Book Review: The Wrong Lady Meets Lord Right by Suzanne Allain

Title: The Wrong Lady Meets Lord Right
Author: Suzanne Allain
Publisher: Berkley
Publication date: December 3, 2024
Length: 271 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

When a young woman trades places with her noble cousin, their innocent ruse leads to true love in this sparkling new Regency-era romantic comedy of manners from the author of Mr. Malcolm’s List.

When Arabella Grant’s wicked aunt dies suddenly, both Arabella and her cousin Lady Isabelle cannot help but feel relieved. She’d made their lives miserable, and now Lady Issie is free to read to her heart’s content, and Bella is free from taunts about her ignoble birth. 

Their newfound freedom is threatened, however, when Issie’s great-aunt commands her to travel to London for a come-out Issie has never wanted. Issie, who is in poor health, is convinced she’ll drop dead like her mother did if she drops into a curtsy before the queen. So when her great-aunt turns out to be nearsighted and can’t tell the noble Lady Isabelle from her commoner cousin Arabella, Issie convinces Bella to take her place. Bella can attend all the exclusive entertainments that her lower birth would typically exclude her from, and Issie can stay in bed, her nose in a book.

Bella agrees to the scheme for her cousin’s sake, but matters turn complicated when she meets the irresistible Lord Brooke. He begins courting her while under the impression she’s the rich and aristocratic Lady Isabelle, who, unlike Bella, is a suitable bride for an eligible young earl. And Bella, who is convinced that she has met “Lord Right,” worries what will happen when she reveals that he’s actually fallen for…the wrong lady.

Suzanne Allain’s last several books have all been delightfully frothy — yet empowering — reads, and The Wrong Lady Meets Lord Right fits right in!

In this charming new Regency novel, two cousins take on a Prince and the Pauper-esque switcheroo, with silly, laugh-out-loud results. When Lady Strickland — a nasty woman if ever there was one — dies suddenly, her entire fortune is left for her daughter Isabelle. Isabelle was treated terribly by her mother all her life, and only the presence of her beloved cousin Arabella brought joy to Issie during her younger years.

Now, freed from Lady Strickland’s tyranny, Issie and Bella look forward to enjoying their freedom — only to be summoned to London by Issie’s aunt, Lady Dutton, as soon as their year of “mourning” has passed. Lady Dutton insists that Issie’s mother intended for her to have a London season and to be presented at court, and intends to make it happen, with herself as chaperone.

Issie is terrified — she’d rather stay home and read her books. Meanwhile, Bella — always treated by Lady Strickland as the unwanted poor relation — expects more of the same in London. However, Lady Dutton is quite nearsighted and can’t tell the two girls apart. Frantic with nerves and feeling unwell from all their travel, Issie begs Bella to take her place at court — and when that works well, pleads with her to continue the ruse for the full season.

Bella loves Issie and would do anything for her, and agrees to play along if that’s what Issie needs. What Bella doesn’t expect is to encounter the charming Lord Brooke, who seems quite smitten with Bella — although he believes that she’s Isabella, known in society as Lady Belle.

Confused yet? The plot is a merry-go-round of mistaken identities, as Bella pretends to be Issie, Issie pretends to be Bella, each meets the man of her dreams, but each man believes he’s in love with the other cousin. All sorts of near-misses and shenanigans ensue, leading to delightful set pieces, a few touching moments of heartache, and (not exactly a spoiler) a very happy ending, once all the mix-ups are sorted out.

Bella is our point-of-view character, and she’s a treat. Raised alongside Issie but never considered an equal (by anyone but Issie), Bella is good-hearted, devoted to her cousin, and clear-eyed about her own future and prospects. She doesn’t expect to enjoy the game of pretend she ends up playing, and it’s entertaining and touching to see her struggle with herself about doing the right thing, especially once she has to weigh honoring promises to her cousin against deceiving the man she cares for.

The class issues are well-presented, and naturally, society’s contempt and intolerance for the lower classes is not a good look. Still, we do meet some decent members of the nobility, amidst the many pretentious and often cruel snobs, and Bella gets some true surprises about her own connections and origins.

The Wrong Lady Meets Lord Right is a fast, funny read, filled with silly capers but also genuine commitment, loyalty, and love. The relationship between Issie and Bella is the heart of the story and is especially enjoyable, and the romantic elements are quite fun too.

I really enjoyed the author’s previous two books, The Ladies Rewrite the Rules and Miss Lattimore’s Letters. After reading The Wrong Lady Meets Lord Right, I’m definitely counting Suzanne Allain as an auto-buy author, and can’t wait to see what she writes next!

Book Review: Miss Lattimore’s Letter by Suzanne Allain

Title: Miss Lattimore’s Letter
Author: Suzanne Allain
Publisher: Berkley
Publication date: August 10, 2021
Length: 256 pages
Genre: Historical fiction
Source: Library
Rating:

Rating: 4 out of 5.

The woman who never made a match of her own is making matches for everyone else in this hilarious comedy of manners from the author of Mr. Malcolm’s List.

Sophronia Lattimore had her romantic dreams destroyed years ago and is resigned to her role as chaperone for her cousin. Still, she cannot sit idly by when she becomes aware that a gentleman is about to propose to the wrong woman. She sends him an anonymous letter that is soon the talk of the town, particularly when her advice proves to be correct. Her identity is discovered and Sophie, formerly a wallflower, becomes sought after for her “expert” matchmaking skills.

One person who seeks her out is the eligible and attractive Sir Edmund Winslow. As Sophie assists Sir Edmund in his pursuit of a wife, she wishes she could recommend herself as his bride. However, she vows to remain professional and uninvolved while aiding him in his search (especially since the gentleman surely does not return her affections).

