Cover Cousins #2

Everyone once in a while, a book cover will call to mind another for me… and when that happens, I think of them as Cover Cousins.

Here’s how I framed the concept for my first Cover Cousins post:

I love when I pick up a new book and am instantly reminded of another — not necessarily because the covers are the same, but more because there’s a common feeling to them, a style, a color pattern, an image. The connection may only be in my mind, but it’s something I really enjoy thinking about.

Here’s my newest set of Cover Cousins:

 

These two are quite different, but between the title fonts and the overall layout, including the flowers and plants around the edges, seeing Vengeance Road immediately made me thing of The Darkest Part of the Forest.

What do you think? Do see a connection, or is it all in my mind?

A tale of three Kates

As I was pondering my selection for my kick-off Shelf Control post this week, I realized that I seem to have a problem with Kates. Looking at my shelves, I found that I have three authors whom I tend to accumulate books by, but whose books I haven’t actually read.

Why do I have all these books by these authors when I haven’t read a single one? Because my mind works in weird ways. Kind of like this:

  • Hey, this book looks interesting! Maybe I should buy it.
  • But wait! This author has a bunch of books out.
  • So, if one sounds interesting to me, probably the others will too.
  • Hey look! Here are the other ones RIGHT HERE.
  • What the heck. I just know I’ll love one, so odds are I’ll love them all.
  • … and suddenly, I have the complete works of an author on my shelf, and I’ve never read a single one.

So, back to the Kates. I think it’s quite funny that among my hundreds of unread books, I own:

KMorton2

… four books by Kate Morton

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… three books by Kate Grenville

… three books by Kate Mosse (not shown: the Kindle edition of Citadel)

And yet, I have yet to pick up a single one of these to actually read. My book group even picked a Kate Morton book for discussion earlier this year — and I didn’t end up participating that month!

I know I really do want to read the Kate Grenville books, and plan to do so once I’m caught up, once and for all, on my ARC backlog. As for the others — well, time will tell. I suppose I had a reason for buying all these at the time, but the fact that I haven’t truly wanted to start any might mean that I’ll just always have something else I’d rather spend time on.

Have you read anything by any of these authors? Are there any of their books that you’d especially recommend?

And in more general terms — has this ever happened to you? Have you ever bought multiple books by the same author without having read any, just because you assumed you’d enjoy them? Please tell me I’m not alone!

Fire Touched has a cover!

I was so excited to see this on Facebook today! As a big fan of the Mercy Thompson series by Patricia Briggs, I feel totally justified in having a blog post dedicated to the joy of this cover:

Fire Touched

Fire Touched is book #9 in the series. The expected publication date is March 8, 2016… which can’t possibly get here soon enough!

Find Fire Touched at:

Goodreads
Amazon
Barnes & Noble

And PS – If you haven’t read any of the Mercy books, start with Moon Called and then keep going! Such an amazing series.

Cover Cousins

I love when I pick up a new book and am instantly reminded of another — not necessarily because the covers are the same, but more because there’s a common feeling to them, a style, a color pattern, an image. The connection may only be in my mind, but it’s something I really enjoy thinking about. So… I thought I’d create a feature to highlight great book cover pairs whenever I happen to stumble across them.

To kick things off, here’s my first set of Cover Cousins:

5 to 1

White Cat

 

They’re not identical or anything, but there’s something about the look — the black background, the stylized graphic, the color scheme — that makes me want to put these two together.

Pretty cool covers, aren’t they?

Cover Cousins is a just a goofy little diversion of mine… but I like it. I’ll be back with more cover match-ups from time to time!

Reaction: Go Set a Watchman by Harper Lee

Go Set A WatchmanThis isn’t a review, exactly. There’s certainly no shortage of reviews out there, for those who want to find them. I thought I’d just go ahead and share a few impressions, having finished the book today — if for no other reason than to get my thoughts straight.

So, background: I think everyone knows by now about the hoopla surrounding the discovery of this “lost” manuscript by Harper Lee. The debate continues to swirl around the question of whether the author truly wanted this book published, whether she’s in a position to be able to give full consent, and whether this book should have seen the light of day. Nevertheless, here it is.

To further recap the history, Go Set a Watchman was written before Harper Lee wrote her masterpiece, To Kill A Mockingbird. The story goes that Ms. Lee’s editor read Go Set a Watchman and then sent the author back to rewrite it, placing the emphasis on Jean Louise’s childhood and thus changing the setting from the 1950s to the 1930s… and the rewritten novel was To Kill a Mockingbird.

