Title: On the Rooftop
Author: Margaret Wilkerson Sexton
Publisher: Ecco
Publication date: September 6, 2022
Length: 304 pages
Genre: Historical fiction
Source: Library
Rating:
A stunning novel about a mother whose dream of musical stardom for her three daughters collides with the daughters’ ambitions for their own lives—set against the backdrop of gentrifying 1950s San Francisco
At home they are just sisters, but on stage, they are The Salvations. Ruth, Esther, and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they’ve become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore.
Now Vivian has scored a once-in-a-lifetime offer from a talent manager, who promises to catapult The Salvations into the national spotlight. Vivian knows this is the big break she’s been praying for. But sometime between the hours of rehearsal on their rooftop and the weekly gigs at the Champagne Supper Club, the girls have become women, women with dreams that their mother cannot imagine.
The neighborhood is changing, too: all around the Fillmore, white men in suits are approaching Black property owners with offers. One sister finds herself called to fight back, one falls into the comfort of an old relationship, another yearns to make her own voice heard. And Vivian, who has always maintained control, will have to confront the parts of her life that threaten to splinter: the community, The Salvations, and even her family.
In On the Rooftop, the world of 1950s-era San Francisco — specifically, the city’s Fillmore District — is brought to life through a family of talented women. Sisters Ruth, Esther, and Chloe range in age from 20 – 24, and they’re on the cusp of stardom. Singing in three-part harmony, moving through their perfect dance steps, they’re the main attraction at the top clubs of the Fillmore, but their mother Vivian wants more. LA, New York, everywhere — her girls are destined for greatness.
Yet as we learn through chapters told from each sister’s POV, Vivian’s dreams aren’t necessarily her daughters’ dreams.
Meanwhile, the neighborhood around them is on the verge of change as well. The Fillmore is the family’s safe haven — it’s where Vivian and her husband landed twenty years earlier after fleeing Klan violence in Louisiana. In the Fillmore, every building and block and the people who live there represent a piece of a tight-knit community. Everyone knows everyone’s business; everyone looks out for one another… or if not, is ready to carry tales when someone steps out of line.
But white businessmen having been showing up more and more frequently, and soon their goal is clear. The neighborhood has been identified as one suitable for redevelopment, and that means its current residents and businesses have to go. At first, the approach is more of a sales pitch — home and business owners offered a buyout to relocate. But persuasion turns into coercion, and evictions due to public domain eventually threaten every member of the community.
On the Rooftop is both a family story and a community story. The sisters and Vivian are well-drawn, distinct personalities, each with their own hopes, sorrows, and intentions. Through their separate POV chapters, we get multiple perspectives on the turning points in their lives, and come to understand the women’s options and limitations in that time and place.
As a portrait of a community, On the Rooftop shows the devastation of gentrification and displacement, as it illustrates the dismantling of a community who have no say or voice in the matter.
It took me until close to the end of the book to realize that the story beats were reminding me of a story that at first glance might seem like something completely unrelated — Fiddler on the Roof. But once I made the connection, I experienced a huge “aha moment” as the pieces came together. Sure enough, in the author’s notes at the end of the book, she lists Fiddler on the Roof as one of her inspirations.
Themes of (yes) tradition, children choosing paths different from their parents’ expectations, community dispersal and forced exile — all are integral to the story of the these sisters, their mother, and their neighborhood. The author beautifully incorporates these elements so that the Fiddler motifs are subtly part of the story — this isn’t a retelling, and we’re not hit over the head with obvious comparisons. The commonalities enhance the reading experience, but the story is strong enough to stand on its own even without noticing these elements.
Overall, On the Rooftop is a powerful, emotional, lovely book about family and community. This book is our library’s “On the Same Page” book for February, and it’s also the group read one of my in-person book groups has selected for Black History Month. I look forward to the various discussions and events for this book coming later in the month — and meanwhile, highly recommend this terrific book.
Bookshelf Fantasies 