Three unexpected arrivals soon show up at Sophie’s door—the man who once broke her heart, a newlywed who is dissatisfied with the match Sophie made for her, and the man madly in love with Sophie’s cousin—all wanting her attention. But when her onetime beau and Sir Edmund both appear to be interested in her, Sophie can’t figure out if she’s headed for another broken heart­­ or for the altar. How can she be expected to help other people sort out their romantic lives when her own is such a disaster?

After thoroughly enjoying The Ladies Rewrite the Rules, released earlier in 2024, I was eager to read more by author Suzanne Allain. I was glad to find Miss Lattimore’s Letter at the library — this 2021 novel is yet another gem of a Regency romance, with an empowered woman steering her own course rather than sitting back and letting life pass her by.

When we meet Sophie — Sophronia — she’s a 28-year-old spinster chaperoning her younger cousin Cecilia through the social season. Sophie once had a chance at marriage, but that fell through — and now she’s fated to sit with the older ladies, wear dull dresses, and watch the pretty young women enjoy their shining moments.

All this changes when Sophie accidentally overhears a private conversation, from which she learns that two impending engagements are between couples who each secretly wish to be with someone else. Sophie thinks that someone should set these people straight before it’s too late… and then decides that that “someone” might as well be her. She writes an anonymous letter, and it works: The couples realign, and the people involved end up with the ones they truly love.

Sophie’s anonymity doesn’t last long, and she’s soon being hailed as a genius matchmaker… even though she didn’t actually do anything but write a letter. Still, she finds herself once again a person generating interest in society, being asked to dance, and suddenly thought of as more than an over-the-hill spinster. When she catches the eye of a kind and witty gentleman, she’s more than a little interested, but the reappearance of the man who broke her heart so many years earlier brings unexpected complications.

Miss Lattimore’s Letter is an utterly engaging read. Yes, making matches and pursuing romances are quite central, but much of the fun is in seeing the friendships and alliances formed between Sophie and the various people in her orbit. It’s delightful to see Sophie take control of her own life, offer advice to women who feel pressured to choose money and titles over true connection, and remain true to herself even while finding a way to allow love back into her life.

The writing is clever and warm-hearted, and there are nods both to Jane Austen and to the joys of being a bookworm, which absolutely appealed to my book-loving little soul.

By the end of the morning, a morning spent in traversing the room back and forth in earnest conversation, the two young ladies were quite pleased at having made the acquaintance of someone who seemed destined to become a friend. They even had that most important characteristic of all in common: they counted the same books among their favorites.

While romance is always at the forefront of the story, I loved that the friendships between the women are treated as relationships that matter, and it’s lovely to see the trust that developments once the women open up to one another and speak honestly.

Sophie’s love triangle is perhaps a bit annoying — clearly, we know who she’s meant to be with, and which of the two men is basically a cad. Still, it’s fun watching it all play out… and we know Sophie is smart enough to make the right choice.

Sophie found it quite astonishing that she had gone eight-and-twenty years without being kissed by even one gentleman and had now been kissed by two different ones in the span of as many days. 

Miss Lattimore’s Letter is a joyful book with a memorable lead character and very clever storytelling. It made me laugh and kept me interested enough to read it straight through in one day. For Regency romance fans, this book is a treat. Don’t miss it!

Book Review: The Ladies Rewrite the Rules by Suzanne Allain

Title: The Ladies Rewrite the Rules
Author: Suzanne Allain
Publisher: Berkley
Publication date: January 9, 2024
Length: 272 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

From the author of Mr. Malcolm’s List comes a delightful romantic comedy set in Regency England about a widow who takes high society by storm.

Diana Boyle, a wealthy young widow, has no desire to ever marry again. Particularly not to someone who merely wants her for her fortune. 

So when she discovers that she’s listed in a directory of rich, single women she is furious, and rightly so. She confronts Maxwell Dean, the man who published the Bachelor’s Directory , and is horrified to find he is far more attractive than his actions have led her to expect. However, Diana is unmoved by Max’s explanation that he authored the list to assist younger sons like himself who cannot afford to marry unless it’s to a woman of means. 

She gathers the ladies in the directory together to inform them of its existence, so they may circumvent fortune hunters’ efforts to trick them into marriage. Though outraged, the women decide to embrace their unique position of power and reverse the usual gender roles by making the men dance to their tune. And together… the ladies rewrite the rules.

What a delightful little gem! This comedy of manners is an utterly fun treat about women taking back control of their destinies at a time when society tells them they’re powerless.

A woman needs a dowry to attract a man, must marry “well”, must remain virtuous at all times, must avoid the thousand and one ways she can be “ruined”, must kowtow to the powerful matrons who control social standing… the restrictions on young women of the Regency era go on and on.

Diana Boyle is lucky, all things considered. She married a much older man at age eighteen to save herself and her mother from poverty. When she finds herself a widow at age twenty-five, she’s finally able to live peacefully in the grand estate left to her by her unpleasant late husband, and for once has no pressure to do what others want. And mainly, Diana just wants to be left alone. She’s not a social butterfly, has no interest in remarrying (her unhappy first marriage was plenty, thank you), and doesn’t need balls and visits and endless society obligations.

All this changes when a pair of gentlemen show up at her estate — uninvited — and proceed to attempt to ingratiate themselves with her. Her observant butler manages to discover the reason — they’re carrying a copy of a directory that lists the wealthiest widows and unmarried women of London, and Diana is listed! She’s outraged, enough so that she overcomes her normal shyness to seek out the author of the directory and give him a piece of her mind.

