Insta-Reaction: Outlander, Season 2, Episode 2

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Season 2 has begun! My intention is to write an “Insta-Reaction” post for each episode right after viewing, to share some initial thoughts, questions, reactions — you name it.

Warning:

Spoilers

I may be talking about events from this episode, other episodes, and/or the book series… so if you’d rather not know, now’s your chance to walk away!

Outlander, episode 202: “Not In Scotland Anymore”

The official synopsis (via Starz):

Life in Paris is not without its trials as Jamie struggles to triumph over his past. A fortunate meeting with Prince Charles present opportunities, while the Duke of Sandringham’s presence brings complications.

My take:

Major plot points:

  • Jamie seems to be suffering some serious PTSD. It’s implied that he and Claire have not been able to make love, since he’s tormented by nightmares and visions of his abuse by Black Jack Randall.
  • Jamie and Claire seem to be fitting in pretty well in their new life in Paris, wearing fine clothes and rubbing shoulders with the upper class.
  • Murtagh is stuck like glue to Jamie’s side, but yearns for Scotland.
  • Jamie meets Bonnie Prince Charlie (Charles Stuart), and tries to convince him that the time isn’t right for an uprising. Charles makes clear that it’s God’s will that he reclaim Scotland for his father. Money will be the key to his success or failure.
  • Claire has a new friend, Louise, who provides entry to the French court at Versailles.
  • The Duke of Sandringham is in Paris, along with his secretary, Alexander Randall, younger brother of BJR. The Duke is nasty and slimy, and reveals to Claire that BJR is very much alive.

Insta-reaction:

Another great episode! This Paris-centric hour is in many ways setting the stage for what’s to come, introducing a few key new faces and throwing in some lighter (okay, hilarious) moments to break the tension.

Charles Stuart comes across as a light-weight buffoon who thinks he’s fulfilling a higher purpose, but knows nothing about the practicality of life in Scotland, having never set foot there.

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Master Raymond gets a brief scene here, but we’ll be seeing more of him. He’s pretty much exactly as I pictured him! I loved his shop, especially the taxidermy crocodile hanging from the ceiling.

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Louis de Rohan is a treat. There’s no explanation of how Claire came to be friends with her so quickly, but she’s quite a hoot and it’s good for Claire to have a female friend who’s not secretly psycho (miss you, Geillis!). Mary Hawkins is just as gawky and timid as she’s portrayed in the book, and as for Alexander Randall, it’s too soon to tell. He doesn’t look as much like BJR as he does in the book, but that’s okay. It looks like this plot point will work itself out just fine.

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This episode is our first full-on vision of the Paris look for the show, and it’s a stunner. Once again, Terry Dresbach has done a fabulous job with the costumes — including two key costumes that are iconic for book readers, the red dress:

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and the swan dress (aka, the nipple dress):

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Neither one disappoints. Beyond those, Claire’s look is just perfect, from her shopping outfit to her robe (I want one), and even her oddly stiff get-up with the tie around her neck.

Okay, let’s talk about the scene that really cracked me up — the waxing scene! Louise was hilarious. I loved how she hit the waxing dude every time he pulled off another strip. Claire’s reaction was priceless — but so was Jamie’s later on when he realized what Claire had been up to. His astonishment was too cute.

And speaking of Jamie’s reaction — how great was the look on his face when he first saw Claire in the red dress?

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Just the perfect combination of being completely wowed by his wife and utterly scandalized by how revealing her dress is. She’ll need a bigger fan, indeed.

It’s terribly sad, of course, to see how much Jamie is suffering, and how he can’t rid himself of the horrible memories that plague him whenever he and Claire become intimate. Have to wonder whether they’ve made love at all since Wentworth. Kudos to Sam Heughan for his portrayal of Jamie’s pain. Even in little gestures, such as Jamie’s absent-minded stroking and cradling of his damaged hand, we see his vulnerability and the constant reminder of the damage done.

