
Title: Witchcraft for Wayward Girls
Author: Grady Hendrix
Publisher: Berkley
Publication date: January 14, 2025
Length: 482 pages
Genre: Horror
Source: Purchased
Rating:
There’s power in a book…
They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to the Wellwood Home in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, give them up for adoption, and most important of all, to forget any of it ever happened.
Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who knows she’s going to go home and marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who.
Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid…and it’s usually paid in blood.
Grady Hendrix writes marvelously inventive horror novels, with psychological and physical terrors around every corner. Here in Witchcraft for Wayward Girls, the greatest horror is not in the supernatural elements, but in the treatment of the pregnant teens sent in disgrace to the Wellwood Home.
“You are here because you acted like a barnyard animal,” Miss Wellwood said. “You took the glory of your womanhood and threw it in the mud.”
The girls at the home are young, and at the complete mercy of their families, the staff of the home, and the doctors. They are never allowed to forget just how awful they are, how little they matter, and how little control they have over anything that happens to their bodies. They are all utterly ignorant as well — they know what they did to get pregnant, but have no idea what childbirth actually entails.
“You all don’t need to worry yourselves about what’s going to happen when you go to the hospital,” he said. “Because it’s none of your business. You just do what the doctors say and you’ll be fine.”
Fern is distraught when her father angrily bustles her off the home and leaves her there without even a good-bye. “Fern” isn’t even her name — all girls are given new names upon arrival, to preserve anonymity and to make the entire experience as separate from their real lives as possible. All Fern wants is to go home, to forget this ever happened, and to get back to her school, her friends, and the senior play.
But the harsh realities of pregnancy are impossible to ignore, especially once Fern witnesses another girl go into early labor in the bathroom and has to face the awful truth of what lies ahead for her. When the biweekly book mobile shows up, Fern asks the librarian for a book on what really happens during childbirth — which would be considered contraband at the home, where pleasant middle grade books seem to be the only allowed reading material.
The book the librarian passes along is anything but benign children’s fiction. Instead, she hands Fern is a hidden copy of a book titled How to Be a Groovy Witch (how awesome is that?!?!). The book’s contents are mostly incomprehensible, but Fern, Rose, Zinnia, and Holly are able to figure out a spell to cure Zinnia’s unrelenting morning sickness… by transferring it to someone else, with shockingly effective results.
The girls are drawn in by the lure of witchcraft and the power it promises, not seeing until it’s too late that nothing is given for free.
In this world there is one truth: everything has a price, and every price must be paid. Perhaps you will not pay it today, maybe you can put it off until tomorrow, but one day there will be a knock at your door in the middle of the night, a voice in the darkness beside your bed, a letter laid upon the table when you believe yourself to be alone, and it will contain a bill that must be paid, and you will pay it in blood.
Witchcraft for Wayward Girls is an absolutely compelling read. It’s a little on the longer side, but it flies by. The girls’ terror and helplessness feel palpable, and the book is a stark reminder of how far we’ve come in so many ways… and how awful it would be to move backward.
There are several gross-out scenes resulting from the girls’ spells, as well as scenes of supernatural power and strange, other-worldly phenomena. Some parts can be truly scary. And yet, the most horrifying scene is a hospital delivery. Nothing goes wrong medically, but it’s a detailed, horrible depiction of what labor and delivery in the 1970s entailed for so many women. That, to me, is the truly disturbing part of this book. Well, that, plus the girls’ utter lack of agency, the casual cruelty of the adults controlling them, and the soul-crushing sense of shame forced on them from every direction.
They said she could go back to her old life. They said it wouldn’t hurt. They said she’d never have to think about it again. They lied.
I loved the girls’ character development, and how each of them struggles to find strength to face their own particular hell. The girls’ power truly lies in their connection and support of one another, even more so than in the gifts they discover through the book and the librarian’s coven. Despite their individual suffering, they still find joy and friendship, as they band together to take back control and figure out how to survive.
Witchcraft for Wayward Girls is a moving, powerful, absorbing read. The depiction of the historical time and place feels spot-on. 1970s slang and attitudes provide some needed moments of fun and entertainment, despite the overall seriousness of the subject matter. (It’s shocking to see the pregnant girls constantly smoking cigarettes… but hey, it’s 1970!)
Grady Hendrix writes terrific horror, always with unique, clever twists and set-ups. I believe I have one more of his books yet to read (and I’m looking forward to it!); meanwhile, I’m thrilled that I finally got my hands on Witchcraft for Wayward Girls. Highly recommended.
For more by this author:
Horrorstör
My Best Friend’s Exorcism
Paperbacks from Hell: The Twisted History of ’70s and ’80s Horror Fiction
We Sold Our Souls
The Final Girl Support Group
The Southern Book Club’s Guide to Slaying Vampires
Purchase links: Amazon – Audible audiobook – Bookshop.org – Libro.fm
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Grady Hendrix doing witches? My Halloween spine just tingled! This sounds wicked good. 🕷️
It really is! If you’re a Grady Hendrix fan, it’s a must-read!
Probably a bit too much horror for me, but I can see how much you enjoyed it.
Thanks – there are definitely parts that aren’t for anyone squeamish, although that’s just a small part of the overall book.
This does sound utterly compelling. It’s one I meant to read this year, but then didn’t. I’ll have to put it back on my TBR list for next year. Awesome review!
Thanks! I hope you get a chance to read it! I’d had it on my TBR since it came out in January, so happy that I finally got around to it 🙂
Oh yeah, that childbirth scene went on WAY too long! But yes, this was so good, and he depicted the horrors of the girls’ situation so well.
I felt like he was really making a point with that hospital childbirth scene (especially in comparison to the one later in the book) — like, you think the witchcraft is bad? Look what supposedly modern medicine is doing to these girls!! So well done.
I’ll have to check it out, i love when horror has psychological elements to it.
I hope you enjoy it!