Book Review: Writing Mr. Wrong by Kelley Armstrong

Title: Writing Mr. Wrong
Author: Kelley Armstrong
Publisher: Forever
Publication date: June 24, 2025
Print length: 333 pages
Genre: Contemporary romance
Source: Purchased

Rating: 4.5 out of 5.

From a New York Times bestselling author, a second-chance rom-com about an author who goes viral when readers discover her book’s hero was inspired by a beloved pro hockey player—and her high school crush.

Debut author Gemma Stanton knows romance readers love a bad boy—and she has the perfect prototype for her novel: Mason Moretti. High school hockey god-turned-pro player, Mason was Gemma’s first crush, but she couldn’t forget the sting of his very public rejection. So, she casts him as a hot-headed Highlander in her spicy new historical romance.

She never expected readers would find out on live TV when a morning show host invites Mason for a surprise on-air reunion . . .

As an aging hockey player with a rep for being ruthless on the ice—and roguish off of it—Mason has an image problem. So, when his meet-cute with Gemma goes viral, Mason proposes they build on the momentum with a few fake dates to boost her book sales—and his sagging profile.

But when the fictional flirting gets a little too real, Mason realizes Gemma actually makes him want to become a better man—someone worthy of her trust and her love.

I adore pretty much everything I’ve read by Kelley Armstrong, but I’ll admit I was surprised when she published her first contemporary romance last year, Finding Mr. Write. Quite a departure from her thrillers, ghost stories, and timeslip adventures! And yet, I shouldn’t have been surprised that the book was terrific. She’s such a gifted writer — there’s no doubt that whatever she writes, in whatever genre, will be well worth reading.

And now, Armstrong is back with a follow-up romance: Writing Mr. Wrong. Once again focused on a romance writer, this book connects with the previous in that the main character is the sister of the other book’s love interest. That said, it’s absolutely not necessary to read these in a particular order. (Just grab whichever you can find!)

In Writing Mr. Wrong, the main character is Gemma Stanton, a debut author in her mid-thirties who has returned to her true passion — writing — after a bitter divorce and too many years of stifling her dreams. When she’s invited on a local talk show to celebrate her book’s release, the host — a former high school classmate — blindsides her by including Mason Moretti, a huge hockey star for the Vancouver Growlers, and Gemma’s high school crush.

The first romance Gemma had written featured the kind of guy she liked—sweet and considerate. When it hadn’t sold, her writing group had talked her into penning what the market seemed to want. An alpha hero. A self-absorbed, egotistical, inconsiderate, talks-with-his-fists asshole. So she’d dipped into her past and pulled up the perfect guy for the role.

To anyone who knows Mason the similarity between him and Gemma’s fictional hero (and asshole) Laird Argyle is glaringly obvious. Gemma is mortified, but Mason does his best to save the situation and spare her embarrassment.

As they talk afterward, Mason is kind, but Gemma is wary. He hurt her badly back in high school, and it’s been almost twenty years since then with no contact. Mason has a suggestion: Why not pretend to date for a bit, with support from their publicists? It’s sure to boost her book sales, capitalize on the gossip from the talk show, and will also help with his own PR, which has taken a hit recently.

With hesitation, Gemma agrees, and Mason promises her a perfect date — which he then plans without consulting her in the slightest. It’s a disaster, to say the least. But when they go off-script for a more spontaneous outing, sparks fly, and some of their easy connection from their teen years starts to come back.

Gemma and Mason clearly have unfinished business and unresolved feelings, and could potentially be great together — but Mason is (as Gemma’s mother describes him) careless. He’s not intentionally or knowingly an asshole, but he makes assumptions and fails to see how his good intentions might backfire if he’s not considering the other person involved. Mason gets a rude awakening when he finally reads Gemma’s book and realizes that he should NOT be flattered by being the inspiration for Laird Argyle — the guy is awful, and Mason is forced to consider how much truth there is in his fictional portrayal.

The latter part of the book focuses on Mason requesting anti-asshole lessons from Gemma — he’ll whisk them away to wherever she wants, to her specifications, where she can work on her next book, he’ll do all the meals and organizing, and in return, she’ll explain to him why his choices don’t always work, and where he could do better. Of course, things don’t always go as planned, but there’s quite a bit of fun to be had in seeing the two of them navigate travel mishaps, bad decisions, and readjustment of expectations.

Gemma and Mason clearly have chemistry, and both are portrayed sympathetically. For all that Mason screws up, he’s not a bad guy — not at all — and needs to learn to overcome the avoidance patterns drilled into him from childhood. His intentions and heart are generally lovely; it’s in the execution that he fails. Meanwhile, Gemma has lots of baggage from both her teen years with Mason and the years with her terrible ex-husband. She too has work to do, in terms of overcoming fears, learning to trust, and making sure not to lose herself for the sake of making someone else love her.

I really enjoyed both characters and their story arcs, and the book overall is a treat. There’s terrific banter, plenty of chemistry, and some lovely set pieces and funny mishaps.

I did wonder about Gemma’s book — to me, it sounds pretty unappealing, but I suppose there are readers who would enjoy such a story. (And it’s heartening to see that as Gemma gets her confidence back, she’s able to stand up for herself with her publisher and transform her second novel into the story that she truly wants to tell.)

Writing Mr. Wrong is a delight — clever, funny, serious when it needs to be, and totally entertaining. I’m not sure when exactly Kelley Armstrong sleeps: Writing Mr. Wrong is one of four novels novels she’s releasing in 2025. All I can say is that I’m grateful that it’ll be a very long time before I run out of her books to read!

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Book Review: The Compound by Aisling Rawle

Title: The Compound
Author: Aisling Rawle
Publisher: Random House
Publication date: June 24, 2025
Length: 292 pages
Genre: Contemporary/dystopian fiction
Source: Purchased
Rating:

Rating: 4 out of 5.

Nothing to lose. Everything to gain. Winner takes all.

Lily—a bored, beautiful twentysomething—wakes up on a remote desert compound alongside nineteen other contestants on a popular reality TV show. To win, she must outlast her housemates while competing in challenges for luxury rewards, such as champagne and lipstick, and communal necessities to outfit their new home, like food, appliances, and a front door.

The cameras are catching all her angles, good and bad, but Lily has no desire to leave: Why would she, when the world outside is falling apart? As the competition intensifies, intimacy between the players deepens, and it becomes increasingly difficult to distinguish between desire and desperation. When the producers raise the stakes, forcing contestants into upsetting, even dangerous situations, the line between playing the game and surviving it begins to blur. If Lily makes it to the end, she’ll receive prizes beyond her wildest dreams—but what will she have to do to win?