Maxwell Dean is not quite the villain she’d expected. Rather than a fortune hunter, he’s a man who’s seen more than one friend fall in love, only to have it come to naught when the couple realize that neither has any money whatsoever. For a younger son, the only hope is to marry a woman of means — so why not provide some guidance in advance? Maxwell doesn’t realize how mercenary his guide might set men up to be — he honestly just thinks he’s helping people find love in a more practical way. (He’s a very special — and sweet — snowflake, to be honest).

The fun takes off when Diana makes it her mission to inform other ladies of their inclusion in the directory. While initially upset and offended, the women soon discover more than one silver lining. They band together, forming strong friendships and allyships, and realize that given the situation, they’re actually the ones with the power.

Somehow the very thing that had been the symbol of their helplessness, that directory which listed them as no more than a commodity, had now become a way for them to exert their independence, to rewrite the rules in their favor.

With all these men seeking them as marriage partners, they have a freedom never before experienced — to waltz with abandon, to decline a dance if they don’t feel like dancing with the man asking (and still dance with others!), to say no if they’re so inclined in any situation. The women of the directory find a new sense of liberty and strength, and they intend to enjoy it to the hilt.

For it’s an indisputable fact that when a person no longer seeks acceptance, they immediately become irresistible.

Of course, there’s also a budding romance between Diana and Max, and it’s quite sweet to see the two of them come together, tentatively at first, as they discover friendship, trust, and attraction. As Diana’s connections to the other women grow, and her fondness for Max strengthens too, she’s able to rethink her position in life and for once, make her own decisions about who she wants to be and how she wants to live.

The writing in The Ladies Rewrite the Rules is oodles of fun. There are plenty of funny and silly moments, but the women also share stories that are more painful and illustrate how strongly the odds are stacked against them. I especially loved seeing Diana’s friendship with Lady Regina, a wealthy heiress whose reputation had been tarnished as a much younger woman. Through their new sense of confidence and empowerment, Regina is able to right some old wrongs and realize that she is in fact as entitled to happiness as anyone else.

I picked up this book with a little bit of hesitation, as I didn’t love Mr. Malcolm’s List quite as much as I’d hoped to… and so I was incredibly happy to discover how much I enjoyed spending time with Diana, Regina, and the Ladies of the Registry.

I tore through The Ladies Rewrite the Rules in a little more than a day, and found myself smiling and laughing throughout. If you enjoy a good Regency tale with a slightly unconventional twist, be sure to check this book out!

Book Review: To Woo and To Wed (The Regency Vows, #5) by Martha Waters

Title: To Swoon and To Spar
Series: The Regency Vows, #5
Author: Martha Waters
Publisher: Atria
Publication date: February 6, 2024
Length: 336 pages
Genre: Historical fiction/romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

The final installment in the Regency Vows series follows the heir to a dukedom and a young widow, once very much in love, as they reunite years later to fake an engagement for the benefit of her sister.

West, the Marquess of Weston, and Sophie, Lady Fitzwilliam Bridewell, have lately been spending a considerable amount of time together. But West and Sophie are not new acquaintances. In fact, years ago, they had once been nearly engaged until West’s almost fatal curricle accident and his meddling father threw them off course.

Now recently widowed, Sophie has put aside all thoughts of romance. But when her widowed sister, Alexandra, mentions a fondness for an earl, Sophie realizes that she may be holding her sister back. Alexandra won’t move forward with an engagement until Sophie, too, settles down again, and so Sophie approaches West with a plan. They will announce their engagement and break things off once Alexandra is happily married. It’ll be simple. After all, it’s not like she is going to fall for West a second time, not when Sophie has sworn not to risk her heart again.

To Woo and To Wed is a fitting, satisfying wrap-up to a consistently entertaining series about love, friendship, and offbeat relationships. The series as a whole balances light-hearted romps and banter with some serious (but not too heavy) themes about family obligations and expectations. Book #5 ties the entire series together in a way that’s sure to please its faithful readers.

Throughout the series, West (Marquess of Weston, and future Duke) and Sophie (a lovely young widow) have been in the background — not driving the previous books’ plots, but factoring into the overarching storylines nonetheless. Over the course of these books, we’ve learned bits and pieces of their (mostly sad) history: At one point madly in love and on the verge of betrothal, West was in a tragic accident that killed his closest friend and left him severely injured, and upon his recovery, he discovered that Sophie had married another man. Widowed after three years of marriage, Sophie has carried an air of sadness with her, and she and West have kept their distance. More recently, however, West and Sophie have been thrown together much more frequently as their circle of friends and relatives have overlapped (in the four books of the Regency Vows series). Here in book #5, West and Sophie finally take center stage, and we learn much more about their backstory and how their lives continue to intersect.

In To Woo and To Wed, Sophie finds herself in a bind when her younger sister, also a widow, hints at being in love and ready to marry, but seems to be holding off out of concern for Sophie’s well-being. Sophie is perfectly fine on her own, yet doesn’t want to be responsible for delaying her sister’s happiness. Thrown together with West yet again due to their mutual social connections, she makes a startling proposal: She and West will announce their betrothal, ensuring her sister’s comfort in getting married. Once Alexandra is safely wed, she and West can break things off and go their separate ways.

West is amenable — he still loves Sophie, for one thing, and he’s also getting pressure from his awful, domineering father to marry and produce heirs. In fact, his father is now using outright extortion — if West doesn’t get married (and soon), his father will sell the property that once belonged to his late mother, the place that West most considers home.

Of course, a fake betrothal is bound to get complicated. First of all, their friends are rightfully skeptical, and even Alexandra seems suspicious, forcing ridiculous wedding plans (such as overly ruffled matching gowns, a double ceremony, and departure on horseback) on Sophie… in hopes of making her confess the truth?