Finally, it’s great to see so much quality time between Jamie and Murtagh. Murtagh has shown us, over and over again, that his sole purpose is keeping Jamie safe. It’s a lovely relationship, and it was nice to see them having their equivalent of play-time, working on building up Jamie’s strength with a little friendly sword work. Looks like Jamie enjoyed it too!

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Insta-reaction wrap-up:

This episode was a visual treat, and it’s fun to see the main characters all prettied up and adapting to their new setting (although in Murtagh’s case, not adapting very willingly — really, dirty knees at Versailles!). While there are lighter moments, the political intrigue has the potential for real danger, the nastiness of the Duke lets us know that the scheming may truly hurt Claire and Jamie, and the reveal that BJR is still alive is devastating.

Claire is left with the burden of knowledge about BJR, and we’re left to wonder what she’ll do next. Should she tell Jamie, knowing that this can only worsen his trauma and nightmares? How much more damage can Jamie’s psyche take? But can Claire hide this from Jamie, and does she have the right to do so? And what will it do to their relationship if she doesn’t tell Jamie, but he finds out that she knew?

On a different note — Claire should be about four months pregnant at this point. I’d imagine that we’ll start seeing a little baby bump in the next episode or so, but the pregnancy didn’t seem to factor into this episode at all.

I enjoyed the episode, and thought the acting and production were both terrific… but like Murtagh, I miss Scotland! If I had to guess, based on the episode titles, I’d say that we won’t get back to Scotland until episode 8. Don’t get me wrong, I’m finding Paris interesting and well-done, but the heart of the show is really in Scotland.

And further…

Last week at this time, the new version of the opening credits were nowhere to found online, but now they’re here! Alors, the Skye Boat Song, with a wee bit en français. Et voila!

 

Insta-Reaction: Outlander, Season 2, Episode 1

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Season 2 has begun! My intention is to write an “Insta-Reaction” post for each episode right after viewing, to share some initial thoughts, questions, reactions — you name it.

Warning:

Spoilers

I may be talking about events from this episode, other episodes, and/or the book series… so if you’d rather not know, now’s your chance to walk away!

Outlander, episode 201: “Through a Glass, Darkly”

The official synopsis (via Starz):

Returning to her own time, Claire must reconcile her future with the life she left behind. Shifting back to 18th century, Jamie, Claire and Murtagh arrive in France, but learn that Paris presents its own challenges.

My take:

Major plot points:

  • Claire is back! We open with Claire lying on the grass at Craigh na Dun. She’s back in the 20th century.
  • The Battle of Culloden is 200-year-old history, and it ended just the same — with a British victory.
  • Frank still loves Claire and wants a life with her, even after she tells him that she married and loved another man.
  • Claire is pregnant with Jamie’s child.
  • Frank’s conditions for a life with Claire: They’ll raise the child as their own, not the child of another man. And Claire must give up her obsessive research into historical records, looking for a mention of Jamie. She has to let him go. She agrees.

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  • Back in the 18th century, Claire and Jamie arrive in Le Havre, France. They intend to save Scotland and the Highland way of life by preventing the Jacobite Rising. Basically, they’ll be spies working to undermine Bonnie Prince Charlie.
  • Jamie’s cousin Jared believes Jamie sincere in his desire to work with the Jacobites, and agrees to make introductions, while at the same time setting Jamie up to run his wine business and live in his home in Paris.
  • Claire almost immediately makes an enemy of the Comte St. Germaine by publicly declaring a crewmember from the Comte’s ship to be infected with smallpox. Because everyone hears, it can’t be covered up, and the Comte’s ship and cargo must be burned, according to the law, in order to prevent an epidemic.

Insta-reaction:

Love! That’s the quick version. Besides being ecstatic that the show is back, I simply loved the unfolding of the story, the quality of the production, and the interesting spin on the plot.

The 2nd book in the Outlander series, Dragonfly in Amber (which forms the framework for season 2) opens with a scene that made book readers freak out and think they missed something or picked up the books out of order. The book begins in 1968, as a 40-something year old Claire arrives in Inverness with her 20-year-old daughter Brianna, soon after the death of her husband Frank. What? How is it 1968? What’s Claire doing in the 20th century? She just spent 20 years with Frank??? What the hell???