Addictive and prescient, The Compound is an explosive debut from a major new voice in fiction and will linger in your mind long after the game ends.

Take reality TV — Big Brother, Love Island, even Survivor — then mix in a big dose of dystopian, Hunger Games, do-what-it-takes-to-last vibes… and you might get a smidge of what reading The Compound feels like.

It’s strange right from the start. Lily — beautiful, fit, in her 20s — wakes up in a bedroom in a place known as the compound. One other bed is occupied, by another beautiful young woman. As they rise, they move through the main house, finding clothes — shabby cast-offs, mainly — and odds and ends. They’re familiar with the house’s layout, and know what to look for. The place is a mess — grimy, trash everywhere, and the bathroom and front entryway don’t even have doors.

The compound itself is surrounded by nothing but desert as far as the eye can see, and a barrier of barbed wire and some fencing, none of it seeming all that sturdy, stand between the compound and the wilderness beyond.

As they leave the house and wander the grounds — a large pool, gardens, a pond, an orchard — they find more young women in various stages of waking. Soon, there are ten of them. And then they start talking about waiting for the boys to arrive. (Yes, one of the oddly disturbing elements of this book is that they refer to themselves as “boys” and “girls”, although all are adults.)

We were assessing who was the most beautiful and who might cause trouble. At the same time, we were analyzing what our own place in the group might be. Within minutes of speaking to the girls, I knew that I was one of the most beautiful, and one of the least interesting.

After two days, the boys arrive, straggling in from across the desert. They arrive bruised, battered, and having clearly been through something — but ready to play.

Because, we quickly learn, this is reality TV, and the compound is the setting of one of the most popular competition shows. Ten boys and ten girls are dropped into the compound — the girls, apparently drugged, are left in the house to wake there and begin the game, while the boys must trek across the desert to reach the compound. Once there, they compete via communal tasks to earn basics and more for the house — everything from food items to wood to chairs (of which there are none when the group arrives). The players also have personal tasks that they can perform for more individualized rewards, from beauty basics to (later) luxury items. Personal tasks tends to be odd and embarrassing, with a rule that players can’t tell one another when they’re carrying out a personal task — so if, for example, the task is to insult someone else, they just have to do it, no explanations allowed. They can choose not to, of course, but then they forego the reward, and no one seems willing to let prizes slip by.

One simple, even fun task, and something new would appear. What tedium I would have to go through to get the same things at home: standing on my feet for hours, faking smiles, pretending to have energy and enthusiasm. When I slept, I dreamed of prizes falling from the sky, and all of us standing in the desert with our arms outstretched, waiting for them to reach us.

There are even more rules: To remain in the game, you must wake up with a player of the opposite sex in your bed. If you wake up alone, you’re immediately banished, sent off into the desert (although banished players are apparently picked up and sent back home, not left to wander) and never to be seen again.

The ultimate goal is to be the last person left at the compound. The prize? You get to stay there for as long as you’d like — theoretically forever — and get any reward you can think to ask for (so long as you thank the brand that provides it — sponsorship opportunities are everywhere!). Although, from what we learn, the winner who stayed the longest left after six weeks — so maybe it’s not all that great after all?

I don’t want to give too much away — but there are hints from the beginning that this show (and this book) is a step beyond its real-world reality TV parallels. The contestants live in a state of risk, tedium, and pleasure at first. The house is dirty when they arrive, and the lack of basics — doors and chairs! — is odd in the extreme, especially in contrast to the beautiful pool. But the rewards make clear that any improvement come from doing tasks, the more the better, and the communal tasks must be done by all.

At first, they’re mostly benign, but quickly escalate from the boys and girls having to line each other up according to who’s the best-looking to a challenge where each person has to hold their bedmate’s head under water for sixty seconds. There’s an important reward on the line — and certain contestants are willing to ignore their partners’ discomfort or fear in order to make sure they win.

The book offers lots of commentary on materialism and attractiveness, but we get hints too that something isn’t quite right in this world. Lily, our main character, wonders if any of the boys have fought in the wars already. Mentions of these undefined wars are sprinkled throughout the book — we know nothing further about the why or where of it all, but clearly, there are lives being lost at an alarming rate. The desert surrounding the compound seems beset by random brush fires. And even in their outside lives, we get the sense that getting by is a daily grind — why wouldn’t Lily perform an unpleasant task to gain a gorgeous dress, knowing just how many hours of slogging through her menial job it would take to even come close to affording it?

As the story twists its way forward, the game and the players become crueler and crueler, and yet, there are also friendships, and some bedmates even find love. But having a bedmate is critical to survival in the compound, so can these relationships actually be genuine?

The Compound is a fascinating, absorbing read that’s disturbing on so many levels, yet impossible to look away from. It magnifies all the worst aspects of real-world reality TV, placing them in a scenario in which people’s worst tendencies are not only approved but encouraged. Eventually, those who make it far in the game are allowed to resort to violence, and the game itself metes out shocking punishments for those who disobey the rules. The worst is likely what happens when the late-stage players seem to be getting too comfortable and managing to avoid blatant conflict — the following scenes are probably the most horrifying in the book, and strongly reminded me of scenes in The Hunger Games where the gamemakers lose patience with the pace and force ever greater dangers onto the tributes.

I can truly say that I’ve never read anything quite like The Compound before. It’s easy to see why GMA Book Club chose this one — this would make amazing fodder for a book group discussion.

I recommend The Compound for its twisted take on reality TV, the strangeness of the plot, and the tremendous food for thought.

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Audiobook Review: Rich Girl Summer by Lily Chu

Title: Rich Girl Summer
Author: Lily Chu
Narrators: Phillipa Soo & Steven Pasquale
Publisher: Audible Originals
Publication date: July 10, 2024
Print length: n/a
Audio length: 10 hours 6 minutes
Genre: Contemporary fiction
Source: Audible download
Rating:

Rating: 4 out of 5.

Fake heiress. Real secrets. One sizzling summer she’ll never forget.

Event planner Valerie Peng never planned on spending her summer sipping champagne at a lakefront estate, dodging suspicious socialites, or pretending to be anyone’s long-lost daughter. But when a very public, deeply mortifying mishap lands her in hot water—and her career in a hot mess—her uber-wealthy older client makes her an offer she can’t refuse: come to his glamorous summer home and pose as the long-lost daughter he believes his conniving family has hidden from him. In exchange? Time away from her actual life…and the chance to help uncover a long-buried secret.

