Book Review: The House that Horror Built by Christina Henry

Title: The House that Horror Built
Author: Christina Henry
Publisher: Berkley
Publication date: May 14, 2024
Length: 320 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

A single mother working in the gothic mansion of a reclusive horror director stumbles upon terrifying secrets.

Harry Adams loves horror movies, so it’s no coincidence that she accepted a job cleaning house for horror-movie director Javier Castillo. His forbidding gray-stone Chicago mansion, Bright Horses, is filled from top to bottom with terrifying props and costumes as well as glittering awards from his career making movies that thrilled audiences—until family tragedy and scandal forced him to vanish from the industry.

Javier values discretion, and Harry always tries to keep the house immaculate, her head down, and her job safe. Then she hears noises from behind a locked door, noises that sound remarkably like a human voice calling for help. Harry knows not asking questions is a vital part of keeping her job, but she soon discovers that the house may be home to secrets she can’t ignore.

The House that Horror Built is a clever haunted house story, set in a post-COVID world in which the odds seem stacked against single mother Harry and her son Gabe.

The world is just reemerging from lockdown. 14-year-old Gabe’s school is open for in-person learning three days per week. After losing her previous restaurant work when everything shut down, Harry has finally found a decent job again, which means — if she’s frugal — she can still pay her bills and put food on the table for her son. Years earlier as a teen, Harry lived on the streets and in shelters, and she knows just how close to losing it all she and Gabe are — especially once she receives an eviction notice from her heartless landlord.

Fortunately, Harry’s part-time job pays very, very well. She works as a housecleaner for Javier Castillo, a world-renowned, Oscar-winning director who now lives as a recluse behind the gates of Bright Horses, his Chicago mansion. A life-long horror fan herself, Harry can truly appreciate Javier’s artistry and loves his movies, but even she is somewhat shaken by the replicas and original props that fill his house, especially the masks and costumes from one of his creepiest movies. It’s Harry’s job to keep all of these spotless, no matter how uneasy they make her.

Javier seems to take an interest in Harry and Gabe, and when he starts inviting them for meals at his home, it’s hard to say no, even though Harry isn’t comfortable blurring the lines between professional and personal. Still, Gabe is over the moon at being invited into such an icon’s home, and he develops an instant rapport with Javier. But Harry has heard and seen unexplainable things in the house, and when a dinner with two of Javier’s leading film stars ends in tragedy, Harry knows that something is very, very wrong. Yet with eviction looming, she may have no choice but to move into Javier’s home with Gabe… and there’s definitely danger waiting for them there.

The House that Horror Built is a slow-burn horror story. The terror is more of the psychological variety — no guts and gore spilling out of the shadows, and no buckets of blood. Instead, there’s a sense of menace pervading Bright Horses — the feeling that something is moving when Harry’s head is turned, unexplained noises from behind locked doors, glaring eyes from inanimate objects. It’s creepy, and Harry knows it’s creepy, so why does she bring her son into this place?

Here’s where I feel the book has such an interesting hook: We may scream at horror movie characters to walk away, don’t open that door, don’t go into the haunted house… but in reality, people don’t always have options. Harry and Gabe literally have nowhere to go. The building where they’ve lived for ten years has been sold and is slated for demolition. There aren’t any affordable apartments available, and anyway, with such little notice, Harry has no money saved for a down-payment, much less moving expenses. She knows she’s lucky to have gotten the job with Javier. If she loses it, she and Gabe will be on the streets, and while she survived her earlier experiences of homelessness, she’s determined to avoid that for her son by any means necessary.

So yes, Harry moves Gabe into Javier’s home, knowing full well that the place may very well be haunted, and that something malevolent lurks in the corners and very probably wants to hurt her. But at Bright Horses, Gabe has a room, plenty of food, and a safe way to get to school. Author Christina Henry does a superb job showing the choices and sacrifices a mother will make to care for her child.

In terms of the horror story, it’s somewhat of a mixed bag. There’s a creepiness to the book, and we know from the start that something seems off about Javier. We learn that he became a recluse after a family tragedy, and after the most recent scandal in Chicago, he’s once again being hounded by paparazzi. Javier seems determined to help Harry and Gabe, even when she clearly doesn’t want him in their lives. And then there are the noises and the inexplicable events in the house — how much is Javier aware of?

The secrets of the house aren’t revealed until close to the end, and although I’d guessed what was going on, there were still elements that surprised me. I did feel that the ending was too abrupt. We’re left with answers about Bright Horses and Javier, and the immediate situation is resolved, but we don’t actually get any big-picture resolution for Harry and Gabe. After investing so much in their struggles, it feels unfinished to not get an epilogue that lets us know what happens next for them (and, hopefully, to let us know that they’re doing well!).

Overall, I enjoyed The House that Horror Built. Christina Henry’s books are always intensely gripping, and this one is no exception. Once I started I couldn’t put it down. Apart from not feeling fully satisfied by the ending, I enjoyed the building tension of the story as well as having such an interesting, unusual lead character as Harry. Recommended for fans of haunted house stories and horror movie buffs!

Book Review: The Remaking by Clay McLeod Chapman

Title: The Remaking
Author: Clay McLeod Chapman
Publisher: Quirk
Publication date: October 8, 2019 (paperback publication 9/15/2020)
Length: 320 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

Inspired by a true story, this supernatural thriller for fans of horror and true crime follows a tale as it evolves every twenty years—with terrifying results.