So really, Go Set A Watchman is neither a prequel nor a sequel — it’s a first draft.

In Go Set a Watchman, we see Mockingbird‘s Scout as a young woman in her mid-20s. Jean Louise is bright and independent (as you’d expect from knowing Scout), lives in New York, and at the outset of the story travels back to Maycomb, Alabama for her annual visit home.

Her beloved father Atticus is an old man with arthritis, still practicing law, but barely able to use his hands. His sister Alexandra has come to live with him and take care of his daily needs, and his brother Jack is around for company and conversation too. Atticus has taken on a younger lawyer to nurture in the early stages of his career, and this young lawyer, Henry Clinton, is Jean Louise’s devoted boyfriend. The housekeeper Calpurnia, who raised Scout and her brother Jem, has retired and moved back with her own family. And, sadly, Jem himself is dead, having died of a heart attack in his early twenties.

The action, such as there is, shifts between Jean Louise’s experiences during her visit and her vivid memories of her childhood, which are the sharpest and most enjoyable parts of the book. It’s easy to see why an astute editor wanted the author to expand the stories of Scout, Jem, and Atticus. In Go Set a Watchman, we get some new scenes of childhood, with an especially painful segment on Scout’s puberty and the terrible consequences of her misunderstanding how babies are made.

Atticus comes off as the offbeat, wise father we know and love in many of the scenes between him and Jean-Louise, and her Uncle Jack is really stellar as a slightly batty old man who loves to quote the classics, has a passion for Victorian literature, and somehow manages to sneak usable pearls of wisdom into his ramblings, quotations, and allusions.

So, onward to the controversy. I was actually on vacation the week that this book was released. I turned on the TV that morning, and every single morning talk show was busy proclaiming, more or less: UPROAR! ATTICUS FINCH IS A RACIST! ATTICUS FINCH WENT TO A KKK MEETING! And yeah, okay, that’s true, but I do feel as though many in the media were overly eager to swoop in on the sensationalistic aspects without context or clarity.

Yes, Atticus is a racist in Go Set A Watchman. He doesn’t hate African Americans, exactly – but in the wake of the Supreme Court’s 1950s-era decisions on desegregation, he is upset, to say the least. He sees African Americans as lesser, as children, not educated or developed enough to be able to handle the rights that states are now being forced to grant.

“Jean Louise,” he said. “have you ever considered that you can’t have a set of backward people living among people advanced in one kind of civilization and have a social Arcadia?”

After further explaining why they aren’t capable of fully participating in society with equal rights, he points out the practical and political drawbacks

“Honey… Use your head. When they vote, they vote in blocs.”

And still more:

“Honey, you do not seem to understand that the Negroes down here are still in their childhood as a people. You should know it, you’ve seen it all your life. They’ve made terrific progress in adapting themselves to white ways, but they’re far from it yet…

Jean Louise is furious and broken-hearted to discover the truth about Atticus’s beliefs. She feels that he pulled the wool over her eyes all her life, making her believe that he believed in one thing when the truth was something else.

“Jean Louise, I’m only trying to tell you some plain truths. You must see things as they are, as well as they should be.”

“Then why didn’t you show me things as they are when I sat on your lap? Why didn’t you show me, why weren’t you careful when you read me history and the things that I thought meant something to you that there was a fence around everything marked ‘White Only’?”

It’s Uncle Jack who prevents Jean Louise from fleeing Maycomb in anger, resolved never to return and never to see Atticus again. And this is the piece that I found the most affecting — Uncle Jack (after hitting Jean Louise across the face so hard that she almost loses consciousness, which was weird and disturbing), gets her to stop for a moment and to listen. He explains to her how, in essence, one of the hardest parts about becoming an adult is realizing that the perfect people from our childhoods are flawed humans like everyone else:

“… now you, Miss, born with your own conscience, somewhere along the line fastened it like a barnacle onto your father’s. As you grew up, when you were grown, totally unknown to yourself, you confused your father with God. You never saw him as a man with a man’s heart, and a man’s failings — I’ll grant you it may have been hard to see, he makes so few mistakes, but he makes ’em like all of us. You were an emotional cripple, leaning on him, getting the answers from him, assuming that your answers would always be his answers.”