But Cinderella needs some magic for this big of a makeover. Enter Nico, her client’s maddeningly perfect right-hand man. He’s organized, meticulous, impossible to read, and infuriatingly handsome. But even though he claims this scheme is a capital-M Mistake, Nico’s the only person she can trust to have her back. As they navigate a world of eccentric matriarchs, class divides, and private family feuds, their chemistry is as undeniable as it is ill-timed.

Caught between pretending to belong and unexpectedly finding where she truly fits in, Valerie’s summer is about to get far more complicated than she ever planned.

I’m always delighted when a new Lily Chu book drops as an Audible Original. Rich Girl Summer is yet another fun romp, with relatable characters, out-there circumstances, romance, and in this case, lots of summertime, sunshine-y vibes.

Main character Valerie is a talented event planner. She’s created her own company, Ad Astra, which specializes in creating highly curated and personalized celebrations of life. By all accounts, she’s excellent at what she does. When she’s hired to manage the celebration of life for the recently deceased patriarch of the wealthy Badgerton family, Valerie knows this event could really catapult her business to the next level, and is determined that everything go perfectly.

Unfortunately, a less-than-competent assistant and an ill-timed attack of food poisoning lead to disaster. The event goes viral, but not as Valerie had hoped. Her business may be on the brink of utter ruin. And then she’s approached by Roger Badgerton, who’d originally hired her. She expects reprimands and threats, but instead, is shocked by what he says: She’s physically similar to his long-lost teen girlfriend, and he’s learned since his father’s passing that the family paid her off to leave town and cut ties with Roger when she discovered she was pregnant. Roger is furious and heartbroken about his family’s deception, and also desperate to find his daughter, who would be roughly Valerie’s age.

His proposition: Valerie will spend the summer at the family’s lakeside estate, where he’ll introduce her to the family as his long-lost daughter. All she has to do is be there, interact with the family, and hopefully unnerve someone enough to start spilling the beans about the past. It sounds crazy, and Valerie’s first instinct is to refuse — but her business has dried up, she has no prospects, and Roger is promising to promote Ad Astra at the end of the summer and get her back on her feet. What could go wrong?

Sweetening the deal is the fact that Nico, Roger’s personal assistant, will be spending the summer at the estate too. He’s kind, uber-organized, very attractive. Valerie wouldn’t exactly mind spending more time with Nico…

Rich Girl Summer mixes summer breeziness with more personal moments, as both Valerie and Nico have plenty of family dysfunction and baggage to deal with — all while keeping up the charade of Valerie being Roger’s daughter. It’s highly entertaining to see her trying to fit in with the snooty, rich Badgertons, while also playing amateur detective and seeing what clues she can pick up about which of Roger’s siblings might have been involved in the deception all those years ago.

I appreciated seeing Valerie and Nico’s romance unfold. They each have major personal obstacles to overcome in order to move forward with a healthy relationship, and the story convincingly portrays their progress, their attempts to communicate in a healthy way, and ultimately, the way they support one another in dealing with their family issues.

Valerie is upfront about being a people-pleaser right from the start — and it made me want to give her a major wake-up call. Seeing her inability to say no in situations where she absolutely should have is frustrating — but it’s part of her character development arc, and the narrative makes us sympathize with Valerie’s struggle despite wishing she’d show a little more spine early on.

My main quibble with the audiobook is that the Badgerton family is large, with many siblings, spouses, and children, and I felt like I needed a cheat sheet to keep the characters straight. This wouldn’t be a problem if there were a print edition, but Rich Girl Summer is available only as an audiobook for now. It would be nice if Audible offered a family tree as a PDF extra!

Narrators Phillipa Soo and Steven Pasquale are just as terrific as you’d expect! Phillipa Soo has narrated all of Lily Chu’s audiobooks so far, and she’s a delight to listen to.

Rich Girl Summer is currently available only through Audible. Her previous novels were released the same way, and then released in paperback about a year later. As I’ve said in previous reviews of her books, I always look forward to new Lily Chu audiobooks. The Comeback and The Stand-In remain my favorites, but you can’t go wrong with any of them!

Purchase linksAmazon 
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Book Review: The Hebrew Teacher by Maya Arad

Title: The Hebrew Teacher
Author: Maya Arad
Translated by: Jessica Cohen
Publisher: New Vessel Press
Publication date: March 19, 2024
Length: 320 pages
Genre: Contemporary fiction
Source: Library
Rating:

Rating: 3.5 out of 5.

Three Israeli women, their lives altered by immigration to the United States, seek to overcome crises. Ilana is a veteran Hebrew instructor at a Midwestern college who has built her life around her career. When a young Hebrew literature professor joins the faculty, she finds his post-Zionist politics pose a threat to her life’s work. Miriam, whose son left Israel to make his fortune in Silicon Valley, pays an unwanted visit to meet her new grandson and discovers cracks in the family’s perfect façade. Efrat, another Israeli in California, is determined to help her daughter navigate the challenges of middle school, and crosses forbidden lines when she follows her into the minefield of social media. In these three stirring novellas—comedies of manners with an ambitious blend of irony and sensitivity—celebrated Israeli author Maya Arad probes the demise of idealism and the generation gap that her heroines must confront.  

The Hebrew Teacher is a collection of three novellas that, taken as a whole, provide insight into experiences of alienation, assimilation, and family generational estrangement. Originally published in Hebrew, this collection’s smooth English translation provides powerful, moving stories with universal themes.

While not normally a fan of short fiction, I was immediately pulled into the characters’ lives in each of these three novellas. Their stories are so relatable that they actually disturbed me quite a bit, as they highlight the ordinary heartbreak that daily life can present.

The first story, The Hebrew Teacher, focuses on Ilana, a woman approaching retirement who has spent her entire career teaching Hebrew at a midwestern university. She reminisces on the early days:

When she’d arrived in ’71, it had been a good time for Hebrew. When she told people she was from Israel, they used to give her admiring looks. […] But now was not a good time for Hebrew.

Ilana faces an alarming drop in her enrollment rates for the new semester, while also dealing with a new professor of Hebrew and Jewish literature — someone with authority over her classes — whose political views put him and Ilana on opposite sides of an academic cold war.

The Hebrew Teacher has a sad energy; we feel for Ilana as an older woman reflecting on the days when both she and her life’s work were once appreciated, forced to realize that she’s been left behind by changing times.

