From the bestselling author of P.S., I Love You, a fiercely feminist story collection that illuminates–sometimes in fantastical ways–how women of all kinds navigate the world today.
In this singular and imaginative story collection, Cecelia Ahern explores the endless ways in which women blaze through adversity with wit, resourcefulness, and compassion. Ahern takes the familiar aspects of women’s lives–the routines, the embarrassments, the desires–and elevates these moments to the outlandish and hilarious with her astute blend of magical realism and social insight.
One woman is tortured by sinister bite marks that appear on her skin; another is swallowed up by the floor during a mortifying presentation; yet another resolves to return and exchange her boring husband at the store where she originally acquired him. The women at the center of this curious universe learn that their reality is shaped not only by how others perceive them, but also how they perceive the power within themselves.
By turns sly, whimsical, and affecting, these thirty short stories are a dynamic examination of what it means to be a woman in this very moment. Like women themselves, each story can stand alone; yet together, they have a combined power to shift consciousness, inspire others, and create a multi-voiced ROAR that will not be ignored.
Roar is a collection of fantastical stories, rooted in the real world, in which the unnamed women at the heart of the different tales experience life through a series of metaphors that have somehow become reality.
The titles of these 30 stories all begin with the words The Woman Who. Each focuses on a woman experiencing some sort of literal manifestation of the types of issues we all encounter more figuratively in our worlds.
The collection opens strong with The Woman Who Slowly Disappeared. The premise is very reminiscent of the season 1 Buffy episode Out of Mind, Out of Sight, about a high school girl whose peers never seem to notice her, and who ends up becoming invisible. In this story, the main character is a woman in her 50s who has gradually faded, becoming less seen over time as she ages, becoming unnoteworthy to the crowds of people around her:
On the worst days, she would go home feeling completely overwhelmed and desperate. She would look in the mirror just to make sure she was still there, to keep reminding herself of that fact; she even took to carrying a pocket mirror for those moments on the subway when she was sure she had vanished.
After fading away to just a glimmer, the woman finally finds hope in the care of a doctor who provides a diagnosis and treatment plan:
“Women need to see women, too,” Professor Montgomery says. “If we don’t see each other, if we don’t see ourselves, how can we expect anybody else to?”
In The Woman Who Was Kept on a Shelf, a woman’s husband builds her a shelf where he can display and admire her, but over the years of her marriage, she finds the shelf keeps her on the sidelines of the life around her.
She’s spent so many years sitting up here representing an extension of Ronald, of his achievements, that she no longer has any idea what she represents to herself.
Other favorites of mine are the stories The Woman Who Walked in Her Husband’s Shoes, The Woman Who Was a Featherbrain, and the The Woman Who Was Pigeonholed. But really, they’re all terrific. The tales are simple. You might at first glance find the premise a little obvious, but really, taken as a whole, these fables illustrated different aspects of what it means to be a woman, how we are defined by society, ourselves, and each other, and how perception and awareness can change everything. There’s a lightness and humor in many stories, even as the situations, taken to their logical (or illogical) conclusion can be nightmarish.
In The Woman Who Wore Pink, there’s an actual Gender Police that issues warnings and fines as people step outside their prescribed gender roles, with all of one’s interactions — even down to the daily Starbucks order, being identified as either “penis” or “vagina”. It takes the woman’s six-year-old daughter’s angry argument, “If I”m not me, who else am I supposed to be?” for the woman to open her eyes and consider the pointlessness of separating all habits and options into either penis or vagina categories. There’s a particularly funny episode after the daughter is denied the “penis” Happy Meal that comes with a dinosaur, as the woman starts to question why dinosaurs are considered boy-appropriate only:
“I’m just saying. I mean, there were female dinosaurs, too, you know, and I don’t think any of them were pink.”
I ended up loving this entire collection. The thirty stories are a mix of far-fetched, grounded in the familiar, comedic, and painful. All are told in a straight-forward manner, where we take the fantastical elements as reality and are faced with considering how our world’s definitions of women’s lives and women’s roles might look if all the euphemisms and catchphrases for the assumptions and barriers facing women became literal parts of the everyday world.
Roar is a fun, thought-provoking set of stories with plenty to chew on. I think it would be a great choice for a book club to discuss. Reading this book made me wish for a group of friends with copies in their hands, so we could each pick a favorite story and compare notes — and imagine ourselves literally falling through the floor, unraveling, melting down, or discovering our very own strong suit.
Check it out!
Authors: Cecelia Ahern
Publisher: Grand Central Publishing
Publication date: April 16, 2018
Length: 288 pages
Genre: Short stories
Source: Review copy courtesy of the publisher via NetGalley