In To Kill a Mockingbird, we see Scout’s coming of age tale, but Go Set a Watchman in its own way is Jean Louise’s coming of age. As Uncle Jack points out, she’s finally emerged into her own person, rather than the girl who confuses her father with God. And in recognizing this, she can find a way to keep Atticus and Maycomb in her heart and in her life, even if she sees actions and ideas that she hates. As Uncle Jack explains:

“… the time your friends need you is when they’re wrong, Jean Louise. They don’t need you when they’re right.”

There are some interesting ideas and points to be made, and some bear more thought, and I’m sure will be discussed for some time to come. The shattering of childhood idols is a major milestone, and Jean Louise faces the universal task of finding a way to love a flawed parent, despite how very strong those flaws are.

(I realize that I’m not really addressing Atticus’s views on race and segregation, and that’s because I don’t really think it’s necessary. If this book had been published in the 1950s, as originally intended by Harper Lee, I think the content would have been truly provocative. Here and now, it’s a window into a world that’s so clearly passed that I don’t really feel the need to spend time on Watchman‘s Atticus, why he feels the way he does, etc.)

I think, if this book existed in a universe that didn’t also contain Mockingbird, the message might be a more acceptable one about growing up, recognizing the imperfections of people we used to think perfect, and trying to find a way to move forward and fight for what’s right without having to completely disown the less savory parts of our family, our home, our past.

But the idea that it’s Atticus who’s shown to be so imperfect is certainly a hard one to swallow, given how for decades Atticus Finch has been pretty much everyone’s ideal of a perfect father as well as a noble and decent man. How do we reconcile the two?

For me, I decided to read Watchman, as much as I could, as a separate and distinct entity. As a story of a Southern-born girl coming home and facing hard truths, it’s interesting. The reminiscences of Southern childhood are as charming as they should be, and Jean Louise has that ornery, contrary streak that we’d expect of a girl who behaved so rambunctiously as a child.

I’m not a Mockingbird expert by a long shot, and I’d guess that those who are will have a lot more to say about Watchman than I do. I read Mockingbird once in high school (many years ago!) and once again earlier this year. And I love that book… and Go Set a Watchman doesn’t change that.

Go Set a Watchman is interesting as a glimpse into an author’s process, as well as providing a view of what Harper Lee’s intentions were when she first began writing a novel. Also of note, of course, is the fact that Go Set a Watchman has been published as is, unedited, and it shows. Especially in the first half of the book, the writing itself is inconsistent and there are rough patches which clearly would have been polished and refined if this book had been intended for publication. The action and pacing are also inconsistent, and the pieces set in modern-day Maycomb involving Jean Louise’s dates with Henry and her aunt’s social Coffee held in Jean Louise’s honor tend to drag a bit. There were definitely times where I felt as though I were reading a draft of a novel, rather than a novel itself.

The question of whether Go Set a Watchman is a good novel in and of itself is one that’s hard to answer. It simply can’t be read in a vacuum. It exists because Mockingbird exists, and we read it to see what it is in light of what we know about Harper Lee, to see how the characters we love from Mockingbird were treated in her first go-round.

So, no, for someone with no attachment to To Kill a Mockingbird or for someone who’s never read it, I wouldn’t say they should rush right out and read Watchman. There really isn’t a reason to, except to compare and contrast with Mockingbird.

Bottom line: There were parts of Watchman that I enjoyed, especially the memories of Scout’s childhood and adolescence. I found the conflict around Atticus’s racism and Jean Louise’s reaction to this discovery to be quite interesting, and some of the arguments and speeches made at the climax were really well-written and insightful. My best advice? Read this book to see what it is, see if you find any good food for thought in it, and see how you respond to the fuss being made over Atticus’s character. But hold onto everything you cherish about Mockingbird — there’s no need for that to be tarnished.

It’s almost like reading fan fiction or a sequel written by another author (kind of like how Scarlett by Alexandra Ripley is to Margaret Mitchell’s Gone With the Wind). You can read it to be informed about the pop culture happening of the moment, or as a piece of literary entertainment, or as a “what if” scenario. For me, I choose to see it as a “I suppose this is one way it could go” situation. I read this story of Atticus and Jean Louise, and found some interesting points, but in my mind, these are not the same Atticus and Jean Louise/Scout whom I already know. The Atticus and Scout from Mockingbird remain, for me, the “real” versions of themselves.