The second story, A Visit (Scenes) is also achingly sad. Miriam arrives in Silicon Valley to visit her son, daughter-in-law, and their toddler. She’s never met her grandson before, and her son and his wife seem distinctly uninterested in welcoming her into their home and lives. Told through vignettes (scenes) over the course of Miriam’s three-week visit, through Miriam’s POV as well as the other two adults’, the story unfolds in short glimpses that convey the utter estrangement Miriam feels as well as the tension within the household. Miriam’s visits with another grandmother and her daughter-in-law add poignancy, as they show the happiness and closeness that have eluded Miriam. For some reason, this story just broke my heart, especially Miriam’s reflections on the closeness of parents and children during the childhood years, and how adult children exclude their parents from their lives.

Make New Friends, the third and final piece in this collection, feels rather difference in focus, but is still disturbing in tone and content. Once again featuring a family of Israeli ex-pats in Silicon Valley, Make New Friends is told through the viewpoint of Efrat, a mother who worries constantly about her 13-year-old daughter’s lack of friends. As Efrat stews over Libby’s social standing, she crosses some major lines on social media, all the while coming to terms with her own long-simmering anxieties about friendship and belonging. The story is well told, and made me very uncomfortable — and then ends pretty abruptly. I expected a more dramatic conclusion; it seems to just stop.

Overall, I enjoyed reading this book, even though I don’t do particularly well with short fiction and am always left feeling a bit unsatisfied. The stories in The Hebrew Teacher present ordinary people dealing with life’s frustrations and disappointments, with characters who feel well-defined and specific. I appreciated the depiction of the cultural struggles of characters who end up livinge far from their original homes and families, and what this means for their children as well.

The Hebrew Teacher won the 2025 National Jewish Book Award for Hebrew Fiction in Translation. Maya Arad’s newest novel, Happy New Years, was released in the US this month, and I look forward to reading it.

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Book Review: The Mystery Writer by Sulari Gentill

Title: The Mystery Writer
Author: Sulari Gentill
Publisher: Poisoned Pen Press
Publication date: March 1, 2024
Length: 368 pages
Genre: Thriller
Source: Library
Rating:

Rating: 2.5 out of 5.

A literary thriller about an aspiring writer who meets and falls in love with her literary idol—only to find him murdered the day after she gave him her manuscript to read.

There’s nothing easier to dismiss than a conspiracy theory—until it turns out to be true

When Theodosia Benton abandons her career path as an attorney and shows up on her brother’s doorstep with two suitcases and an unfinished novel, she expects to face a few challenges. Will her brother support her ambition or send her back to finish her degree? What will her parents say when they learn of her decision? Does she even have what it takes to be a successful writer?

What Theo never expects is to be drawn into a hidden literary world in which identity is something that can be lost and remade for the sake of an audience. When her mentor, a highly successful author, is brutally murdered, Theo wants the killer to be found and justice to be served. Then the police begin looking at her brother, Gus, as their prime suspect, and Theo does the unthinkable in order to protect him. But the writer has left a trail, a thread out of the labyrinth in the form of a story. Gus finds that thread and follows it, and in his attempt to save his sister he inadvertently threatens the foundations of the labyrinth itself. To protect the carefully constructed narrative, Theo Benton, and everyone looking for her, will have to die.

The Mystery Writer was my book group’s pick for July, and as with many of our group reads, it’s unlikely that I would have picked this one up on my own. Unfortunately, while many of our book group books end up being surprise hits for me, this one just didn’t quite work, despite some clever hooks and unusual story beats.

Theo Benton, approximately 20 year old, drops out of law school in Australia to show up at her older brother Gus’s home in Kansas. Gus and Theo were both left trust funds by their American grandfather, requiring them to become lawyers in order to inherit. Gus did, and is a partner in a local practice. Theo, however, has realized that she doe not want to become a lawyer; instead, she wants to write. Gus agrees that she can stay with him while she pursues her writing goals.

As she starts writing at the cafe where she’ll soon become a regular, she encounters another writer — an older man whom Theo eventually identifies as successful author Dan Murdoch. Theo and Dan form a friendship, and he takes an interest in her writing, offering her tips and encouragement. Finally, when Theo finishes her manuscript, she gives it to Dan to read. He’s enthusiastic, but declines her request to send it to his high-powered literary agent. And the very next day, Theo discovers that Dan has been murdered.

Theo and Gus become entangled in the unfolding mystery as more murders occur — and the two of them appear to be the connection between all the dead bodies. With the police focusing on them and their lives in danger, Theo takes a drastic step to keep them safe.

That’s about enough plot summary to get the general gist without getting into spoiler territory. The plot revolves around convoluted conspiracy theories, and hinges on Theo making some truly ridiculous decisions. So many elements require a complete suspension of disbelief that it becomes harder and harder as the book progresses to take it seriously in the slightest.

Survivalists and preppers, Australian hippies (“ferals”), crazed fans, sinister secrets of the publishing world… there’s a lot going on, and yet, not much of it makes any sense. Theo’s ability to sit down and pound out a potential bestseller over the course of a few months doesn’t feel credible, and neither is her connection to the writer whom she just happened to stumble across. Her gullibility in dealing with the agency felt like a breaking point for me (as was her brainless decision to give someone the address of the secure location where she was hiding out). If not for the book group commitment, I likely would have quit somewhere in the middle.

Still, I finished the book. The story itself moves quickly and it’s a fast read, so I was able to get through it without too much effort. At some point, I felt invested enough to want to see it through and see how it all wrapped up.

I can’t say that I actually recommend The Mystery Writer. There are some interesting facets to the story, but overall, it’s simply not believable and strains much too hard to make it at all convincing. I just didn’t buy it.

PS — Why did the publisher stick this cover on the book? There are no typewriters involved in this story! Feels like a lazy way to say “hey, this book is about a writer!”

Given my lukewarm to not-so-great reaction to this book, it may seem like a contradiction to say that I’d still like to read more by this author! Having read some interviews and other materials on the writing process for this book, I get what she was trying to do, even if I didn’t especially love it. I’d be willing to try again with another of her books, possibly her upcoming new release, to see if a change of topic works better for me.

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: Sisters of Fortune by Esther Chehebar

Title: Sisters of Fortune
Author: Esther Chehebar
Publisher: Random House
Publication date: July 22, 2025
Length: 320 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 2.5 out of 5.

In this hilarious, heart-warming debut novel, three Syrian Jewish sisters chase love and grapple with the growing pains of young womanhood as they seek their place within and beyond their Brooklyn community.

