I’ve been a bit obsessed with Titanic this week, after seeing the movie again after so many years, so I decided to dig into this YA historical novel about a Chinese-British teen and her Titanic voyage.

Valora and her twin brother Jamie grew up in London, the children of a Chinese father and a Cockney mother. Their father taught them a thousand ways to get by, whether through get-rich-quick scams, trickery, or performing amazing acrobatics and passing the hat. After the deaths of both parents, Jamie left England behind to work in the boiler-rooms of ships sailing the world, and Val worked as a lady’s assistant to a wealthy upper class woman.

Val’s employer, Mrs. Sloane, booked passage on Titanic for herself and Val, but then died shortly before the sailing date. Val decides to go anyway after learning that Jamie will be onboard as part of a crew of Chinese shipworkers being sent to New York and then Cuba for their next assignment.

Val plans to brazen out the sailing by pretending that Mrs. Sloane is there with her, keeping to herself in her first-class cabin, but plans go awry almost immediately. Val is denied boarding, as the Chinese Exclusion Act is in effect in the United States, and without authorization papers, she’ll be turned away immediately in New York. Val doesn’t take defeat so easily, and deploying her courage and acrobatic skills, she manages to sneak onboard, then find a way to inhabit Mrs. Sloane’s cabin and, courtesy of a black mourning veil, pretend to be the wealthy woman.

Meanwhile, once the ship sails, she reunites with Jamie, and divides her time between the first-class quarters and the lower deck seamen’s quarters, donning “sea slops”, eating in the third class dining hall, and concocting plans to perform a twin acrobatics act for the circus bigwig also traveling on Titanic.

The first 70% or so of Luck of the Titanic is the story of Val’s desperate attempts to avoid having her deceptions discovered, convince Jamie to give up his sea career and start a life with her in New York, and find a way to audition for the circus. And then, of course, none of this matters any longer, once the fateful night of April 14th arrives and Val and Jamie begin a struggle to survive as the Titanic sinks.

As with any book about Titanic, once the ship hits the iceberg, the drama is amplified and the scope of the human tragedy takes over the narrative. Naturally, this section of the book is the most moving and compelling. Val and Jamie take risks and make bold moves to try to ensure the survival of the crew they feel responsible for, but at the same time, each is committed to making sure the other makes it onto a lifeboat before it’s too late.

I found myself not entirely swept up in the book as a whole. It skews a little young, in my opinion — it might be good for a younger teen audience, but as an adult reader who often enjoys YA, I found it a little lean and less than believable. Val’s impersonation of a first class traveler, her stowaway status, and the remarkable luck she has in mostly getting away with it all and finding key allies stretches reality. In particular, the scene of how she gets on board in the first place is so beyond belief that it sets a tone of “okay, REALLY?” that lingers throughout the book.

The writing also didn’t sit particularly well with me. There are some truly clunky descriptions:

His back is steep and contoured like the cliffs of Dover when golden sunlight falls upon them.

Luck of the Titanic is compelling by the end, but it would be hard to write a story set on the Titanic that isn’t. I had too many issues with the believability of the story and the characters’ actions to truly get absorbed by the book as a whole — but overall, the approach was interesting enough to hold my attention, even if I wasn’t fully invested.