Book Review: The Soulmate by Sally Hepworth

Title: The Soulmate
Author: Sally Hepworth
Publisher: St. Martin’s Press
Publication date: April 4, 2023
Length: 336 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3 out of 5.

Get ready for a thrilling, addictive novel about marriage, betrayal, and the secrets that push us to the edge in Sally Hepworth’s The Soulmate.

There’s a cottage on a cliff. Gabe and Pippa’s dream home in a sleepy coastal town. But their perfect house hides something sinister. The tall cliffs have become a popular spot for people to end their lives. Night after night Gabe comes to their rescue, literally talking them off the ledge. Until he doesn’t.

When Pippa discovers Gabe knew the victim, the questions spiral…Did the victim jump? Was she pushed?

And would Gabe, the love of Pippa’s life, her soulmate…lie? As the perfect facade of their marriage begins to crack, the deepest and darkest secrets begin to unravel.

I’ve read all but one of Sally Hepworth’s novels by now, and when I look back at my ratings and reviews, I can see that her books are either big hits for me (especially The Good Sister and The Things We Keep) or so-so reads that I could have done without. Sadly, The Soulmate falls into the latter category.

Content warning: Suicide is a recurring topic in this book, as are mental health concerns, diagnoses, and treatments. I would not recommend this book for readers for whom these topics might be triggering.

In The Soulmate, two different women narrate a dramatic occurrence, what happened before, and what happens next. Oddly, one of these two women is already dead when we meet her as a narrator, and she tells her side of the story from her afterlife.

Pippa lives with her gorgeous, wonderful husband Gabe in a cottage by a cliff’s edge. It’s a beautiful location, but with a downside — the cliff facing their home is known locally as The Drop, and it’s a spot that’s known for its number of suicides. Once they move in, Gabe keeps an eye on the cliff, and in the year they’ve been there, has managed to talk seven different people away from the edge with his calm, caring approach. He’s a local hero.

But everything changes when a woman on the cliff doesn’t step away. Pippa comforts Gabe, assuring him that he did all he could. But something nags at Pippa — what she saw and the way Gabe described it to police don’t quite match up.

The woman who died is Amanda, and she shares her story as well, going back to the early days of her own marriage. As the story progresses, we see how Amanda and her husband Max are connected to Pippa and Gabe. There are dark secrets, and clearly there’s more to Amanda’s death than meets the eye.

I found the characters very hard to relate to or even care about. Pippa is the only decent one in the mix, although Amanda isn’t a bad person necessarily — but she does allow herself to turn a blind eye to all sorts of shady and criminal business dealings and enjoy the lifestyle funded by Max’s success.

The more we learn, the harder it is to fathom why Pippa would remain in her marriage, and it’s frustrating to see how her protective parents and sister wait until much too late to actually share with her what they observe.

The twists and turns in the plot felt like cheap shock devices to me, and the big reveal at the end did not satisfy me. Being vague here, but a fact that should have been redemptive doesn’t override the fact that some of these people did or were responsible for awful things.

I’m not typically a reader of thrillers, but once in a while, if the plot twists are new and surprising, the writing is great, and the characters can make me care, I’ll find myself enjoying them. Sadly, that isn’t the case here. Even the writing has some strange, jagged edges. For example, when Pippa is asked whether her two little girls are twins, she replies that they’re “Irish twins […] born less than a year apart”. Maybe it’s me, but I’ve never heard that phrase before, and there’s no reason for it — it feels derogatory, and a weird way to describe one’s own children.

Pippa is a lawyer, clearly very intelligent, yet she acts as if she has no clue about many things, including Gabe’s business dealings:

I never asked too many questions about his work. The truth was, I had only the most rudimentary understanding of what Gabe did, and when he talked about it I understood less rather than more.

Then there’s the whole issue of Amanda’s narration from the great beyond. It’s weird and off-putting; at the end she states that after death, she could now see “the whole scene unfurl” regarding events she hadn’t known prior to death — so death makes someone omniscient? Such a strange way to reveal backstory and secrets.

The Soulmate tries, I think, to illustrate deep truths about marriage, trust, and fidelity, but on the whole, it misses the mark. Yes, the book held my attention, but I felt that there were too many false notes and much too much obliviousness to make any of it believable.

I’ve given The Soulmate 3-stars, but that may be overly generous. It’s a quick, compelling read, but at the end of the day, I found it unsatisfying.

