Wishing & Waiting on Wednesday: The Mermaid’s Child

There’s nothing like a Wednesday for thinking about the books we want to read! My Wishing & Waiting on Wednesday post is linking up with two fabulous book memes, Wishlist Wednesday (hosted by Pen to Paper) and Waiting on Wednesday (hosted by Breaking the Spine).

This week’s pick:

mermaid's child

The Mermaid’s Child by Jo Baker
(to be released March 17, 2015 )

A fairy tale for grown ups—the magical story of a young girl in search of her mermaid mother, from the acclaimed author of Longbourn.

Malin has always felt different. The fact that, according to her father, her absent mother was actually a mermaid only makes matters worse. When Malin’s father dies, leaving her alone in the world, her choice is clear: stay, and never feel at home, or leave and go in search of the fantastical inheritance she is certain awaits her. Apprenticed to a series of strange and wonderful characters, Malin embarks on a picaresque journey that crosses oceans and continents—from the high seas to desert plains, from slavery to the circus—and leads to a discovery that is the last thing Malin ever could have expected. Beautifully written and hauntingly strange, The Mermaid’s Child is a remarkable piece of storytelling, and an utterly unique work of fantasy.

The marketing notes for this book describe it as “Fantasy for adults: The Mermaid’s Child is that rare thing, a work of fantasy writing that is aimed at adults. It is sure to appeal to readers of Philip Pullman, and fans of Susanna Clarke’s Jonathan Strange & Mr. Norrell and Doug Dorst’s S.” Works for me! This book was originally published in the UK in 2004, but following the success of Longbourn, The Mermaid’s Child is getting its first US release.

I really loved Longbourn, and I’m eager to read more by this talented author!

What are you wishing for this Wednesday?

Looking for some bookish fun on Thursdays? Come join me for my regular weekly feature, Thursday Quotables. You can find out more here — come play!

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Do you host a book blog meme? Do you participate in a meme that you really, really love? I’m building a Book Blog Meme Directory, and need your help! If you know of a great meme to include — or if you host one yourself — please drop me a note on my Contact page and I’ll be sure to add your info!

Book Review: Fathomless by Jackson Pearce — **This review contains spoilers**

Book Review: Fathomless by Jackson Pearce

Fathomless (Fairytale Retellings, #3)I can’t write about Fathomless and express what I thought and felt reading this book without including SPOILERS — so consider this fair warning! This review will include plot spoilers, including the major twist that readers discover toward the end. If you don’t want to know, stop reading now! Seriously, final notice!

Are you still here?

Sure you don’t want to look away?

Really, really sure?

Okay….

Fathomless looks like a mermaid story, right? I mean, look at the cover. That’s a mermaid. Absolutely, without doubt.

Except the girls/creatures in Fathomless aren’t actually mermaids, or at least not the fairy tale and Disney versions of mermaids. For starters — no tails. Not at all. They have legs and feet, just like when they were human. And that’s a key point as well. You know how Ariel is the daughter of King Triton? No mermaid royalty here — these girls were once human, but have somehow been transformed into creatures who live in the ocean, happily swimming with their sisters all day long and bit by bit forgetting their previous lives.

Our main mermaid girl is Lo, who lives under the sea (not in a pineapple…) off the coast of Georgia. She still yearns vaguely for the lights of the human world, but grows more and more content with her underwater life with each passing day. She knows that she was once someone else and had a different name, but can’t remember those details any longer. She and her “sisters” share the belief that they were brought to live in the ocean by an angel, and that someday, when they’ve turned into one of the beautiful but vacant old ones, they’ll leave the ocean and become angels themselves.

There’s another path that the ocean girls believe in, even thought they’ve never seen it happen: Legend says that an ocean girl (sorry, I have a hard time calling them mermaids) can regain a human soul and a human life by getting a human boy to fall in love with her — and then drowning him. At that point, she takes his soul and can go back to living on land as a regular girl again. Okay, yeah, she’ll also have murdered someone to get there, but why quibble?

Celia is our main human point of view. She’s one of triplets — her sisters Jane and Anne are identical, and Celia is the odd girl out. All three have powers of sight: Through touch, Celia can read someone’s past, Jane reads the present, and Anne sees the future. The sisters live in a small Georgia beach town in their prep school dorm, supported by a distant uncle after their mother’s death and their elderly father’s descent into the fog of Alzheimer’s.

Celia and Lo collide one night when guitar-playing cute boy Jude falls off a pier into the ocean. Lo pulls him from the sea, Celia performs CPR, and Jude comes back to life. He falls for Celia, but he remembers hearing a song while he was being rescued — and Celia doesn’t sing. Celia and Jude form a relationship, but at the same time, Celia is drawn back to the beach to seek out the mysterious girl she saw disappear back into the ocean.

Lo is able to leave the water, but each step on land is torture for her, leaving her in agony and with bleeding feet. As Celia and Lo begin to know one another, Celia touches Lo and is able to see her past as a human. As Celia uncovers Lo’s history, Lo begins to remember her life as Naida, a normal human girl with a home and a family. Lo and Naida are presented as two separate personalities struggling for dominance; sometimes we see Lo’s perspective on life in the ocean, and sometimes we get Naida, who considers herself a prisoner and yearns to be free.