And that’s how I choose to think about it.

Food for thought: Does the author matter?

Well, of course the author matters! We wouldn’t have books in our hands without authors!

But hold up. That’s not what I’m talking about.

What I’m really pondering is whether or how much the details of an author’s life influence our reactions to a book.

For the most part, I usually take the stance that once the author has released a book, the book should stand on its own and be judged on its own merits. It’s what’s in the book itself that counts. So if an author makes a statement that I think is ridiculous during an  interview, or if I find out that the author has a political stance that I object to, does it matter?

Well, sometimes. I don’t research authors’ personal views before deciding to read their books. In general, who cares? So long as the book appeals to me, touches me, or makes me think, I don’t particularly need to know more.

On the other hand, if I knew that a particular author was out there promoting hate, or had a bias or prejudice that he/she actively promotes, or uses the revenues from his/her books to fund something I find objectionable, then yes, I guess it does matter. Although… (and this just shows my ambivalence on the subject), I suppose a work-around on the funding issue might be to borrow the book from the library, rather than buying my own copy.

I’d like to think that the work of art stands on its own and can be appreciated even if the artist is abhorrent, but in practice, that doesn’t always work for me. I mean, if I find out that an author is a no-question-about-it homophobe or anti-Semite or racist, then I just really can’t.

And also, it’s not like an author’s bio or background is completely irrelevant. If someone writes about a complex medical issue, for example, knowing that the author has a Ph.D. in a relevant field might make me feel more confident that the scientific elements of the storyline are plausible. Knowing that Mary Doria Russell has a doctorate in anthropology helps me appreciate the fabulous work she’s done in The Sparrow, exploring issues related to first contact with unknown cultures, social structures and hierarchies, and the impact of exploration on native populations. (PS – I probably haven’t raved about The Sparrow for a while, so let me just take a moment to say READ THIS BOOK. It’s amazing.)

Anyway…

I’ve now wandered far afield from what started me thinking about this topic, which is my thoughts on reading Eragon by Christopher Paolini. You can check out my review here.

Christopher Paolini was about 15 when he wrote Eragon, so I’m guessing he must be somewhere around 30 by now. To what extent should reviewers take his age into account when writing about Eragon?

As a reader, if I knew nothing about the author, I’d be thinking that the book is pretty derivative, a giant mash-up of every standard fantasy trope, repackaged into an overlong book that lacks narrative flow and uses very awkward language. But — the author wrote this book when he was 15! According to author info found online, he originally wrote Eragon for his own entertainment, trying to create something he’d enjoy, and the book was self-published by his parents prior to being “discovered” and picked up by a major publisher, then achieving bestseller status.

Eragon was published in 2002. That’s a lot of years ago! So in reviewing Eragon today, in 2015, is it still relevant that the book was written by a teen? On the one hand, I say kudos are in order for the young man who wrote such a detailed and complicated story at such a young age. At the same time, if I were strictly considering whether I’d recommend the book, then the age of the author is irrelevant. What counts is the book itself, and whether I think others would enjoy it. Period.

Here’s another weird example: I really loved Before I Go To Sleep by S. J. Watson when I read it a couple of years ago, and just finished reading the author’s second novel, Second Life, this past week. All along, I’ve been under the impression these books were written by a woman, but only found out while preparing my blog tour post that this:

S-J-Watson… is S. J. Watson.

But does the author’s gender matter?

In this case, I’d have to say that it does have an impact on my impression of the books and my reaction to them. In both books, the main character is a woman going through hell. In the first book, she’s someone who loses her memory each day and is at the mercy of the people around her while she tries to figure out who she really is. In the second book, she’s a woman with a troubled past dealing with her sister’s murder and getting in way over her head with a creepy online hook-up.

Somehow, knowing that these books were written by a male author and not by a female, as I previously thought, makes the books feel ickier to me. Looking at them through this new lens, the women’s victimization becomes a lot starker and the overall tone strikes me as more sensationalized. This probably makes no rational sense, but I can’t help how I feel — and my feeling is that in Second Life, knowing that I’m reading a man’s idea of how a woman would feel about the horrible situation she’s in is much different from reading about a woman’s pain from a woman’s perspective. In addition, infidelity plays a big role in each book and leads to disaster for the main character — so in retrospect, now that I’m thinking about a male author, is the subtext in these books that women are somehow deserving of horrible fates because they explored their sexuality outside the bounds of marriage?

