but I can’t say I’m entirely comfortable with this either.

Still, accepting that these are our heroines, it’s certainly fun to cheer for their success, especially when they take advantage of other people’s views of older women to be able to slip into places unseen and unchallenged.

There are some funny moments (such as the women using a menopause-tracking app with animated kitten avatars as a way to communicate without being tracked), but overall, it’s not a particularly funny book (which readers coming from the world of the author’s Veronica Speedwell mystery series may be expecting). The characters are memorable, and I loved reading a story where women “of a certain age” not only matter, but truly kick ass, take names, and make a difference.

The underlying concept — four assassins as the heroes of a story — still doesn’t sit entirely well with me, but overall, this is a fun, fast, exciting read. Kind of like a female James Bond squad, but with murder. If you don’t take it too seriously and just go with the concept, it works!

Book Review: Just Like Mother by Anne Heltzel

Title: Just Like Mother
Author: Anne Heltzel
Publisher: Tor Nightfire
Publication date: May 17, 2022
Length: 320 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via Netgalley
Rating:

Rating: 2 out of 5.

A girl would be such a blessing…

The last time Maeve saw her cousin was the night she escaped the cult they were raised in. For the past two decades, Maeve has worked hard to build a normal life in New York City, where she keeps everything—and everyone—at a safe distance.

When Andrea suddenly reappears, Maeve regains the only true friend she’s ever had. Soon she’s spending more time at Andrea’s remote Catskills estate than in her own cramped apartment. Maeve doesn’t even mind that her cousin’s wealthy work friends clearly disapprove of her single lifestyle. After all, Andrea has made her fortune in the fertility industry—baby fever comes with the territory.

The more Maeve immerses herself in Andrea’s world, the more disconnected she feels from her life back in the city; and the cousins’ increasing attachment triggers memories Maeve has fought hard to bury. But confronting the terrors of her childhood may be the only way for Maeve to transcend the nightmare still to come…

Just Like Mother is a creepy thriller about young survivors of a mother-worshipping cult, who in turn grow up to be damaged and potentially dangerous adults. I was drawn to this book by the synopsis — but quickly realized that this book was more manipulatively disturbing than necessary.

Maeve and Andrea are raised by the Mother Collective, but their cult is raided and disbanded after 8-year-old Maeve flees and turns them in. As an adult, Maeve is a talented editor who lives a lonely, disconnected life, until a DNA test reunites her with Andrea once again.

Andrea is now the head of a tech and lifestyle company with a seemingly limitless fortune, and she wants nothing more than to spend time with Maeve, although discussion of their early years is strictly forbidden. As Maeve spends more time with Andrea and her husband at their isolated country home, things get weird… and that’s about all I’ll say about the plot.

The story goes in awful, frightening directions, but honestly, I didn’t find any of it credible. The plot is designed to shock and disturb, but didn’t present enough insight into the characters or situation to make any of it truly believable. (For example, I never did understand Andrea’s company and how she came to be so successful — it does involve robot baby dolls, though, which… ew).

This book absolutely should include content warnings: Rape, imprisonment, loss of bodily autonomy, abuse… the list goes on. It’s unpleasant and anyone triggered by these topics should definitely avoid this book.

Why two-stars instead of just one? Well, I did keep reading. The book held my attention, but I can’t say I enjoyed it. The ending is pretty terrible, but by the time I got there, I didn’t expect any other outcome.

So many elements feel familiar in this book — shades of everything from Stepford Wives to Rosemary’s Baby to Gone Girl, among other examples. I think the author was probably going for terrifyingly creepy, but for me, the overriding feeling was being pissed off and disgusted.

I can’t say that I recommend this book at all… but if you have read it, I’d love to hear other points of view!

Shelf Control #318: One By One by Ruth Ware

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

A scheduling note for Shelf Control: Next week, I’ll be away for a few days, and rather than schedule a Shelf Control post in advance, I’m planning to go easy on myself and skip a week! So, for May 11th, I will not have a Shelf Control post up on Bookshelf Fantasies, but if you’re participating in the meme, please add your link to this week’s post so I don’t miss it!

Title: One By One
Author: Ruth Ware
Published: 2020
Length: 372 pages

What it’s about (synopsis via Goodreads):

Getting snowed in at a beautiful, rustic mountain chalet doesn’t sound like the worst problem in the world, especially when there’s a breathtaking vista, a cozy fire, and company to keep you warm. But what happens when that company is eight of your coworkers…and you can’t trust any of them?

When an off-site company retreat meant to promote mindfulness and collaboration goes utterly wrong when an avalanche hits, the corporate food chain becomes irrelevant and survival trumps togetherness. Come Monday morning, how many members short will the team be?

The #1 New York Times bestselling author of The Turn of the Key and In a Dark Dark Wood returns with another suspenseful thriller set on a snow-covered mountain.

How and when I got it:

I bought a hardcover edition during a pre-Christmas book sale in 2020.

Why I want to read it:

I love snowy mountain vacations… and I also seem to be drawn to books and/or movies that feature snowy mountain disasters! What does this say about me, I wonder?

One By One caught my attention as soon as I stumbled across it and read the synopsis, and when I saw it available at a deep discount, I just had to grab a copy. Now, I’m not usually much of a thriller reader, and I’ve only read one book by Ruth Ware so far (The Turn of the Key), which I had decidedly mixed feelings about. Still, the subject matter and description for One By One make it sound like a twisty must-read for me.

What do you think? Would you read this book?

Please share your thoughts!


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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments or link back from your own post, so I can add you to the participant list.
  • Check out other posts, and…

Have fun!