I actually thought the TV show opening was a clever way to both startle the audience and give a context for what happens in the season. Claire wakes up on the grass between the stones at Craigh na Dun, as her voice-over tells us that she wishes she were dead. As she wanders down the road in her sturdy Scottish gown, a car pulls up behind her and the driver asks if she needs help.

What follows is a reminder of just how fantastic Caitriona Balfe’s acting is. Claire has an absolute melt-down on the road, asking the befuddled driver what year it is and who won the Battle of Culloden, then collapses in sobs as she hears that the British won after all.

The reunion between Frank and Claire is affecting and dramatic. Frank has never given up hope, is still madly in love with his wife, and wants her back, desperately.

I know fans, especially book fans, tend to have an anti-Frank reaction, and I get it. We love Claire and Jamie together. We don’t want to see her with Frank. But that’s the story, and while their reunion and resumption of their marriage happens mainly off the page in the book, discussed but not shown, for purposes of the TV production, it feels important to see how Claire resumed her life with Frank.

I’ll admit, though, that I have a hard time understanding why Claire would want to pick back up with Frank. Yes, she loved him in the past, but that was a long time ago. Jamie is, and always will be, the only person who truly owns her heart. Just look at Frank and Claire’s faces when they first see each other: Frank is practically shining with love. Claire is confused, alarmed, unsure — but there’s no hint of love in her face.

Still, I suppose it makes a sort of logical sense. It’s 1948, and Claire is pregnant, without a place, a home, or a cent to her name. She’s completely displaced, and deeply in mourning for the man she loves. She has no reason to doubt that Jamie died at Culloden, so there’s nothing left for her in the past. In the 1940s, Jamie has been dead for 200 years, yet she’s carrying his child. She owes it to Jamie to stay healthy and create a life for this child. Frank is offering her a home and a family, and is a man who desperately loves her and wants to be a father. What are Claire’s other options? In today’s world, she wouldn’t need him quite so much, but then? Being with Frank and raising a child with him seems like the only way forward, and she does care for him, even if she loves another man.

Other takeaways from the 20th century scenes:

Wee Roger is absolutely adorable. I love how he’s included in these scenes, just so we’ll remember later on that we know him and he matters.

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Frank burns Claire’s 18th century dress, and it made me want to scream! He’s a historian, for Pete’s sake. Donate them to a museum! Those things are valuable!

On a more serious note, when Claire first sees Frank approaching her, she recoils in horror as she sees Black Jack Randall’s face instead. So how is she to move forward and build a life with this man, when every time she looks at him she sees the man who tortured her husband? Seems to me like an insurmountable obstacle. Add to that the fact that Frank seems to have inherited a bit of his ancestor’s capacity for rage and violence. Sure, Frank keeps it in check, but every once in a while it comes out. Claire looked truly frightened by Frank’s reaction to the news of her pregnancy — and the fist he made and the way he loomed over her were no joke.

Okay, when the episode shifts back to Claire and Jamie, my mood improved by about 100%. I can’t help it. They make me swoon.

There’s a terrific scene-change as we see Frank reaching a hand to Claire to help her off the plane that brought them to America, and as Claire reaches out, it’s Jamie’s hand she’s taking to descend from the ship that carried them from Scotland to France.

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Claire and Jamie are wonderful together, and Murtagh is right there with them, the faithful, devoted protector. I’d hoped for a few moments of peace and rest for Claire and Jamie — but of course, since I’ve read the book, I knew that wasn’t actually to be.

Here’s where I had a bit of trouble with the TV production. After Jamie’s horrific experience at Wentworth Prison, they escape to the abbey for a few days’ recuperation, then immediately board the ship to France. It can’t be more than a week that has elapsed. And immediately, Claire urges Jamie to jump right into plotting to change the future.

At least in the book, we knew that more time had gone by. After Jamie’s escape, they sail directly to France and he spends a couple of months recovering at the abbey before they start planning their next moves.