And then there’s the undeniable fact that neither Sophie nor West has ever gotten over one another. All this forced proximity and pretend intimacy gets harder and harder to endure while denying feelings… and those feeling keep bubbling up each time they meet.

It’s quite lovely to see West and Sophie together at long last, and very satisfying to finally get their full backstory and understand just went wrong seven years earlier. They’re both great characters — smart, caring, and sensitive — and they deserve happiness. Getting there isn’t easy, but their ups and downs give us readers plenty of time to cheer them on.

All of the characters from the previous books participate in the events of To Woo and To Wed, and it’s extremely enjoyable to see them all come together, in various combinations to move the plot forward (and to meddle in Sophie and West’s romance).

The Regency Vows series is a lot of fun, and this 5th book is a terrific conclusion to the characters’ romantic adventures. Many romance series are only loosely connected, so a reader can jump in at any point. Here, there is so much involvement of other characters and winking references to past events that I can’t see the reading experience being nearly as enjoyable if someone started anywhere but with book #1, To Have and To Hoax. My recommendation? Start at the beginning, and enjoy the ride all the way through to the end!

Book Review: To Swoon and To Spar (The Regency Vows, #4) by Martha Waters

Title: To Swoon and To Spar
Series: The Regency Vows, #4
Author: Martha Waters
Publisher: Atria
Publication date: April 11, 2023
Length: 336 pages
Genre: Historical fiction/romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

The Regency Vows series returns with this story about a viscount and his irascible new wife who hopes to chase her husband from their shared home so that she can finally get some peace and quiet—only to find that his company is not as onerous as she thought.

Viscount Penvale has been working for years to buy back his ancestral home, Trethwick Abbey, from his estranged uncle. And so he’s thrilled when his uncle announces that he is ready to sell but with one major caveat—Penvale must marry his uncle’s ward, Jane Spencer.

When the two meet in London, neither is terribly impressed. Penvale finds Jane headstrong and sharp-tongued. Jane finds him cold and aloof. Nevertheless, they agree to a marriage in name only and return to the estate. There, Jane enlists her housekeeper for a scheme: to stage a haunting so that Penvale will return to London, leaving her to do as she pleases at Trethwick Abbey. But Penvale is not as easily scared as his uncle and as their time together increases, Jane realizes that she might not mind her husband’s company all that much.

The Regency Vows series is a fun, upbeat set of stories centered around a circle of friends who have decidedly non-traditional love stories in a time when social rules are everything. Four books in, the series continues in its lively approach, this time focusing on a marriage of convenience that (surprise, surprise) turns into a true romantic match.

The first three books focused on three close friends — Violet, Diana, and Emily — each getting their own story of love, bickering, bargains, sexytimes, and total devotion, plus healthy doses of their friendship, which really makes the books stand out. Yes, they’re romances, but the women’s relationships with one another are just as important as the love stories.

Here in book #4, To Swoon and To Spar, the story shifts to Diana’s brother, Lord Penvale — close to his sister, very good friends with all of his sister’s friends’ husbands, but not particularly looking for love or marriage. Since childhood, his one goal (or should we say, obsession?) has been to buy back his family’s estate from his greedy uncle.

At long last, the uncle is ready to sell, but there’s a catch: He wants to be rid not only of the Cornwall estate, but also his ward, a serious young woman named Jane whose late father served with him in the Navy. If Penvale wants Trethwick, he’ll have to marry Jane. Penvale wants the estate, and Jane wants to be rid of her guardian. The match seems to offer both what they want, and after a very sensible discussion, they agree to move forward.

Penvale does not know that Jane is secretly plotting to drive him away from Trethwick. She doesn’t hate Penvale and has no malicious motivation — she’s simply very shy and introverted, and would rather be left alone at the beloved mansion in Cornwall to enjoy the huge library and the gorgeous views, without a pesky husband to contend with.

Needless to say, all does not go according to plan, and Penvale is not nearly as gullible as Jane had hoped. And as is true with all of the pairings in this series, sparks fly, and before long, the dry, sensible all-business marriage threatens to turn into a true meeting of hearts and minds.

While the ghost story aspect is very silly (maybe even ridiculous), it’s still cute to read, and I liked both Penvale and Jane as characters. Early on, I missed the rest of the friend circle and their banter and antics, but eventually they do show up, and dial up the fun to eleven.

Jane is quite prickly, and at first I thought she was one of these typical strong-willed heroines that we’ve seen so many times, where unpleasantness is meant to be a sign of her independence and proto-feminism. But in actuality, so much of Jane’s unfriendliness can be attributed to her social awkwardness and intense shyness, and it makes her so relatable and lovable.

The writing is jaunty and witty, and made me giggle throughout the book, such as…

Jane meant to make an elegant, stately departure at this juncture, but at that moment, she came to learn a truth — perhaps not universally acknowledged but undeniable all the same: It is impossible for a lady to extract herself from straddling a gentleman’s lap with anything approaching grace.

Of course, I knew for sure that Jane was a woman after my own heart when she (irritably) explains to a visitor:

“I like to reread books from time to time,” Jane added. “I wouldn’t expect you to understand.”

Since this is a romance, I suppose it’s a requirement that there’s a major falling out between Penvale and Jane that drives them apart prior to the inevitable happy ending. The misunderstanding and separation felt like the weakest links in the story to me, as both seemingly smart characters jumped to miserably unfounded conclusions — but fortunately, this unhappy phase wasn’t dragged out for too long.

To Swoon and To Spar is an entertaining, silly, joyful addition to a sweet series, and I look forward to seeing which couple will take center stage next time around. I have my guesses… but we’ll have to wait and see!