The Cohen sisters are at a crossroads. And not just because the middle sister, Fortune, is starting to question her decision to get married in just a few months. Nina, the eldest sister, is single at 26 (and growing cobwebs by her community’s standards) when she runs into an old childhood friend who offers her the chance to leave behind the pressure to follow in her younger sister’s footsteps. Meanwhile, Lucy, the youngest, a senior at her yeshiva high school, has recently started sneaking around with a mysterious older bachelor that has everybody asking themselves, ‘Fortune, who?

As Fortune inches ever closer to the chuppah, the three sisters find themselves in a tug of war between tradition and modernity, reckoning with what their community wants and with what they want for themselves—and all while learning how to roll the perfect grape leaf under the tutelage of their charismatic grandmother, Sitto, who fled Syria in 1992, and of their mother Sally, whose anxieties are tangled up in her daughters’ futures.

Sisters of Fortune is a sister story about dating, ambition, and coming-of-age under the scope of an immigrant community whose coded language is endearing, maddening, and never boring. The book reckons with what we dream for ourselves, our daughters, and granddaughters. It is concerned as much with where we come from as where we are going—and, above all, with what we are eating for dinner. (And who is making it).

This book about three Syrian Jewish sisters navigating community expectations and the pull of modern life seemed promising, but doesn’t wholly deliver. The three Cohen sisters — Lucy, Fortune, and Nina — deal with parental and community pressure to conform, marry well, and live up to expectations as exemplary wives and mothers. But with one sister’s wedding looming, an older sister remaining unwed and reluctant to play along, and the youngest sister seeming on the verge of a very successful match, the sisters’ lives are suddenly changing in unexpected ways.

Sisters of Fortune includes POV chapters for each sister, but oddly, there’s very little that shows the relationships between the sisters. Instead, each sister seems focused mainly on marriage prospects and dealing with their parents. Their lives are a mix of tradition — cooking, cleaning, preparing Shabbat meals and creating a nice home for their husbands — and modernity — taking the subway to work or school, wearing jeans, getting manicures. Material from so-called bride classes seems a bit out of place — there isn’t a strong sense that the family values quite the level of religious adherence that this material implies.

Between a somewhat messy writing style, too much emphasis on brand names and material wealth, a tendency to include kind of gross moments in random scenes (bits of food flying from someone’s mouth as they talk, engaging in a make-out scene literally minutes after throwing up) and a plot that just sort of peters out toward the end rather than reaching a strong conclusion, I was left mainly unsatisfied by this book.

I did enjoy the scenes with the grandmother and the descriptions of food (although even this felt like too much after a while). There’s a glossary at the end, which will be essential for readers unfamiliar with this culture and its language. I wish there had been a bit more about the family’s backstory; the bits we get are interesting and add depth, but that’s a small part of the story.

This is a fast read, but by the end, I was frustrated by the pacing and the lack of convincing growth for the main characters.

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Audiobook Review: Totally and Completely Fine by Elissa Sussman

Title: Totally and Completely Fine
Author: Elissa Sussman
Narrator: Patti Murin
Publisher: Dell
Publication date: July 8, 2025
Print length: 448 pages
Audio length: 11 hours 14 minutes
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

From the bestselling author of Funny You Should Ask comes an inspiring romance novel about honoring the past, living in the present, and loving for the future.

In her small Montana hometown, Lauren Parker has assumed a few different roles: teenage hellraiser; sister of superstar Gabe Parker; and most recently, tragically widowed single mother. She’s never cared much about labels or what people thought about her, but dealing with her grief has slowly revealed that she’s become adrift in her own life.

Then she meets the devilishly handsome actor Ben Walsh on the set of her brother’s new movie. They have instant chemistry, and Lauren realizes that it has been far too long since someone has really and truly seen her. Her rebellious spirit spurs her to dive headfirst into her desire, but when a sexy encounter becomes something more, Lauren finds herself balancing old roles and new possibilities.

There’s still plenty to contend with: small-town rumors, the complications of Ben’s fame, and her daughter’s unpredictable moods. An unexpected fling seemed simple at the time—so when did everything with Ben get so complicated? And is there enough room in her life for the woman Lauren wants to be? Alternating between Lauren’s past with Spencer and her present with Ben, Totally and Completely Fine illuminates what it means to find a life-changing love and be true to oneself in the process.

Lauren Parker is not, actually, Totally and Completely Fine… although she’d very much like it if everyone would act like she is. Three years after her husband’s tragic death, she and her 13-year-old daughter Lena are muddling along, coping with daily life mainly by not talking about the big, gaping hole in their world, and just kind of pretending that everything is okay.

When Lauren’s movie star brother Gabe — a former James Bond! — invites them to spend a week visiting the set of his new movie, it seems like a good chance to get away and take a break from their small town in Montana… where everyone knows everything about everyone else, all the time. Lena seems happy enough to hang out with her uncle and witness the movie magic, and meanwhile, Lauren seems to find an instant spark with actor Ben Walsh, a Hollywood rising star and total hottie (and sweetheart), who just happens to be at least ten years younger than Lauren. But what difference does age make if it’s just a vacation fling?

In this layered look at love, grief, and second chances, Lauren’s connection to Ben is obviously not just a fling… but it takes her a while to figure that out. Meanwhile, she’s starting to realize that as much as she loves her late husband Spencer and misses him every single day, she’s actually lonely. Could she… should she… consider opening herself up to love (or at least, dating)? And if she did, what would that mean for Lena, whose rocky relationship with Lauren can’t take one more blow?

As the story unfolds, the narrative alternates between now — Lauren’s potential romance with Ben, her efforts to support and reach Lena, and her challenges living in the town where she’s grown up — and then — Lena’s history with Spencer, from childhood friendship through her rebellious teens and all the way to the marriage and early parenting years. The two halves of the story weave together effectively, with the past informing Lauren’s approach to motherhood and the possibility of getting involved with someone new.

If you’ve read Elissa Sussman’s previous books, the character names and even some scenes may ring a bell. Gabe Parker was one of the lead characters in Funny You Should Ask, the author’s 2022 novel about Hollywood, scandal, and unlikely love. I loved that book, so it wasn’t a surprise to find myself immediately caught up in Totally and Completely Fine, immersed in the characters’ lives and relationships, and delighted to see Gabe, Lauren, and others once again.