If I’d known ahead of time, I might have felt differently about the books while reading them. I just pulled my copy of Before I Go To Sleep off the shelf, and nowhere in the author bio or anywhere on the jacket copy is there a gender-specific pronoun used. Intentionally vague? Deceptive? I’m not saying that anyone necessarily set out to pull the wool over the readers’ eyes… but I do wonder why the books were published with just initials in the first place.

Should things like an author’s age or gender matter? Open to debate. But does it matter? Well, yes, I think it does.

In the case of Eragon, I can praise the efforts of a young author, even though I wouldn’t put it anywhere near the top of my list if I were setting out to recommend fantasy epics. In the case of Second Life and S. J. Watson — well, all I can say is that it clearly does matter to me, rightly or wrongly, and that I’m rethinking my reaction to the author’s books now that I know more about the author himself.

How about you? Has information about an author’s life ever changed the way you’ve felt about a book? I’d love to hear other perspectives!

Outlandish Obsessions

Let’s see. In about 9 hours… no, make that 8 hours and 45 minutes… I’ll finally be watching the new Outlander episode!

 

After six months of “Droughtlander”, the 2nd half of the first season starts today. Finally! I’ve been pretty calm for most of the past six months, but for the last week, my excitement has been building — as evidenced by randomly working Outlander into every possible conversation, madly rewatching the first 8 episodes, and picking up my battered old copy of Outlander and reading all the relevant chapters for tonight’s episode one more time!

How obsessed am I? Well, just for fun (and to distract myself from counting down the hours until tonight’s episode), I decided to take stock of all of my Outlander-related books. Turns out, I have quite a few!

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Breaking it down a bit, I have five copies of Outlander itself, including a signed hardcover (in blue), the 20th anniversary edition hardcover (in red), the battered old paperback (only $3.99, according to the cover!) that was my first introduction to all this madness, a newer paperback in better condition, and the TV tie-in version, because who can resist?

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Then there are all the other books, which I have in both large-sized paperbacks and mass market paperbacks:

misc 130misc 136

Just how many copies of An Echo in the Bone do I have? Well, three. Because I also needed the UK version, which has some reference pieces at the back not included in the US editions.

misc 134

Speaking of reference, Diana Gabaldon has just released a newly revised edition of The Outlandish Companion, volume I… so yeah, now I have the old and the new versions:

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There are also some miscellaneous items, like The Exile (a graphic novel retelling of Outlander), audiobook CDs of one of the Lord John books, and then (score!), Hebrew editions of Outlander and Dragonfly in Amber, picked up on my last trip to Israel after much scouring of bookstores. (FYI, those are the only two books in the series — so far — available in Hebrew; otherwise, I’d have more. Believe me, I looked for them!)

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What else is on my super-duper, magical Outlander shelf? The Lord John books, a few anthologies that include Outlander novellas, hardcovers of The Scottish Prisoner and Written in My Own Heart’s Blood, and the collected novellas found in A Trail of Fire.

All in all, I count 34 Outlander-ish books currently in my house… which does not even take into account the fact that I have Kindle editions of them all as well. Because you never know when you’ll be away from home and in sudden, desperate need of looking up a good Jamie-ism or two!

Insanity? Devotion? I suppose it’s all a matter of perspective. I can safely say that I have more Gabaldon books in my house than books by any other author. Except maybe J. K. Rowling, but that’s counting my kids’ bookshelves as well as my own, and I’m not sure that’s fair.

And look! After taking all these photos and writing this post, I only have 8 hours and 3 minutes to go! Thank you for allowing me to share my madness with you for this little while.

Now what am I going to do?

Watch clips of the stars being adorable?

Head out to the store for a bottle of whiskey? Re-read the Outlander article in the newest Entertainment Weekly? Go gaze at picture of the Scottish Highlands on Pinterest? The possibilities are endless!

Thank you, EW! This one's a keeper.

Thank you, EW! This one’s a keeper.

Or maybe just keep watching previews, over and over, until 9 pm rolls around.

 

Read, skim, or skip?

About two weeks ago, I wrote a post about how following other blogs is key to building community in the blogging world, and yet it can potentially take up so much time that it’s impossible to stay on top of it all and still have any time to work on our own writing projects (not to mention little things like eating, sleeping, and saying hello to our friends and families). You can check it out here if you’d like.