So watching the episode, I was almost annoyed with Claire. The man has just been through hell. Give him some time to rest! Maybe take it easy, go for walks in the countryside, ease him back into feeling like himself again. Fine, there isn’t really time — if they want to stop the Jacobite rebellion, they need to act now. Wheels are in motion, so it’s now or never. But still — I was wishing that Claire and Jamie had even a tiny breather to find a way back to health and happiness before all the intrigue and danger kicks in.

I thought the explanation given in the episode for Claire’s plan was excellent. Claire tells Jamie about the disaster that Culloden will bring for the Highland people, and Jamie’s response is to question why they should try to stop the Rising, rather than working to help it succeed. A very good question, and an approach that would feel much more honorable to Jamie. It’s simple, though: Claire’s knowledge of the past and the history of the Rising is surface-level, at best. She doesn’t know the specifics of why the military campaign failed or have enough details about strategy or tactics to be able to pinpoint what they’d need to do differently in order to change the outcome. Given all that, the only option is for ensuring that the disaster doesn’t happen is to prevent it from ever beginning.

Insta-reaction wrap-up:

Thumbs up! The fact that the show is able to offer surprises even when the source material is so well-known is a huge credit to the production team. The construction of the episode gives us a sense of what’s at stake this season — the future of the Highlands as well as Jamie and Claire’s relationship — and lets us know from the outset that something tragic is on the way. Of course we all hate that Claire has left Jamie  and returned to the 20th century, but as the season unfolds and we see why and how that happened, we won’t be able to shake off the knowledge that a dark end is coming. Talk about setting the mood!

I’m thrilled to pieces (obviously) that the show is back. This looks like it’ll be an amazing season, and I simply can’t wait to see how it all unfolds.

And further…

The opening credits — that amazing version of the Skye Boat Song — have been revised for season 2! The images have changed, and the song itself is altered to include a portion in French. I haven’t found the video of it online yet, but I’ll share it as soon as I do!

Outlander Rewatch: Episodes 115 & 116, “Wentworth Prison” and “To Ransom A Man’s Soul”

Wrapping up the season!

This is going to be a two-in-one post. covering episodes 115 & 116. With only a few days until the start of season 2, it’s time to wrap up my Outlander rewatch!

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Outlander, Season 1, Episode 15: “Wentworth Prison”

Outlander, Season 1, Episode 16: “To Ransom A Man’s Soul”

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Thoughts and Highlights:

You don’t actually expect me to write a recap of these two episodes as if they’re just TV shows like any others, do you?

I can’t. I just can’t.

These final two episodes are two parts of a whole, showing monumental events that forever change Jamie and Claire.

The events of these two episodes are full of horror and despair, pain and torment, rescue and redemption. My admiration for the entire cast knows no bounds. Their bravery and commitment is evident in every scene, in every expression and movement. There’s a raw honesty here that is breathtaking, even in the most horrible of moments.

From the opening moments, as Jamie faces death upon the gallows:

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… to the gorgeous closing shot, as Jamie and Claire sail into their future:

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… the episodes are stunning and unforgettable.

I’m grateful that the episodes, and the season, end with such a glorious, visually arresting, emotionally uplifting set of images.

Start to finish, season 1 of Outlander remained true to the overall story arcs of the book, as well as to the beloved characters, while infusing the adaptation with life and a perspective of its own. From the strong female character at its center to the journey into Highland culture to the heart of a passionate love story, Outlander has gone from strength to strength, never missing a beat.

The amazing cast, crew, and production team have pulled off a remarkable achievement.

And needless to say, I’m counting the minutes at this point until the start of season 2.

Diana Gabaldon has written eight marvelous books in the Outlander series so far, plus a terrific assortments of related novels and novellas, and she’s working on book 9. I’ll always love the books above all else — but damn, the Starz TV series is making me fall head over heels in love as well.

Here’s to Starz, Ron Moore, Diana Gabaldon, Terry Dresbach, and the fantastic stars of Outlander! Wishing them (and us) many more seasons of Outlandish bliss.