So far, so good. In fact, I liked Fathomless quite a bit for about the first 2/3 of the book. And then it took a twist that more or less ruined it for me.

To backtrack a bit, according to Goodreads, Fathomless is book #3 in author Jackson Pearce’s Fairytale Retellings series. I’ve read the previous two books, Sisters Red and Sweetly, although it’s been a few years since then and I’d forgotten a lot of the details. I remembered the vague plot outlines, and remembered that I’d found the books enjoyable, but didn’t remember much more than that.

So… I picked up Fathomless while under the impression that the author had written a series of separate novels, with a common theme of being inspired by different fairy tales. And then 2/3 of the way through Fathomless, I was smacked in the head by how wrong I was. All three of these novels are connected, and let me just say: Weird.

All of a sudden, in the middle of a book about quasi-mermaid-creatures, there are werewolves. Yup. Werewolves. Apparently, werewolves steal girls away and stick them in the ocean as some sort of incubator — and when the girls are done, they come back out of the ocean and join the werewolf pack. Or something. Sisters Red was about a Buffy-ish werewolf slayer fighting hordes of evil monsters. In Sweetly, as I’d completely forgotten until reading a synopsis last night, a Hansel and Gretel retelling ends up having werewolves behind the town’s evil secret as well. And now, here they are again, finding twins, killing one outright and biting the other, then putting her into the sea to cook or stew or whatever it is they’re doing down there. Supposedly, it has to be twins – something about sharing the soul, blah blah blah. To be honest, my eyes had started to glaze over at this point in the story so the twin rationale kind of escaped me. Or was just ridiculous to begin with. One of the two.

I liked the story of Celia and Jude well enough, although the two other triplets, Anne and Jane, seemed a bit amorphous to me. We learn about some of their habits, but their inner workings are a little vague and seem altogether too inconsistent for me to ever to get a true sense of who they are, what they want, and what role Celia plays in their lives. But their story, as interwoven with the story of Lo/Naida and the ocean girls, gets lost somewhere along the way, and the entire thing just falls apart by the end.

The werewolf twist comes out of nowhere and makes no sense. I was kind of enjoying the twist on the Little Mermaid fairy tale up to that point, and found some of the descriptions of the ocean world to be quite lovely. But the entire plot just falls apart when the werewolf element is introduced — at which point, I realized that the pieces that seemed to promise an interesting take on a traditional tale, such as the mermaids being formerly human girls, were all for nothing. If the author is trying to build an entire world in this series, then the connection needs to be stronger to make it work, rather than randomly introducing werewolves into a mermaid story. Better yet, in my opinion, would have been creating these stories as stand-alone fairy tale retellings that provide unique takes on traditional tales, without trying to force a big-picture framework onto them.

I see that book #4 in the Fairytale Retellings series will be published this fall. Called Cold Spell, it’s a retelling of The Snow Queen by Hans Christian Anderson. Which would be great… except I’m guessing there will be werewolves.

No thanks. I think I’m done with this series.

Book Review: Sailor Twain by Mark Siegel

Book Review: Sailor Twain by Mark Siegel

sailor twain

Graphic novel Sailor Twain is a gorgeous tale of mermaids, riverboats, secrets, and myths, set in New York in the 1880s.  The action in Sailor Twain takes place aboard the Lorelei, a stately paddle-wheeler carrying upper class passengers up and down the Hudson River.

Captain Twain is a well-respected, upright gentleman and erstwhile poet who earns a living on the river in order to save money needed for a possible cure for his disabled wife Pearl. The Lorelei is owned by the Lafayette family, who struck it rich through their paddle-wheeling empire. Older brother Jacques-Henri plays host to Astors, Vanderbilts and other mansion-dwelling New Yorkers, until his behavior turns odd and he mysteriously disappears. Younger brother Dieudonné takes over the reins of the family business, and proceeds to scandalize the crew of the Lorelei with a never-ending string of illicit romantic liaisons, largely with the bored and neglected trophy wives of the captains of industry.

Captain Twain looks on with detachment until, late one night, he finds a wounded mermaid clinging to the side of the Lorelei. He brings her aboard ship and hides her away in his cabin while he tends to her wounds, but soon becomes enamored with the mermaid to the point of obsession. A secretive writer, C. G. Beaverton, may hold the key to understanding the mysteries surrounding the Lorelei and its crew, but will the answers come in time to help the captain?

The black and white drawings of Sailor Twain, interspersed with newspaper clippings and nautical maps, create an atmosphere throughout the book that is both starkly beautiful and highly evocative. The author does a tremendous job of recreating an historical point in time through the smallest of details, and the steamship itself is a thing of beauty. Looking at the drawings of the Lorelei, you can practically hear the chiming of the champagne glasses and the laughter of the pampered guests.

The story itself is engaging and romantic. Clues build upon clues as the Captain and Lafayette venture through parallel struggles to understand the nets in which they’ve become ensnared and to find possible solutions. There’s an aching beauty throughout, and we know from the prologue that tragedy will inevitably come for these characters.

Between the artwork and the haunting storyline, there’s a lot to love about Sailor Twain. This book will please booklovers who enjoy a dash of mythology with their historical settings, and deserves to be listed as one of the year’s best graphic novels.