Book Review: To Marry and To Meddle by Martha Waters

Title: To Marry and To Meddle (The Regency Vows, #3)
Author: Martha Waters
Publisher: Atria
Publication date: April 5, 2022
Length: 336 pages
Genre: Historical fiction/romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

The “sweet, sexy, and utterly fun” (Emily Henry, author of The People We Meet on Vacation) Regency Vows series continues with a witty, charming, and joyful novel following a seasoned debutante and a rakish theater owner as they navigate a complicated marriage of convenience.

Lady Emily Turner has been a debutante for six seasons now and should have long settled into a suitable marriage. However, due to her father’s large debts, her only suitor is the persistent and odious owner of her father’s favorite gambling house. Meanwhile, Lord Julian Belfry, the second son of a marquess, has scandalized society as an actor and owner of a theater—the kind of establishment where men take their mistresses, but not their wives. When their lives intersect at a house party, Lord Julian hatches a plan to benefit them both.

With a marriage of convenience, Emily will use her society connections to promote the theater to a more respectable clientele and Julian will take her out from under the shadows of her father’s unsavory associates. But they soon realize they have very different plans for their marriage—Julian wants Emily to remain a society wife, while Emily discovers an interest in the theater. But when a fleeing actress, murderous kitten, and meddlesome friends enter the fray, Emily and Julian will have to confront the fact that their marriage of convenience comes with rather inconvenient feelings.

The Regency Vows series is a fun, fresh look at love and friendship in (obviously) the Regency era. The books focus on a trio of friends, Violet (lead character of the first book, To Have and To Hoax), Diana (starring in To Love and To Loathe), and Emily, the main character of this 3rd book, To Marry and To Meddle.

Lady Emily Turner is the perfectly mannered daughter of a respectable society family. At age 23, she is unmarried, largely because her parents have promised her to an awful man to whom the family is ruinously in debt. She’s desperately unhappy, but would never dream of disobeying her parents… until Julian comes along.

Lord Julian Belfry is the younger son of a titled family. No one expects much of a younger son, but they certainly don’t expect and can’t tolerate his ownership of a (gasp!) theater — especially a theater that has the reputation of being a place for gentleman to spend a night out with their mistresses.

In Emily, Julian sees a way to attain respectability for his theater. In Julian, Emily sees a path to freedom. At a country party (the setting of much of the previous book), Julian comes up with a plan that might solve both of their problems: He proposed marriage. With Emily’s good social standing, he hopes to repair the theater’s reputation and draw in the right crowd. And with Julian’s money, Emily’s family can be freed from their debts, saving Emily from being forced into a terrible marriage.

The arrangement would clearly be a win-win situation, and the fact that they enjoy one another’s company is an added bonus. Emily accepts, and the two are married right away. Emily soon learns that there’s one more unexpected benefit to the marriage — she and Julian are very compatible, and they enjoy a steamy start to their married life (interrupted only by the appearance of a homeless kitten, whom Julian christens Cecil Lucifer Beelzebub).

While quite enjoyable, I found TM&TM a little… flat. There just isn’t much dramatic conflict in the plot. The key tension is around whether Emily spends her time wooing society ladies by paying calls, when what she really wants is to spend more time with Julian and participate in running the theater. Julian’s conflict has to do with running the theater in a way that will prove it’s respectable, when what he really and truly wants is his own father’s approval. And, as expected, they each must reluctantly face the fact that they’ve fallen in love — how to admit to one’s spouse that a mutually beneficial arrangement now involves one’s feelings?

Because of course she loved him — how could she not? But, more importantly, how could she ensure that he did not know, did not ever discover her secret? Because, after all, in a marriage of convenience, love would the most inconvenient surprise of all.

It’s all very pleasant and often quite funny, but there just isn’t much there there when it comes to the plot. The stakes are fairly low, after all, when it comes to the plotlines related to the theater. The book is at its best when it focuses on relationships, and it was touching to see how both Emily and Julian stand up to their families and repair their damaged connections.

To Marry and To Meddle has the fun, light tone of the previous books, and as Emily continues her close friendship with Violet and Diana, we get to spend more time with these entertaining characters, which is lovely. One of the things I really appreciate about these books is how the women’s friendship is so central to the stories. Even though each book focuses on a different romantic relationship, the time spent with the trio of women is what connects them all, and their support and affection for one another feels very special.

The dialogue and overall writing can be a real hoot:

Predictably, she blushed. Perversely, he was delighted.

Julian clearly know the way to a woman’s heart:

[…] After Julian had rung for tea and crossed to the sideboard to busy himself with the decanter stored there, he said, almost casually, “You must buy any books you wish to add to our collection.”

Something within Emily warmed at these words. She’d always been faintly envious of Violet’s library at the house she shared with Lord James, and felt a small thrill run through her at the thought that she, too, could have a room full of books to call her own.

Amidst the funnier moments…

“You’re not…” Violet trailed off, a look of dawning horror on her face. “Sick of tea?” She uttered the words in a hushed whisper, as though afraid to speak them into truth.

… there are also scenes of coming into one’s own power and strength:

Here, a woman could take up space, speak loudly, draw the eyes of a crowd — or, alternatively, could slip into a role behind the scenes, quietly doing her work just as well as the men who surrounded her — and Emily found both prospects not shocking but… exhilarating.

I do recommend this book, but suggest starting at the beginning of the series, or you’ll miss the backstories of the characters and their social circle. I don’t know if there will be a 4th book, but I can guess which side character might get her own book next, and I hope my prediction comes true!