Ben is a complex, interesting love interest, and I enjoyed seeing his sensitivity and intelligence as he navigates spending time with Lauren and dealing with the ups and downs of her family and community. I really appreciated the depth of Lauren’s character development, as we come to understand the beauty of her marriage to Spencer, the pain of her loss and the unending sense of grief, the sparks of hope when it comes to finding moments of unexpected joy, and the challenges she faces in dealing with small-town gossip, preconceived ideas about who she is, and finding a way to parent a grieving child.

I really have only two small quibbles with this book. The first has to do with the sex scenes, which, to my taste, are unnecessarily graphic. Granted, this is strictly a matter of reader preference, but I didn’t need quite that many details in order to understand that there’s excellent chemistry going on here.

My second quibble is not with the plot or writing, but with the audiobook narration. Narrator Patti Murin does a fine job with most of the story, with Lauren and Lena, and — oddly — with the adult male characters with non-American accents. However, her delivery for Gabe does not work, at least not for me. Gabe is a former Bond! (Yes, he used a British accent for the role, but in his real life, he speaks like the native Montanan that he is). Gabe should sound like a leading man… but here, he comes across as kind of nasal and whiny — he’s believable as an annoying younger brother, but not as the awesome, flawed, grown-up Hollywood star that he is.

Those complaints aside, I enjoyed Totally and Completely Fine very much, and once I started, I just didn’t want to stop. I was immersed enough in these characters’ lives that I was left wanting more — and while the story wraps up quite well and has a satisfyingly definitive ending, I’d love a follow-up!

I’m now three for three with Elissa Sussman’s books! If you haven’t read anything by her yet, you really could pick any of the bunch and have a great time. Her books are funny, layered, emotional, and highly entertaining. I can’t wait for whatever she writes next!

Interested in this author? Check out my reviews of her other books:
Funny You Should Ask
Once More With Feeling

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Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Audiobook Review: Great Big Beautiful Life by Emily Henry

Title: Great Big Beautiful Life
Author: Emily Henry
Narrator: Julia Whelan
Publisher: Berkley
Publication date: April 22, 2025
Print length: 432 pages
Audio length: 12 hours, 2 minutes
Genre: Romance
Source: Purchased
Rating:

Rating: 4.5 out of 5.

Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping new novel from Emily Henry.

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years–or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century.

When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game.

One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over.

Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication

Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition.

But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room.

And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.

Emily Henry’s books are quintessential summer reads, and her newest, Great Big Beautiful Life, is no exception. In fact, this book features an historical element that her books typically do not, and at least for this reader, the result is a richer, deeper experience than I’d originally anticipated.

Margaret Ives, the descendant of the powerful, legendary House of Ives, is the last remaining heir to the Ives media empire, which grew from the success of Margaret’s great-grandfather in exploration and mining. By the time Margaret was born, her family controlled the media, had influence everywhere, and was known for its scandals as much as for their wealth and power. But as we’re told, Margaret disappeared from the public view decades earlier, and no one has heard from her since. Still, the public fascination with the Ives family has never truly faded, and speculation continues to bubble up over what really happened to Margaret and her late husband, the wildly popular singer Cosmo Sinclair (dubbed the “Poor Man’s Elvis”).

When writer Alice Scott follows an anonymous tip and locates Margaret, now in her 80s and living alone on a small island off the coast of Georgia, she submits a book proposal and Margaret agrees to hear her out. But when she arrives at Margaret’s door, she finds another author has been invited as well — Hayden Anderson, whose previous book just won a Pulitzer. Alice is dismayed, but Margaret is quick to inform them that they’re both in the running: She’ll meet with each of them, separately and for equal amounts of time, over the next 30 days, after which they’ll each get a chance to make their pitch, and she’ll choose one of them to write her story. Alice isn’t happy with the set-up, but this could be the opportunity of a lifetime, much too good to walk away from. After signing detailed NDAs, Alice and Hayden are in, and they begin their interviews with Margaret.

As the novel progresses, we get chapters focused on Margaret’s story, where we learn her family’s twisty, hidden past — where they started, how their fortune grew, and the fights, scandals, affairs, and mysteries that plagued them ever since.

Meanwhile, Alice and Hayden go from competitors to something like colleagues — unable to share the details of their interviews (those NDAs!!), but still giving one another encouragement and support through their mutual, bizarre process. As they spend time together, their professional respect turns into friendship and attraction, and while they initially resist, their feelings grow in a way that can’t be ignored.

The structure of Great Big Beautiful Life is a lovely balancing act, bringing interest and forward momentum to both Margaret’s story and the contemporary romance between Alice and Hayden. I must admit, however, that the further I got in the book, the more I wanted to stick with Margaret! She’s a fascinating character with a deeply engrossing family story — if only the book about her life were real, I’d absolutely want to read it!

The romance elements are nicely done, although at some point I lost a bit of patience for the will-they-won’t-they dynamic, as well as the somewhat odd insistence that they not sleep together until after the book proposals are done and Margaret makes her choice… because what this actually means is that they become very heavily sexually involved, but refrain from intercourse. Ummm… from my point of view, this is a very silly distinction. But okay…

Alice’s family life and her challenging relationship with her mother comes into play, as does Hayden’s own family background. They have hurdles to overcome if they want a future together, and meanwhile, while they can’t share the details of what Margaret has revealed to them, each has the feeling that she’s not being entirely honest with them. But why agree to a biography and then lie about key elements?

I listened to the audiobook version, narrated by the amazing Julia Whelan — and through her storytelling, the characters and events absolutely shine. She’s an incredibly gifted narrator, and has an uncanny knack for convincing me that I’m listening to individual people, not one person voicing multiple characters. Her depiction of Margaret is especially lovely and powerful.

I really enjoyed Great Big Beautiful Life, and highly recommend it. As I mentioned, I wasn’t quite as invested in Alice and Hayden’s contemporary storyline — it’s a good enough romance, and I enjoyed it, but some of the tension between them felt unnecessary. (However, I did appreciate that the obligatory 3rd act breakup actually made sense and felt like it was based on a realistic, unsolvable problem). For me, Margaret’s story is the true heart and soul of this book, and it’s wonderful. I would happily spend much more time exploring her secrets, her triumphs, and her heartbreaks.

To sum it all up… Great Big Beautiful Life is a wonderful reading and listening experience! Don’t miss it.