Outlander Rewatch: Episodes 113 & 114, “The Watch” and “The Search”

Changing format a bit:

This is going to be a two-in-one post. covering episodes 113 & 114. Time is tight, so I’m trying to force myself to keep the recapping on the shorter side! One week to go until season 2…

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Outlander, Season 1, Episode 13: “The Watch”

The official synopsis, courtesy of Starz:

Jamie finds himself between a rock and a hard place when a redcoat deserter from his past resurfaces. Claire tends to a laboring Jenny while Jamie and Ian join The Watch, resulting in devastating consequences.

My synopsis:

The Watch, led by Taran MacQuarrie, has arrived at Lallybroch. MacQuarrie has mistaken Jamie for a thief doing some breaking and entering, but Jenny soon clears things up with a lie, introducing Jamie as her cousin, Jamie McTavish. Ian and Jenny have been paying off McQuarrie for the past few years in exchange for protection from the redcoats. As extortionists go, he could be worse, although the band of thugs he travels with seem intent on stirring up trouble and getting in Jamie’s face.

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Later, MacQuarrie is joined by the deserter Horrocks, who’s ready and able to blow Jamie’s cover. If the Watch realizes who he is and that he’s wanted, they’ll likely sell him out to the redcoats without blinking an eye. Horrocks realizes that Jamie is at his mercy, and blackmails him. When Jamie goes to pay him off, Horrocks indicates that he needs even more, making it clear that Jamie is safe only so long as he keeps paying. Ian, always there to protect Jamie, runs Horrocks through with a big sword, and the two friends bury him. MacQuarrie doesn’t seem too peeved to find out that Horrocks has been killed, but insists that Jamie join his raiding party to take Horrocks’s place. Ian decides to go along as well.

Jenny is in labor, and the baby is breech. Claire has seen childbirth, and as the midwife is unavailable, it’s up to her to deliver the baby. It’s a looooong drawn-out labor, giving the women plenty of time to bond.

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Jamie and Ian depart with the Watch. Jamie and Claire have a tender good-bye. MacQuarrie and Jamie seem to connect and understand one another, and McQuarrie makes clear that he would never turn Jamie over to the British.

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As they reach the spot picked out by Horrocks for their raid, Jamie realizes that it’s a trap just as their group is ambushed by a band of redcoat soldiers.

Back at Lallybroch, Jenny eventually gives birth to a health baby girl. Three days go by, and the women are getting nervous. Finally, Ian limps into the yard supported by one of MacQuarrie’s men. Most of the men have been killed, Ian reports. MacQuarrie was injured and Jamie wouldn’t leave him — so Jamie has now been captured by the British.

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Claire is devastated, and gazes off down the road, wondering where Jamie is and how to get him back.

Outlander, Season 1, Episode 14: “The Search”

The official synopsis, courtesy of Starz:

Claire and Jenny set out to rescue Jamie from his redcoat captors. When Murtagh joins up, they turn to unorthodox tactics to send word to Jamie. When word finally arrives, the news isn’t what anyone had hoped.

My synopsis:

Claire is ready to dash off in search of Jamie. Ian wants to go with, but he’s injured and in no condition to go anywhere. Jenny to the rescue! Despite just having given birth, Jenny straps on two pistols and rides off with Claire in hot pursuit, using her excellent tracking skills to find out where Jamie has been taken.

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Finally, they come across an encampment of British soldiers and see MacQuarrie held as prisoner, but no sign of Jamie. They capture a courier and Jenny tortures him for information until Claire thinks to look in his messenger back for information. They discover that Jamie has escaped, and the message is a request for the garrison at Ft. William to help find and recapture him. Claire is about to treat the wounds of the courier, but  Jenny points out that they can’t let him live. As the two women debate his fate, they hear a sound and turn to see Murtagh slitting the man’s throat.

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With Murtagh there to ride with Claire, Jenny can go back home to her baby. The women part with hugs and affection, but not before Claire gives her some advice about the coming years of hardship and urges her to plant potatoes. Jenny remarks that Jamie had told her that Claire might sometimes tell her things about the future, and that she should listen to Claire. Not weird at all!