Book Review: To Love and To Loathe by Martha Waters

Title: To Love and To Loathe (The Regency Vows, #2)
Author: Martha Waters
Publisher: Atria
Publication date: April 6, 2021
Length: 384 pages
Genre: Historical fiction/romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

The widowed Diana, Lady Templeton and Jeremy, Marquess of Willingham are infamous among English high society as much for their sharp-tongued bickering as their flirtation. One evening, an argument at a ball turns into a serious wager: Jeremy will marry within the year or Diana will forfeit one hundred pounds. So shortly after, just before a fortnight-long house party at Elderwild, Jeremy’s country estate, Diana is shocked when Jeremy appears at her home with a very different kind of proposition.

After his latest mistress unfavorably criticized his skills in the bedroom, Jeremy is looking for reassurance, so he has gone to the only woman he trusts to be totally truthful. He suggests that they embark on a brief affair while at the house party—Jeremy can receive an honest critique of his bedroom skills and widowed Diana can use the gossip to signal to other gentlemen that she is interested in taking a lover.

Diana thinks taking him up on his counter-proposal can only help her win her wager. With her in the bedroom and Jeremy’s marriage-minded grandmother, the formidable Dowager Marchioness of Willingham, helping to find suitable matches among the eligible ladies at Elderwild, Diana is confident her victory is assured. But while they’re focused on winning wagers, they stand to lose their own hearts.

To Love and To Loathe is author Martha Waters’s follow up to last year’s To Have and To Hoax, and I’m happy to report that the fun is back!

In TH&TH (sorry, I just can’t handle typing the titles over and over again), the story focused on a married couple Violet and James, and their love-match-turned-hate-match… and what came next. As part of the story, we also met the closest friends of the estranged couple, and here in TL&TL, two of their friends take center stage.

Lady Diana, in her mid-twenties, is a wealthy widow who has no need for a husband in order to live well. Six years earlier, in her first social season, she was desperate to marry, having been raised on the charity of an aunt and uncle. Diana was forced to be decidedly mercenary in her approach to the marriage market, much to the amusement of Jeremy, Lord Willingham, who couldn’t see beyond the surface to understand Diana’s true circumstances.

Years later, Jeremy has a confirmed reputation as a rake, seducing a steady stream of willing married women, enjoying sexual flings and remaining completely unavailable emotionally. But now that Jeremy, a second son, has inherited the family title that should have gone to his late brother, the family expects him to settle down and live up to his responsibilities. Jeremy is one of Diana’s brother’s closest friends, and Jeremy and Diana have bantered and bickered their entire lives.

But now, as adults with more at stake, there’s the potential that they could help each other out. Jeremy’s darling masculine ego has been dealt a blow by his most recent mistress, and Diana is thinking of expanding her social engagements to possibly include a lover. They agree to liaise at Jeremy’s upcoming country house party, where there will be time and opportunity for late-night dalliances.

I don’t think it’s at all a spoiler to say that Jeremy and Diana quickly discover that there’s more to their connection than friendship and banter. Their sexual spark is connected to emotions that bubble up as they spend time together, and they each must face the fact that there’s more on the line than just their bedroom connection.

Of course, there are complications, including another single young woman introduced as a possible future bride for Jeremy, but who harbors her own set of surprises. Violet and James are in attendance at the party, as is Emily, the 3rd member of Violet and Diana’s close friendship circle. I’d guess that if there’s a book #3 (and I hope there will be!), we’ll finally focus on Emily’s sad romantic situation and see her find true love too.

To Love and To Loathe is a fun, clever historical romance, and while some of the complications seemed a little more drawn-out than strictly needed, it’s quite an entertaining read. I really enjoyed the characters’ banter, as well as the witty/snarky/innuendo-laden moments.

With Willingham, at the moment, it seemed that little effort would have to be expended in the seduction. He was directing his charm at her so forcefully that she was surprised her legs hadn’t fallen open of their own accord.

“Do remove yourself from my settee, Willingham,” she said briskly, proceeding to rearrange her skirts with such gusto that the man had no choice but to retreat to an armchair to avoid the risk of suffocation by muslin.

And a favorite:

For heaven’s sake, it was breakfast time. She hadn’t known that thoughts this inappropriate were possible this early in the day.

If you’re looking for a light, romantic escape with charming characters, definitely check out To Have and To Hoax AND To Love and To Loathe. (TL&TL works just fine on its own, but might as well read them both!)

Book Review: To Have and To Hoax by Martha Waters

Title: To Have and To Hoax
Author: Martha Waters
Publisher: Atria
Publication date: April 7, 2020
Length: 367 pages
Genre: Historical fiction/romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

In this fresh and hilarious historical rom-com, an estranged husband and wife in Regency England feign accidents and illness in an attempt to gain attention—and maybe just win each other back in the process.

Five years ago, Lady Violet Grey and Lord James Audley met, fell in love, and got married. Four years ago, they had a fight to end all fights, and have barely spoken since.

Their once-passionate love match has been reduced to one of cold, detached politeness. But when Violet receives a letter that James has been thrown from his horse and rendered unconscious at their country estate, she races to be by his side—only to discover him alive and well at a tavern, and completely unaware of her concern. She’s outraged. He’s confused. And the distance between them has never been more apparent.

Wanting to teach her estranged husband a lesson, Violet decides to feign an illness of her own. James quickly sees through it, but he decides to play along in an ever-escalating game of manipulation, featuring actors masquerading as doctors, threats of Swiss sanitariums, faux mistresses—and a lot of flirtation between a husband and wife who might not hate each other as much as they thought. Will the two be able to overcome four years of hurt or will they continue to deny the spark between them?

With charm, wit, and heart in spades, To Have and to Hoax is a fresh and eminently entertaining romantic comedy—perfect for fans of Jasmine Guillory and Julia Quinn. 