Since I wrote that post (which, by the way, led to some really interesting input and discussion), I’ve been thinking more about the whole issue. I have quite a few blogs that I follow. Some are by people I feel I’ve developed a real connection with; others are blogs that I might visit occasionally or blogs that caught my eye with an especially interesting post or two. Still, the overall traffic can be overwhelming, between my WordPress feed, my Bloglovin’ feed, the daily email digests, and the Twitters links. There simply isn’t a way to read EVERY SINGLE THING, EVERY SINGLE DAY.

I’ve read comments over the past couple of years about people’s blog-reading habits. Some folks say that while they spend the most time writing book reviews, they tend to not read reviews on other people’s blogs. Some prefer discussion posts, some prefer funny pieces, some are all about the memes.

Clearly, not everything is going to be read, or read thoroughly. I’m sure we all have our own approaches to keeping up. I’ve realized that I can divide up my actions into three simple categories:

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So how does it all shake out? More or less, these are my habits:

Book reviews:

  • Is it by a blogger whose work I always enjoy? Read.
  • Is it for a book that I read recently, especially one that I liked enough to want to discuss? Read.
  • Is it for a book that I plan to read soon? Skim. (I don’t want to know too much, but I’d still like the general idea of whether you liked it or not.)
  • For a book that’s completely out of my interest zone? Skip.

Memes:

  • A meme I’m participating in? Read… usually.
  • Top Ten Tuesday posts? 90% of the time, if the topic grabs me — Read. The other 10%? No interest in the topic, so I skip.
  • Weekly reading wrap-ups (like It’s Monday. What Are You Reading or WWW Wednesdays, for example): Read.
  • Book hauls, shelf stacking, in the mailboxes: Skip. I’m just not that interested in these unless they’re folded into some other sort of post, like a reading update or a weekly recap.
  • Teasers, random book excerpts, quotes: Read. I like these little snippets, and I’ve found a few good books through these kind of posts that I maybe might have missed otherwise. Plus (shameless plug here), I host a quote meme (Thursday Quotables! Come check it out!), so clearly I like this sort of thing.

Other book stuff:

  • Cover reveals: Skip.
  • Author Q&As: If it’s someone I’m interested in — Read. Someone I’m not familiar with but who seems interesting or quirky: Skim.
  • Chit-chat or discussion posts related to reading, reading habits, etc.: Read. Usually.
  • Month in review posts: Skip. If I’ve been following a blog, then I’ve already seen all the posts for the month, so I don’t need another post summing up what I’ve already seen.
  • Giveaways: Read. Don’t we all love free books?

Bloggy stuff:

  • Technical tips and tricks, like making blog graphics or cool resources for bloggers: Read.
  • Blogging tips, like increasing traffic or considering self-hosting: Skim, to see if there are some good nuggets in there. Skip, if it’s not something I’m considering.
  • Discussion posts about being a blogger: Read, usually, unless it’s a topic I feel I’ve seen time and time again. Still, it’s always interesting to get a fresh take!

Non-bookish stuff:

  • Personal updates: Read. If you’re a book blogger and you take the time to put yourself out there and share your personal moments or challenges, I want to honor that.
  • Other non-bookish miscellany: Read or skim. I entered the blogging world specifically to chat books, and I’m not terribly interested in branching out too far. Still, if someone I talk books with also writes about other topics, chances are I’ll at least check it out to see what’s going on.

Automatic skips:

  • Anything with GIFs. Sorry. I just can’t. I know, I know, people love these. But they make my brain and eyes hurt, and I just can’t enjoy reading anything with GIFs flashing around on the page.
  • Cover reveals.
  • Posts with hard-to-read fonts, colors, or too many typos.
  • Challenges: I don’t do challenges, and reading other people’s challenge update doesn’t seem all that interesting to me.
  • Blog award posts: I seem to have 5 – 10 of these in my feeds each day, and as much as I may love the individuals, I just can’t read these any longer.
  • Rants about Goodreads, author behavior, and blogging/reviewing politics. There’s only so much time in a day, and I’d rather focus on the positive.
  • Wow, I sound like a total grouch, don’t I? I’m not putting down any of the above, really. I know people like different things, and what’s boring or a turn-off to some may be totally hilarious or thought-provoking to others.