Murtagh has an unusual plan for finding Jamie: Stop looking for him. If Jamie is hiding out in the Highlands trying to avoid detection by the British, there’s no chance of finding him. Instead, they need to make themselves very visible so that Jamie will catch word of their presence and come to them. To that end, they travel from village to village, with Claire providing services as a healer and a palm-reader while Murtagh performs atrociously bad dances. They ask everyone they meet if they’ve seen a tall red-haired lad passing through, but no one has.

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They decide to up their game after Claire remarks that Murtagh should “jazz up” his performance. Claire ends up dressed as a boy, singing a popular Highlands song to the tune of “The Boogie Woogie Bugle Boy of Company B”. It draws a lot of attention, but no Jamie. Meanwhile, Claire and Murtagh are venting their worry on each other with constant sniping and arguing. Finally, they reach the end of the road and share an emotional moment, as Claire realizes that Murtagh was in love with Jamie’s mother Ellen years ago, and Murtagh confesses that he loves Jamie like a son.

With new determination, they keep looking, and Claire finally gets word of a message to meet at a nearby location. Certain it’s Jamie, she runs to the meeting point…

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… only to find Dougal there instead. Dougal informs Claire and Murtagh that Jamie was captured, and has already been tried, convicted, and sentenced to hang. He’s at Wentworth Prison, and may already be dead.

Claire is ready to rush off, but Dougal stops her for a private word. He declares his interest in Claire, advises her that once she’s done grieving for Jamie she’ll need protection, and asks her to marry him. Shocked, Claire declares that Jamie’s not dead yet. She sees through Dougal’s words, and realizes that if Dougal marries her, he’ll get the Fraser lands that belong to her by marriage. Claire wants Dougal’s men to help her try to rescue Jamie, refusing to give up. Finally, Claire and Dougal strike a bargain: He’ll give her his men, if they choose to go — but if she fails or if Jamie’s already dead, she’ll marry Dougal.

Dougal’s men are reluctant at first, as it seems like a no-win situation, but ultimately Willy, Rupert, and Angus agree to help. The five ride toward Wentworth Prison, a massive fortress that looms in the distance.

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Thoughts and Highlights:

Romance:

Jamie and Claire’s good-bye is sweet and tender — but there’s an ominous feel as well. After they kiss, time slows as Jamie walks off and Claire gazes after him. She may not realize it, but it’s the last time she’ll see him free and whole.

Images:

The entire labor and delivery sequence is so well done. I particularly love this shot of Jenny, making her pregnancy look both real and beautiful, as she describes the intimate sensations of being pregnant:

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In “The Search”, Claire looks full-out adorable in her “drag” get-up:

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Here’s a closer look at that amazing coat and vest:

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Key points:

Major facts that the episodes get on the table:

  • The Watch is dangerous, but also holds up its end of the bargain by protecting the lands that pay them off.
  • Ian and Jamie fought as mercenaries together in Europe years earlier, which is how Ian lost his leg.
  • Claire is afraid that she’s unable to have children, something she tearily confesses to Jamie after he shares his dream of a large family. Jamie being glorious, selfless Jamie, he immediately reassures Claire that he’s fine with not having babies, so long as he has her.
  • Murtagh is completely loyal to Jamie (and to Ellen’s memory), and will do anything to protect Jamie.
  • Dougal is creepy and stalkerish as he tries to seduce Claire, basically declaring Jamie dead in advance and advising her to give up hope. He seems to have gotten over Geillis’s death already.

Memorable lines:

Episode 113:

Jamie, telling Claire why it might be best if she can’t have children:

“I can bear pain myself, but I couldna bear yours.”

Saying good-bye:

Claire: “Haste ye back, or else.”

Jamie: “Or else what?”

Claire: “Or else I’ll follow you, I’ll drag you back by your thick red curls, and you won’t like it one bit.

Episode 114:

Murtagh: “You think you’re the only one who loves Jamie? He’s a son to me.”