Ella Louise has lived in the woods surrounding Pilot’s Creek, Virginia, for nearly a decade. Publicly, she and her daughter Jessica are shunned by their upper-crust family and the Pilot’s Creek residents. Privately, desperate townspeople visit her apothecary for a cure to what ails them—until Ella Louise is blamed for the death of a prominent customer. Accused of witchcraft, both mother and daughter are burned at the stake in the middle of the night. Ella Louise’s burial site is never found, but the little girl has the most famous grave in the South: a steel-reinforced coffin surrounded by a fence of interconnected white crosses.

Their story will take the shape of an urban legend as it’s told around a campfire by a man forever marked by his boyhood encounters with Jessica. Decades later, a boy at that campfire will cast Amber Pendleton as Jessica in a ’70s horror movie inspired by the Witch Girl of Pilot’s Creek. Amber’s experiences on that set and its meta-remake in the ’90s will ripple through pop culture, ruining her life and career after she becomes the target of a witch hunt. Amber’s best chance to break the cycle of horror comes when a true-crime investigator tracks her down to interview her for his popular podcast. But will this final act of storytelling redeem her—or will it bring the story full circle, ready to be told once again? And again. And again…

Are you ready for a ghost story? How about a ghost story within a ghost story within a ghost story?

Welcome to the weird and chilling world of The Remaking, now out in paperback, in which an urban legend refuses to die, no matter how many times the story is retold.

In 1931 in the lumber-rich town of Pilot’s Creek, Virginia, a mother and her nine-year-old daughter are burned at the stake by vengeful townspeople (men, of course). For years, it’s been an open secret that Ella Louise Ford can cure what ails you, and her young daughter Jessica appears to be even more gifted. But witches living in the woods can only be tolerated for so long, and when Ella Louise’s treatments are suspected of causing a tragedy, the men of the town want the witches to pay.

In 1951, an old man tells ghost stories around a campfire, always coming back to the story of Jessica Ford, the Little Witch Girl. Ella Louise was buried in an unmarked grave somewhere deep in the woods, but little Jessica was buried in hallowed ground, in a reinforced coffin with cement filling in the grave and a fence of crucifixes to keep her in. Now, legend has it that the Little Witch Girl wants out, and she just needs someone to help her find her mother.

In 1971, a man who heard the ghost story as a child is determined to make a movie about Jessica — a shlocky horror film called Don’t Tread on Jessica’s Grave, filled with standard horror movie tropes, and starring an eerily perfect young actress named Amber. But something happens on set, and it’s the legend behind the movie that makes this a story that becomes a horror cult classic.

In 1995, Amber is a drug-dependent has-been who never had a career after her early disaster, but who instead has found fame of sorts on the horror convention circuit. When an up-and-coming director decides to make a remake of Jessica’s story, Amber seems like the perfect choice to play Ella Louise — until on-set tragedy strikes again.

And finally, in 2016, a podcaster who debunks urban legends decides to tackle the story of the Little Witch Girl and prove it’s a hoax once and for all… but is he ready for what he’ll find in the woods?

I realize I’ve just outlined the entire book, but trust me, you have to read it to get the full creepy experience. The story of Ella Louise and Jessica starts with tragedy. Ella Louise is different, a disgrace to her society parents, and it’s implied but never explained that she became pregnant with Jessica as the result of a sexual assault on the night of her debutante ball. But rather than being supported as a crime victim, she’s shunned by her parents and the town, and makes a new life for herself and her daughter, out in the woods where no one can harm them.

I had a hard time getting over the origin story of Ella Louise and Jessica, because it’s so harrowing and awful. But from there, we see how the tale takes on a life of its own… and how something that may be just a story has doomed the town and everyone connected with it. Is it truly a witch’s curse, or is it the story that haunts the town and brings destruction to everyone who encounters it?

Amber’s tale is chilling in very different ways. Forced into pursuing her big break by a mother who never realized her own dream of stardom, Amber is way too young to be able to handle the horror of shooting Don’t Tread on Jessica’s Grave. From the movie’s storyline to seeing herself transformed through makeup and prosthetics into a burned corpse, this is clearly something that will scar her forever — and that’s before she has a nearly deadly encounter in the woods.

Jessica had become a cinematic ouroboros. A serpent devouring its own tail, coiling round and round for an eternity. The longer I imagined that snake infinitely spinning, the more its scales slowly took on the shape of celluloid frames. The sprocket holes along either side of the film strip formed scales. When this snake shed its skin, the translucent husk would be fed through the projector. The images trapped within each scale caught the projector’s light and made their way to the big screen. Jessica filled that vast canvas, reaching her hand out to me.

This film would never end. It continued to play on its own endless loop. Jessica’s story would be told over and over, forever now. She found a new audience.

Fresh blood.

That was exactly what Jessica wanted.

To find new blood.

A ghost story, a consideration of urban legends, a look at the need to endlessly remake movies into something new for each generation — The Remaking provides so much to think about, even while being a chilling, creepy, intensely haunting read.

Much like the endless remakings and retellings of Jessica’s story, The Remaking will be sticking with me for a long time!

And now, if only someone would make a movie version of The Remaking, so Jessica’s story could live on…

The Remaking was released in paperback this week. Check out this perfect cover:

Also, be sure to listen to this interview with the author for insights into the origin of the Little Witch Girl:

NPR: The Remaking interview