Read-alikes:

Great Big Beautiful Life has themes and story arcs that reminded me of a few other terrific books I’ve read — so if this book appeals to you, consider one of these as well:

  • If you like the poor-little-rich-girl aspect of the story, try… The Thirteenth Husband by Greer Macallister: Historical fiction about an heiress with an incredible life full of scandals and excitement.
  • If you like the idea of an elderly woman with a secretive past getting two people to vie to discover the truth, try… Drop Dead by Lily Chu: Lighthearted romance featuring writers competing to discover a famously reclusive woman’s secrets, following clues scattered throughout her outrageously lavish estate.
  • If you like a story about celebrities living in the public eye but hiding secrets, try… The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid: The secret stories behind a Hollywood star’s many marriages, finally revealed in the star’s late-in-life interview with a journalist.

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Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: The Poppy Fields by Nikki Erlick

Title: The Poppy Fields
Author: Nikki Erlick
Publisher: William Morrow
Publication date: June 17, 2025
Length: 324 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3 out of 5.

From the New York Times bestselling author of the smash-hit The Measure—a runaway bestseller and a Read with Jenna TODAY Show pick—comes a stunning speculative story of healing, self-discovery, forgiveness, and found friendship.

What if there were a cure for the broken-hearted?

Welcome to the Poppy Fields, where there’s hope for even the most battered hearts to heal.

Here, in a remote stretch of the California desert, lies an experimental and controversial treatment center that allows those suffering from the heartache of loss to sleep through their pain…and keep on sleeping. After patients awaken from this prolonged state of slumber, they will finally be healed. But only if they’re willing to accept the potential shadowy side effects.

On a journey to this mystical destination are four very different strangers and one little dog: Ava, a book illustrator; Ray, a fireman; Sasha, an occupational therapist; Sky, a free spirit; and a friendly pup named PJ. As they attempt to make their way from the Midwest all the way to the Poppy Fields—where they hope to find Ellis, its brilliant, enigmatic founder—each of their past secrets and mysterious motivations threaten to derail their voyage.

A high-concept speculative novel about heartache, hope, and human resilience, The Poppy Fields explores the path of grief and healing, a journey at once profoundly universal and unique to every person, posing the questions: How do we heal in the wake of great loss? And how far are we willing to go in order to be healed?

If you could sleep away your grief… would you?

In this contemplative novel by Nikki Erlick, author of The Measure (which was fascinating!), scientist Ellis Jones has developed a popular but controversial treatment for grief: After a careful screening process, patients are put into a chemically induced sleep for one to two months, during which they are closely monitored and treated with a blend of hormones and medications to aid the healing process. When they awaken, they find themselves at peace with their loss, having bypassed the agonizing early stages of grief and slept their way through to acceptance.

This sleep comes with a price for about 25% of the patients: Not only do they wake free of the sharp pain of their loss, they also experience “emotional moderation” — they no longer feel any sort of emotional attachment to the person they’ve been mourning. They retain their memories of their lost loved one, but have no feelings for them, one way or another. This may sound terrible, and the odds aren’t especially great, but for the patients who feel that they can’t take one more moment of their suffering, it’s a price they’re willing to pay.

The plot of The Poppy Fields focuses on a group of travelers to Ellis’s institution (which is named — you guessed it! — the Poppy Fields). Stranded in the midwest by flight delays, they decide to drive the remaining distance together. Over the course of their journey, they shared their stories — why they feel the need to go to the Poppy Fields, what the idea of it means to them, what losses they’ve suffered, and what they’re hoping to achieve by sleeping.

Meanwhile, there are hints of trouble: Protesters are starting to appear outside the offices of the foundation that sponsors Poppy Fields, demanding that people “Stop the Sleep”. And within Poppy Fields itself, there’s division, as key staff members push for a for-profit model and facility expansion, while Ellis is committed to keeping their services free and to understanding how to stop the sleep’s side effects.

I think I went into this book with incorrect expectations. Based on the general description, I expected a darker story, with corporate twistiness, evil scientists, and some sort of dramatic revelation about the side effect. Instead, I found a very people-centered story about love, connection, grief and mourning, and how to move on after terrible loss.

Perhaps my early assumptions have a lot to do with my reaction, but I couldn’t help but feel that The Poppy Fields is a bit inconsequential. I believe it’s trying to say something deep about our memories and how we keep pieces of those we lose — but the overall story seems to veer between a road-trip-with-buddies plotline and serious introspection, and it just doesn’t gel well.

The main characters each have interesting backstories, and I enjoyed seeing them form bonds over the course of their days together in the car, although I wasn’t entirely convinced by each of their decisions by the end of the book. A random teen who tags along for part of the journey is rather pointless, and the various stops along the way provide some diverting interludes, but also mainly seem to serve to stretch the story.

As for the science and protest and corporate maneuvering, there’s not much there there. The setup seems to suggest that something dire is afoot, but that’s not actually the case. It all just kind of wraps up without a ton of fanfare.

Overall, there are some interesting ideas in The Poppy Fields, but I found it unconvincing. I think I really would have preferred the version I expected — give me evil scientists carrying out mad experiments in an isolated desert facility any day!

I loved how much there was to think about while reading The Measure, and my sense is that the author was going for something similar in this new book. However, the concept and the controversies didn’t strike me as all that exceptional. The Poppy Fields held my attention and had some solid points and good storytelling behind it, but failed to really grab my imagination. A decent piece of summer entertainment, but not much more than that.

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Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Audiobook Review: The Griffin Sisters’ Greatest Hits by Jennifer Weiner

Title: The Griffin Sisters’ Greatest Hits
Author: Jennifer Weiner
Narrator: Dakota Fanning
Publisher: William Morrow
Publication date: April 8, 2025
Print length: 384 pages
Audio length: 15 hours, 32 minutes
Genre: Contemporary fiction
Source: Purchased
Rating:

Rating: 4.5 out of 5.

Sisters Cassie and Zoe Grossberg were born just a year apart but could not have been more different. Zoe, blessed with charm and beauty, yearned for fame from the moment she could sing into a hairbrush. Cassie was a musical prodigy who never felt at home in her own skin and preferred the safety of the shadows.

On the brink of adulthood in the early 2000s, destiny intervened, catapulting the sisters into the spotlight as the pop sensation the Griffin Sisters, hitting all the touchstones of early aughts fame—SNL, MTV, Rolling Stone magazine—along the way.

But after a whirlwind year in the public eye, the band abruptly broke up.

Two decades later, Zoe’s a housewife; Cassie’s off the grid. The sisters aren’t speaking, and the real reason for the Griffin Sisters’ breakup is still a mystery. Zoe’s teenage daughter, Cherry, who’s determined to be a star in spite of Zoe’s warnings, is on a quest to learn the truth about what happened to the band all those years ago.