Needing a light-hearted read this week, I turned to an ARC that’s been on my to-read list since earlier this year. To Have and To Hoax by Martha Waters perfectly fit my mood, giving me a nice little break from reality by means of a Regency romance and a battle of wits.

Violet and James were a true love match, falling in love at first sight during Violet’s first season out in society, and marrying within four weeks of meeting. They enjoyed a loving, passionate first year together, and when they quarreled, they fought hard and then made up even harder.

But one year into their marriage, there was an argument that struck to the very core of their relationship and their trust in one another. In the four years since, Violet and James have lived in stony silence, neither willing to forgive or ask forgiveness, avoiding each other as much as possible.

This cold war stand-off is disturbed when Violet receives word that James has been gravely injured — although James has no idea that his friend has sent for Violet. When they meet, and Violet sees that James is both recovered and surprised that she’d been notified, years of anger boil to the surface.

In a game of one-up-manship, Violet decides to feign illness and make James suffer. He, in turn, sees through her game and treats her as an invalid, confining her to a sick room and making her miserable. When she suspects that he he knows the truth, he escalates matters by publicly flirting with another woman, yet Violet manages to turn even that scandalous situation to her own advantage.

Through it all, it’s absolutely clear that Violet and James still love one another, and just need a breakthrough (or a good shaking) to finally talk about their grievances and put them behind for good. There are plenty of fights, heavy doses of flirtation and teasing, a few good dances, proddings from friends, and some rather naughty encounters too.

It’s all great fun. Chapters alternate between Violet and James’s points of view, so we’re treated to both sides of the great divide between them and can see just how badly they’ve misunderstood and reacted to one another — but we also become aware well before the characters do that the love and passion between Violet and James are still there beneath the surface, just waiting to come out.

As a historical romance, To Have and To Hoax is very entertaining, and I was mostly convinced by the Regency society norms, manners, and settings. There are a few moments where more modern terminology jarred me out of the story (for example, a moment when Violet has thoughts about men’s “emotional intelligence”), but overall, I enjoyed this read.

A follow-up book featuring two secondary characters from To Have and To Hoax is due out in 2021 (To Love and To Loathe), and I will certainly want to read that too. Meanwhile, for a light romantic reading escape, check out To Have and To Hoax.

Audiobook Review: Of Noble Family by Mary Robinette Kowal — and so we reach the end of the amazing Glamourist Histories series!

Title: Of Noble Family (Glamourist Histories, #5)
Author: Mary Robinette Kowal
Narrators:  Mary Robinette Kowal, Prentice Onayemi, Robin Miles
Publisher: Tor Books
Publication date: April 28, 2015
Print length: 572 pages
Audio length: 15 hours
Genre: Fantasy
Source: Purchased
Rating:

Rating: 5 out of 5.

The final book of the acclaimed Glamourist Histories is the magical adventure that might result if Jane Austen walked on the darker side of the Regency…

Jane and Vincent have finally gotten some much-needed rest after their adventures in Italy when Vincent receives word that his estranged father has passed away on one of his properties in the West Indies. His brother, who manages the estate, is overwhelmed, and no one else in his family can go. Grudgingly, out of filial duty the couple decide to go.

The sea voyage is long and Jane spends enough time unable to perform glamour that towards the end of the trip she discovers that she is with child. They are overjoyed, but when they finally arrive at the estate to complete what they expect to be routine legal tasks, they realize that nearly everything they came expecting to find had been a lie. Also, the entire estate is in disarray, with horrifying conditions and tensions with the local slave population so high that they are close to revolt.

Jane and Vincent’s sense of peril is screaming out for them to flee, but Vincent cannot stand to leave an estate connected with his family in such a condition. They have survived many grand and terrifying adventures in their time, but this one will test their skills and wits more than any they have ever encountered before, this time with a new life hanging in the balance.

Allow me to wipe away my tears before I start writing my review…

Not that this book itself is heart-breaking (although it does have its moments) — but simply because I’ve now reached the end of the Glamourist Histories series, and I’m so sad to be done! Over the course of these five books, Jane and Vincent have become so dear to me, and I just hate to leave them and their world behind.

In Of Noble Birth, Jane and Vincent must undertake a sea voyage to the Caribbean, to the Hamilton estate on the island of Antigua, after Vincent receives word that his father has died. His elder brother, the heir to the estate, has been injured in an accident and is unable to travel, so calls upon Vincent to go retrieve their father’s will and settle the family’s affairs in Antigua.

After an arduous journey, during which Jane discovers her pregnancy, they arrive at the Hamilton estate to discover unwelcome surprise after unwelcome surprise. The couple, thanks to Lord Verbury’s manipulations, is unable to leave, and are forced into staying at the plantation, at least until Jane can safely deliver her baby.

Once there, they find deplorable conditions amongst the slave population, a lack of appropriate medical care, an untrustworthy overseer, and a household staff who bear a remarkable resemblance to Vincent and his brothers. Jane and Vincent have a lot on their plates, including Jane’s worrying health, the deceit of the overseer, and the ongoing aftereffects of Vincent’s horribly cruel and abusive upbringing.

While Jane and Vincent are honorable and well-intentioned, they still make mistakes, although they try their best to rectify their errors and to support and protect the people enslaved by Vincent’s father. The severity of the conditions is portrayed sensitively yet without shying away, and I appreciate that Jane is once again not perfect but is given room to learn from her errors.

Glamour itself takes a backseat to the conditions on the plantation and Jane and Vincent’s efforts to protect the people there and improve their lives. There are plenty of new characters, many of whom are quite delightful, and we get an introduction (alongside Jane) to non-European approaches to glamour thanks to the elder women of the plantation.