Character impressions:

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Jenny is one bad-ass woman. From the way she handles her pistols to getting on horseback three days post-partum to the casual stop by the side of the road to express breastmilk, Jenny is tough, determined, and committed to doing whatever she needs to protect her family.

McQuarrie seems a decent guy. His men seem like thugs, but McQuarrie is a former soldier with a sense of honor. And — added bonus — he’s played by Douglas Henshall, who’s always wonderful.

Takeaway:

We don’t see Jamie at all in “The Search”, and it’s a very effective way of keeping the tension high. We have no more idea than Claire does whether Jamie is alive or dead, free or a prisoner. The little bits shown of Claire singing and dancing may be amusing, but the desperation behind the roadshow is always apparent.

Claire is determined to find Jamie and save him, and it’s 100% believable that she’ll do it or die trying.

Outlander Rewatch: Episode 112, “Lallybroch”

Outlander, Season 1, Episode 12: “Lallybroch”

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The official synopsis, courtesy of Starz:

Reunited, Claire and Jamie make their way to Lallybroch – Jamie’s family home. Reality quickly sets in, and old wounds are reopened between Jamie and his sister, Jenny.

My synopsis:

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A glorious opening: Claire and Jamie, riding a single black horse, gallop across the most breathtaking Scottish countryside. It’s sunny and bright, and so are Claire and Jamie. They indulge in some truly cute and silly conversation in which, among other things, Jamie learns about flying in airplanes, and the fact that he’s married an older woman.

“When I’m 40, you’ll be 245!”

As they arrive at Lallybroch and catch sight of Jamie’s family home, a darkness descends as Jamie remembers the last time he was at Lallybroch. Once again, we flash back to the day that Jack Randall showed up, whipped Jamie and assaulted Jenny, and then dragged Jamie off to Ft. William.

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Visually, the flashbacks are stunning — in greys and sepias, with the flashes of red on the British soldiers the only color.

As they walk into the yard at Lallybroch, Claire greets the small child at play, and a very pregnant Jenny runs to greet Jamie and embrace him. It’s been four years without a word. Jenny introduces her child, wee Jamie, and big Jamie immediately gets upset. He’s heard rumors, you see, that Jenny was left pregnant by BJR, and so he jumps to the conclusion that Jenny’s given her bastard child Jamie’s name “to be a reproach” to him for leaving her in harm’s way. And he wants to know whose bastard Jenny is carrying now. “Mine,” says Ian Murray, Jamie’s childhood friend, as he limps forward on his wooden stump to greet the new arrivals.

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It’s a tense homecoming, and to be honest, Jamie acts kind of like a jerk here. Jenny’s not so great either, referring to Claire as a trollop and giving her the stink-eye. As the two couples sit together, Jamie asks Jenny to tell him the truth about what happened with BJR. More flashbacks: Jenny went into the house with Randall and went with him upstairs. He was gross, sticking his bloody fingers in her mouth, and she took a chance to bop him over the head with a candlestick, but was unable to escape. BJR threw her on the bed and unbuttoned his trousers, but was unable to… umm… stand at attention. Jenny started to laugh, somehow realizing that this would further make him unable to perform. She laughed in his face until he knocked her out, and when she awoke, he was gone, and had taken Jamie off to prison.

Further tension: Claire tells Jamie he should apologize to Jenny for how he behaved when they arrived, which pisses off both Jenny and Jamie. Jenny wants Claire to stay out of her business with her brother, and Jamie pulls Claire aside and tells her not to shame him in front of his family and servants. He’s Laird here, and she needs to be respectful. They reach a tenuous understanding — Claire can be bossy and argumentative as much as she wants when they’re in private, but in public, they need to be seen as Laird and Lady.

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Speaking of which, Jenny insists that Jamie and Claire moved into the Laird’s bedroom (which had been hers and Ian’s), but there’s clearly still tension between Jenny, who’s been running the estate all these years, and Jamie, who just waltzed in and expects to be right back in charge.