As secrets emerge, all three women must face the consequences of their choices: the ones they made and the ones the music industry made for them. Can they forgive each other—and themselves? And will the Griffin Sisters ever make music again?

Jennifer Weiner’s books can be counted on for memorable characters, intricate relationships, and terrific story arcs. The Griffin Sisters’ Greatest Hits delivers all of these.

In this 2025 novel, we’re transported back to the music scene of the early aughts and the rise of the Griffin Sisters, a band whose one album changed lives. Even twenty years after their sudden breakup, devoted fans still love them, and the use of their music in a popular new Netflix series has brought them back into the spotlight once more.

But who are the Griffin Sisters, and where did they go?

As we learn, Cassie and Zoe Griffin were born Cassie and Zoe Grossberg, the daughters of a young, working class Philadelphia couple. Zoe — full of beauty and sparkle — is a delight from birth, but the surprise pregnancy that brings Cassie along less than a year later is not a welcome development for their parents. Their mother struggles to love Cassie the way she loves Zoe, and Cassie’s differences confuse and frustrate her parents.

Everything changes when a preschool teacher notes Cassie’s uncanny musical ability. Although still basically a toddler, Cassie can play the piano by ear, and has a remarkable singing voice as well — although she’s so silent and withdrawn that she’ll only sing with Zoe. And so it goes: Zoe is pretty and popular, and protects Cassie (when she can) from the crueler comments directed at her by other children. Cassie is large, awkward, unsocial, and doesn’t care about clothes, entertainment, or making friends. Music is her only passion, and eventually, she enrolls in a music school in order to pursue a career as a classical pianist.

But Zoe craves the spotlight and stardom. Her perkiness puts her at center stage, even though her singing voice is passable at best. Her knowledge of music is limited to Britney and Cristina and the Spice Girls. She yearns to be a pop princess — and when her bandmates kick her out right before a Battle of the Bands competition, she begs Cassie to perform with her instead. Cassie has no interest, hates being seen, and just wants to be left alone… but she can’t let her sister down. In their performance, Cassie’s gift shines — her voice is transcendent, and while Zoe is the visual appeal, it’s Cassie’s singing and playing that makes their time on stage magical.

So magical, in fact, that a talent agent rushes to their house the next day and whisks them off to a recording label’s headquarters in New York. In the blink of an eye, the teen sisters are signed to a contract and are being prepped for a cross-country tour of radio stations and small venues. To turn the Griffin Sisters in a hit-machine, they need a songwriter, and Russell D’Angelo enters their lives. In his mid-twenties, Russell has a former band, is a talented guitar player, and a genius for writing songs. He and Cassie immediately click and begin creating together, but Zoe is interested in Russell for entirely different reasons. Once he joins the band, it’s only a matter of time before things get complicated.

We know from the opening pages of The Griffin Sisters’ Greatest Hits — the one chapter told from Russell’s point of view — that something terrible happens to tear the band apart at the height of their success. As the book progresses, chapters focused on the band’s rise are interspersed with chapters set in 2024, through which we see just how differently Zoe and Cassie live twenty years later.

In 2024, two decades past their peak stardom, Zoe is a suburban housewife and mother. Yes, she still gets recognized as Zoe Griffin, but those days are long behind her. Zoe’s 18-year-old daughter Cherry has a musical gift of her own and yearns to pursue her own musical career, but Zoe blocks her at every turn, cautioning her about the cruelty of the music industry toward young women.

Meanwhile, Cassie has fled just about as far as she can go — no one has seen her in these past twenty years. She lives alone in Alaska on private acreage, hiding from the world, venturing out as little as possible, and denying herself anything that would give her pleasure, including music.

It takes a good 75% of the book to unravel the mystery of what happened to the Griffin Sisters and explain how Zoe and Cassie ended up with the lives they have now. Thanks to the author’s skillful development of the characters and their complex relationships, there’s never a dull moment as she weaves together the past and present timelines. By the time we get to the answers, we understand deeply both what happened and why, how each character perceived or misunderstood the key events, and how this affected their lives from that point forward.

I’m sure people will compare this lovely novel to Daisy Jones and The Six (a book that I love) — and yes, there are some similarities: A wildly popular band falling apart after only one album together, with plenty of “where are they now?” speculation. But, while the music industry pressures and excesses may feel familiar at times, the stories are quite different. Here, the beating heart of the story is the relationship between Cassie and Zoe, as well as the shifting, new dynamic that occurs once Zoe’s daughter Cherry makes it her mission to reunite the sisters (and the Sisters).

Cassie and Zoe are both flawed but fascinating characters. I’ll admit that it’s very hard to like Zoe, and she behaves terribly in many, many situations, often causing horrible damage. Still, the author is careful to make sure that readers understand Zoe — and while we may hate much of what she does, we also understand the fears and insecurities that drive her actions.

The audiobook, narrated by Dakota Fanning, is a joy to listen to. While on the lengthy side, it’s so well told that I never felt impatient or frustrated. The narration captures the characters’ personalities very well — they feel distinct and recognizable throughout.

I had only two minor quibbles by the end of the book. First, there a moment — very late in the story — where Zoe raises the issue of whether Cassie might be on the neurodivergent spectrum — and honestly, that felt a bit out of the blue. Yes, Cassie has a great deal of difficulty in social and public settings, but I never had a sense that she might be considered neurodivergent. I felt that if that was the case the author wished to make, there needed to be a lot more breadcrumbs throughout the book to support this.

My other quibble has to do with a plot thread left dangling at the conclusion:

Highlight the black area to reveal text — ONLY if you don’t mind a spoiler: Who is Cherry’s father? Zoe admits that she’s not sure — it could be Russell, but it could also be Tommy, the band’s drummer. As the story wraps up, I expected some sort of resolution, or maybe even just a hint that Zoe and Cherry might reach out to Tommy… but the matter just isn’t addressed again.

This issue is not critical to the overall story, which — big picture — is about Zoe and Cassie and whether they can find their way back to one another — but it still annoyed me at the end not to get an answer to this particular question.

Those small issues aside, I truly enjoyed The Griffin Sisters’ Greatest Hits. I loved the band’s backstory, the dynamics between Cassie and Zoe, each of their personal journeys, and even the “now” parts focused on Cherry’s attempts to break out as a musician.

Jennifer Weiner’s books are always a treat, and The Griffin Sisters’ Greatest Hits is no exception. Highly recommended.

Oh… but one last complaint.

I don’t just want to READ about the Griffin Sisters’ songs. I want to hear them!!

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.