Really, the read/skim/ skip division is the only way for me to keep my sanity and not get swamped with all the keeping up I need to do. So don’t hate me if I don’t read your meme posts or LOL over your clever graphics! I’m happy to be an enthusiastic audience for the posts that grab me… and I hope you’ll read the stuff of mine that catches your eye or strikes your fancy — and skip the stuff that bores you!

What type of posts do you always read? What do you skim? What do you skip?

Share your thoughts, please!

All the Books I Meant to Read… (Fall 2014)

It’s time for another round-up of all the books I meant to read…

In what’s likely to become a seasonal feature, I’m taking a moment to salute the ARCs that I didn’t end up reading, whether for lack of time or simply because I wasn’t in the right mood at the right time.

Here are books released from September through November that I thought sounded great — but I just didn’t get around to. Tell me, please: Which of these have you read? Do any especially appeal to you? Would you consider any of these a must-read?

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Winterkill by Kate A. Boorman

Emmeline knows she’s not supposed to explore the woods outside her settlement. The enemy that wiped out half her people lurks there, attacking at night and keeping them isolated in an unfamiliar land with merciless winters. Living with the shame of her grandmother’s insubordination, Emmeline has learned to keep her head down and her quick tongue silent.When the settlement leader asks for her hand in marriage, it’s an opportunity for Emmeline to wash the family slate clean—even if she has eyes for another. But before she’s forced into an impossible decision, her dreams urge her into the woods, where she uncovers a path she can’t help but follow. The trail leads to a secret that someone in the village will kill to protect. Her grandmother followed the same path and paid the price. If Emmeline isn’t careful, she will be next.

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Bitter Greens by Kate Forsyth

The amazing power and truth of the Rapunzel fairy tale comes alive for the first time in this breathtaking tale of desire, black magic and the redemptive power of love

French novelist Charlotte-Rose de la Force has been banished from the court of Versailles by the Sun King, Louis XIV, after a series of scandalous love affairs. At the convent, she is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of bitter greens…

After Margherita’s father steals parsley from the walled garden of the courtesan Selena Leonelli, he is threatened with having both hands cut off, unless he and his wife relinquish their precious little girl. Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1512 and still inspiring him at the time of his death. She is at the center of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition.

Locked away in a tower, Margherita sings in the hope that someone will hear her. One day, a young man does.

Award-winning author Kate Forsyth braids together the stories of Margherita, Selena, and Charlotte-Rose, the woman who penned Rapunzel as we now know it, to create what is a sumptuous historical novel, an enchanting fairy tale retelling, and a loving tribute to the imagination of one remarkable woman.

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The Wonder of All Things by Jason Mott

On an ordinary day, at an air show like that in any small town across the country, a plane crashes into a crowd of spectators. After the dust clears, a thirteen-year-old girl named Ava is found huddled beneath a pocket of rubble with her best friend, Wash. He is injured and bleeding, and when Ava places her hands over him, his wounds disappear. 

Ava has an unusual gift: she can heal others of their physical ailments. Until the air show tragedy, her gift was a secret. Now the whole world knows, and suddenly people from all over the globe begin flocking to her small town, looking for healing and eager to catch a glimpse of The Miracle Child. But Ava’s unique ability comes at a great cost, and as she grows weaker with each healing, she soon finds herself having to decide just how much she’s willing to give up in order to save the ones she loves most. 

Elegantly written, deeply intimate and emotionally astute, The Wonder of All Things is an unforgettable story and a poignant reminder of life’s extraordinary gifts.

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A Sudden Light by Garth Stein

When a boy tries to save his parents’ marriage, he uncovers a legacy of family secrets in a coming-of-age ghost story by the author of the internationally bestselling phenomenon, The Art of Racing in the Rain.

In the summer of 1990, fourteen-year-old Trevor Riddell gets his first glimpse of Riddell House. Built from the spoils of a massive timber fortune, the legendary family mansion is constructed of giant, whole trees, and is set on a huge estate overlooking Puget Sound. Trevor’s bankrupt parents have begun a trial separation, and his father, Jones Riddell, has brought Trevor to Riddell House with a goal: to join forces with his sister, Serena, dispatch Grandpa Samuel—who is flickering in and out of dementia—to a graduated living facility, sell off the house and property for development into “tract housing for millionaires,” divide up the profits, and live happily ever after.