As with previous books, I felt absolutely drenched with anxiety whenever my beloved Jane and Vincent were in danger, and in particular, Jane’s experiences with a devastatingly high risk pregnancy had me in tears.

Without offering egregious spoilers, I’m happy to say that the series has a perfectly happy conclusion… despite leaving me wanting more, more, more.

Mary Robinette Kowal again narrates her novel, although this time around she’s joined by two additional narrators, Robin Miles (who’s so amazing as the narrator of the Binti books) voicing the women of Antigua, and Prentice Onayemi doing all the male voices. It was a little jarring to me to have someone besides MRK herself narrating, especially having listened to the series pretty much straight through — and this is most noticeable for the voice of Vincent, since I’d gotten quite used to the author’s version. Still, after I got past the initial shock, I finally adjusted and ended up enjoying the listening experience very much.*

*Although the male narrator’s voice for one elderly character sounded an awful lot like Voldemort, which was more than a little distracting! Then again, it’s a truly despicable character, so I suppose it fits.

I also need to mention that Mary Robinette Kowal tends to sneak in little geeky moments throughout the books, not usually too obvious — usually just a wink to pop culture fans. This one made me laugh out loud:

She sighed to cover her agitation. “You are insufferable.”

“I prefer ‘inscrutable.’” He smiled, softening a little at her teasing tone, and because she had allowed the change of topic.

“Inexplicable would be more accurate.”

“Inconceivable!”

She rested her hand on her ever-increasing stomach. “Not any longer.”

He laughed and kissed her on the forehead. “I do not think that word means what you think it means.”

“Humph!” But Jane was delighted that she had managed to make him laugh. 

I can’t say enough good things about The Glamourist Histories as a whole. I’m so glad that I finally read/listened to them, and loved experiencing them all in a row, as one cohesive story. The world of glamour is amazingly rich, and Jane and Vincent are simply unforgettable. I know the author is supposedly done with this world… but if she ever goes back to it, I’ll be first in line to get my hands on future books!

Audiobook Review: Valour and Vanity by Mary Robinette Kowal

Title: Valour and Vanity (Glamourist Histories, #4)
Author: Mary Robinette Kowal
Narrator:  Mary Robinette Kowal
Publisher: Tor Books
Publication date: April 29, 2014
Print length: 405 pages
Audio length: 10 hours, 12 minutes
Genre: Fantasy
Source: Purchased
Rating:

Rating: 4.5 out of 5.

Acclaimed fantasist Mary Robinette Kowal has enchanted many fans with her beloved novels featuring a Regency setting in which magic–known here as glamour–is real. In Valour and Vanity, master glamourists Jane and Vincent find themselves in the sort of a magical adventure that might result if Jane Austen wrote Ocean’s Eleven.

After Melody’s wedding, the Ellsworths and Vincents accompany the young couple on their tour of the continent. Jane and Vincent plan to separate from the party and travel to Murano to study with glassblowers there, but their ship is set upon by Barbary corsairs while en route. It is their good fortune that they are not enslaved, but they lose everything to the pirates and arrive in Murano destitute.

Jane and Vincent are helped by a kind local they meet en route, but Vincent is determined to become self-reliant and get their money back, and hatches a plan to do so. But when so many things are not what they seem, even the best laid plans conceal a few pitfalls. The ensuing adventure is a combination of the best parts of magical fantasy and heist novels, set against a glorious Regency backdrop.

More fun with Jane and Vincent! Yes, I’m hooked on this series. Listening to the audiobook for #4, Valour and Vanity, was just as much fun as the first three. I’m only sad that there’s just one more left!

In Valour and Vanity, we’re treated to a high calibre caper. The synopsis is right to describe it as something out of Ocean’s Eleven!

Following a disastrous sea voyage in which they lose all their money and possessions, Jane and Vincent arrive in Venice penniless. To make matters more difficult, their intended host, Lord Byron, has left town on romantic pursuits, leaving Jane and Vincent with no place to go and no funds to pay for lodging or even a fresh set of clothes. Fortunately, a fellow traveler from their ship offers them his generous assistance…

And clearly, there’s more to the story, but I’m not going to give any spoilers! Let’s just say that there are twists and turns, all sorts of sneaky double-dealing, plus helpful nuns, a brave puppeteer*, gondola chases (yes, you can in fact have a chase scene with gondolas!), glass-blowing, and so much more.

*Fun fact: Author Mary Robinette Kowal is a professional puppeteer, so her inclusion of a heroic puppet-master here is just delightful.

Once again, Jane and Vincent are a terrific twosome. They’re unconventional, incredibly talented, and very much in love. They also feel real in the way that they face difficulties and disagreements, react emotionally, talk things through, and find ways to move forward. They don’t have to be perfect around each other — they love each other passionately and accept each other exactly as they are.

The Venice setting is new and different for this series, and provided a great setting for a plot where Jane and Vincent have to navigate without any of their usual allies or safety nets. The action is fast-paced, and the schemes are just oh-so-clever.

One sure sign that you’ve become overly involved as a reader is when you can’t stand for bad things to happen to beloved characters, even if the bad things lead to exciting storylines. This was my only problem with Valour and Vanity — I’m so in love with Jane and Vincent that it upsets me too much when their well-being is threatened, so even though the caper aspects of the story are really fun, I was also incredibly tense throughout! I just needed to know that the characters I care about would come out okay in the end. (Yes, of course they do. After all, we still need to get to book #5!)

This series continues to be a delight, and I can’t wait to start the final book, Of Noble Family. Well… I’m actually dreading it, because I don’t want the series to be over… but still, I have to know what happens next!

For an interesting look at the author’s puppetry career and her transition to writing, check out this article.