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Audiobook Review: This Close to Okay by Leesa Cross-Smith

Title: This Close to Okay
Author: Leesa Cross-Smith
Narrators: Kamali Minter, Zeno Robinson
Publisher: Grand Central Publishing
Publication date: February 2, 2021
Print length: 311 pages
Audiobook length: 9 hours, 46 minutes
Genre: Contemporary fiction
Source: Library
Rating:

Rating: 4 out of 5.

From the award-winning Southern writer who Roxane Gay calls “a consummate storyteller” comes a cathartic novel about the life-changing weekend shared between two strangers: a therapist and the man she prevents from ending his life.

On a rainy October night in Kentucky, recently divorced therapist Tallie Clark is on her way home from work when she spots a man precariously standing on the side of a bridge. Without a second thought, Tallie pulls over and jumps out of the car into the pouring rain. She convinces the man to join her for a cup of coffee, and he eventually agrees to come back to her house, where he finally shares his name: Emmett.

Over the course of the emotionally charged weekend that follows, Tallie makes it her mission to provide a safe space for Emmett, though she hesitates to confess that this is also her day job. But what she doesn’t realize is that he’s not the only one who needs healing — and she’s not the only one with secrets.

Alternating between Tallie and Emmett’s perspectives as they inch closer to the truth of what brought Emmett to the bridge’s edge — as well as the hard truths Tallie has been grappling with in her own life — This Close to Okay is a vibrant, powerful story of two strangers brought together by wild chance at the moment they needed each other most.

In this moving, surprising, dual-narrator novel, we meet two damaged souls who find solace and hope through their accidental meeting.

When Tallie sees a man poised to jump off a bridge, she immediately tries to intervene, gently using her words and music to encourage him back from the brink, then continuing to provide companionship and support in the hours and days that follow. She doesn’t approach Emmett as a therapist, although she is one — instead, she offers caring and compassion, as well as shelter and a safe space.

Over the course of their time together, each slowly opens up to the other, but at their own pace, and keeping secrets even while sharing hopes, fears, and past hurts. They each also cross boundaries, aware of infringing on the other’s privacy but somehow justifying this through good intentions.

The book shifts point-of-view between Tallie and Emmett, and through their alternating chapters, we learn about the events in their lives that brought them both to this particular moment. Each has been through hurts and suffering, and while Tallie shares the pain of her husband’s betrayal and subsequent divorce, Emmett keeps his past largely to himself, hiding the source of his desperation and suicidal impulses, and even hiding his true identity.

The beauty of This Close to Okay is in getting to know these complex characters and seeing how the different struggles in their lives have contributed to where they are as the story opens. It’s lovely to see their interactions and how they each affect the other in deep and meaningful ways. The story is not action-packed — it’s really about the characters and how they connect, and that’s probably why it resonates on such an emotional level.

Sure, there are some elements that I could quibble with. Tallie takes a huge risk by bringing Emmett into her life and into her home, and it’s hard to believe that a modern woman in this day and age would potentially compromise her own safety in such a dramatic way. Yes, Emmett is trustworthy and respectful and safe, but she really couldn’t have known that up front, could she? Likewise, I have a bone to pick with Tallie’s decision to not share with Emmett that she’s a therapist. She knows that her professional obligation toward an official client would be to refer him for treatment and report an attempted suicide, but she rationalizes that Emmett is not her client as part of her decision to just spend time with him and offer him a place to rest and regroup. She has compassionate impulses, and since this is a novel, it all works out, but looking in from the outside, this feels like a very risky and unprofessional path to take.

The audiobook made for a great listening experience. I appreciated the expressiveness of the two narrators and how they voiced the characters and the more interior moments. I did struggle a bit with the male narrator’s lower vocal register, which made it hard for me to catch all the words clearly, but that may be more about my own hearing than the actual narration!

Overall, I did love This Close to Okay. Despite my disagreement with some of the plot points, I was completely caught up in the story, and felt my heart break over and over again as more is revealed about Emmett’s painful past. I will say as well that I was pleasantly surprised that this book does not fall into the common romantic tropes that pop up so often in contemporary fiction. The characters’ development and well-being is the point, and the plot supports this very well without making romantic entanglement the dominant focus.

Side note: I always love when fictional characters are revealed to share some of my geeky loves… so when Tallie pulls her copy of Prisoner of Azkaban off the shelf to read to Emmett, I just about swooned!

This Close to Okay is a moving story about two sympathetic people, and I truly enjoyed getting to know each of them. By the end, I felt very invested in their lives, and loved how beautifully the author conveyed their journeys.

Highly recommended!

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