But Trevor soon discovers there’s someone else living in Riddell House: a ghost with an agenda of his own. For while the land holds tremendous value, it is also burdened by the final wishes of the family patriarch, Elijah, who mandated it be allowed to return to untamed forestland as a penance for the millions of trees harvested over the decades by the Riddell Timber company. The ghost will not rest until Elijah’s wish is fulfilled, and Trevor’s willingness to face the past holds the key to his family’s future.

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Let me know if you especially recommend any of the above… or if any have caught your eye enough to make you go out and get a copy!

Five reasons why you should read Fables

There are certain books and series that I tend to rave about — a lot — and anyone who visits my blog from time to time has probably stumbled across my random gushes about one or another of my favorites. One book series that I’m always pushing on unsuspecting friends is Fables, the comic book series by Bill Willingham (available in trade paperback volumes, which is how I read them).

Fables, Vol. 20: Camelot

The newest volume in the series is #20, Camelot. Let me tell you, #19 was a heart-breaker, and I opened #20 with trepidation. Would the pain continue? Would there be any happiness left anywhere in the world of #20? How could the story possibly move forward?

I just read #20 today, and — big surprise — loved it. I won’t say too much about the story. If you’re already a Fables fan, you’ll want to go into this one with no advance knowledge. What I will say is that the story moves forward in new and unexpected ways, with a narrative that follows several storylines simultaneously, so that it’s not all tragedy, all the time. The groundwork is prepared for new conflict, and while ominous signs abound, in many ways this volume serves as a bridge from the awful events of the previous book to the next big challenge for our beloved characters. There’s some hope, but also a clear warning that we readers aren’t going to get everything we want — not by a long shot.

Most devastating of all is the fact that there are only two volumes remaining in the series, as creator Bill Willingham has announced that he’s wrapping up the series. How can this wonderful world be done? I can’t even.

So, if you’ve never read Fables, why should you? Here are five reasons why this series deserves to be on your must-read list:

1) World-building extraordinaire: The world of Fables is huge and magnificent. The premise is that all storybook creatures and magical beings are real, and having been banished from their own lands by an evil emperor, now live in hiding in the human world. The laws of Fabletown are complex, with layers upon layers of history and mythology. With each new chapter, the world expands in different and surprising directions, and the internal logic of the series expands to encompass each new facet of the Fables cosmos.

2) Incredible characters: At first glance at volume 1, you may think that the female characters are too comic-style feminine, with their short skirts and heels and flowing long hair. Look again. The women here rock, from tough-as-nails Snow White to bad-ass superspy Cinderella. These women are nobody’s damsels in distress, and while there are love stories and dashing princes, the women are the ones to watch. Not that the male characters are anything to sneeze at. My two favorites are Bigby Wolf — yes, the Big Bad Wolf who’s a chain-smoking tough guy in his human form, and Ambrose, aka Flycatcher, aka the Frog Prince, whose story is surprisingly tragic and heroic. But scratch the surface of any of the books, and you’ll find richly developed characters to care about.

3) Tragedy and triumph: Good versus evil plays out throughout the series, but it’s not all black and white. There are power struggles, horrible losses, wars that threaten all of existence, and heroes who are ready to sacrifice all for the greater good. It doesn’t get more dramatic than some of the long-running story arcs of Fables.

4) Storytelling that takes its time: Because there are so many volumes in the Fables saga, the storytelling can unfold with its own rhythm. Pieces come together that may only have been hinted at; characters and events come back in unexpected ways; an event that seems like a happy ending in one volume may have unforeseen (and usually dire) repercussions down the road.

5) A sense of humor: Even at its bleakest, the writing and dialogue in the Fables books is sharp, witty, and not without its own wicked sense of humor. There’s usually a lighter story thrown in amidst the sadder parts, and there are certainly enough comic relief characters around to lighten the mood whenever needed. Sure, you may be heartbroken at certain places in the story, but I guarantee you’ll be smiling at least a few times during each of the volumes of the series.

I said I’d stick to five, so there you have it. But if I were to go on, I’d just add that the 20 volumes published so far make up the main Fables storyline, but aren’t the entire Fables world. There’s a spin-off series about Jack of Fables that fills up another 9 volumes, stand-alone stories about Cinderella and Snow White, and yet another spin-off series, Fairest. In other words, it’ll take a very long time to run out of reading material!

Even if you don’t normally read comics/graphic novels, give Fables a shot. For excellent storytelling set in a fantasy world overflowing with fascinating characters and complicated plotlines, you really can’t do much better.