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Jamie is overcome by memories once again as he and Claire settle in, and he tells Claire about the last time he saw his father, who lies buried in the Lallybroch graveyard. Flashback: When Jamie was being held at Ft. William, after his first flogging, Jamie’s father came to bargain for his release. As Jamie is being led to a meeting with Randall, he encounters Brian in the hallway. Brian, clearly devastated, kisses Jamie and tells him “Remember to pray. I’ll stand by you no matter what happens.” Jamie is brought to BJR, who tells him how worried his father is about him, but informs Jamie that sadly, there’s no chance that Brian will be able to arrange to get Jamie released in time to save him from a 2nd flogging.

Jamie is still in agony from his first flogging. BJR tells him that it’s a shame that they two have gotten off to such a poor start. Jamie doesn’t understand at first where BJR is going with all this, although he eventually figures out that Randall “likes to play with his toys.” Finally, BJR makes it plain what he wants from Jamie:

“Give over to me. Make free of your body. And there will be no second flogging.”

Jamie admits to Claire that he considered it. He was in horrible pain, and knew there was much more on the way, perhaps enough to kill him. And he figures that an episode of “buggery” would probably be less painful and over more quickly than a flogging, and then he’d be set free. But he could still feel his father’s kiss on his cheek, and knew that his father wouldn’t want him to let Randall break him, and so he couldn’t do it.

On the day of the flogging, Dougal was there, and so was Brian. As Jamie fell unconscious, they thought he was dead, and Brian collapsed (apparently a stroke). Jamie never saw his father fall, and didn’t see him buried. He’s blamed himself for his father’s death ever since.

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Back to the present — there’s a tense dinner, and the next day is Quarter Day, when the tenants come to pay their rents. It’s a festive occasion, as the Laird has returned, and Jamie and Claire are fussed over and given gifts. Claire interferes when she sees a small boy being abused by his father, and later Jamie acts like a big man by giving back the rents to the tenants because they had a hard year.

Jamie stays up drinking with the local men until the wee hours and comes to bed very drunk, which is, quite honestly, adorable. Claire gives him some major side-eye, but secretly smiles over how gosh darn cute he is.

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The next day, he’s not quite as cute due to being extremely hungover. Jenny is disgusted with both of them — Claire, for disrupting plans she’d been making to take care of the boy Rabbie, and Jamie for giving back the rent, which is what keeps the estate running and ultimately provides land for the tenants to live on.

“Do ye think life just started when the two of you walked through that door?”

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Jamie’s head hurts and he growls at everyone, including poor Mrs. Crook, the housekeeper. The bread is awful because the mill isn’t working, so Jamie storms out to go try to fix it. Something is jammed in the waterwheel and Jamie strips down to just a shirt to dive underwater and try to get it moving again. Claire and Jenny are waiting for Jamie by the millpond when a group of British soldiers ride up. The officer offers to help and is about to dive in as well when the wheel starts turning, so they ride off. Once they’ve gone, Jamie resurfaces — very, very cold and naked. Jenny yells at him at first, until she catches a glimpse of his scarred back, at which point she runs off

That night, Claire has a middle-of-the-night hallway conversation with Ian, and they commiserate on how hard it is to be married to these hard-headed Frasers. Claire goes back to her room and dumps Jamie out of bed, telling him he’s been acting like a jerk and he needs to shape up.

The next day, Jamie is visiting Brian’s grave, and Jenny comes to join him. Jamie hands Jenny the rent money, which he has recollected from the tenants, and offers to smooth things over with wee Rabbie’s family. Jenny tells Jamie that he did the right thing with the boy, and they begin to make up.

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Jenny apologizes to Jamie: “I was wrong, and I’m so ashamed.” She’s blamed Jamie all these years for Brian’s death. She thought Jamie must have shot off his mouth or done something to deserve the punishment he got… but when she saw his back, she realized that he was tortured by an animal, and that he was not to blame. Jenny feels that it’s her fault that BJR sought to hurt Jamie, in retaliation for her laughing at him when he tried to rape her. If she hadn’t laughed at him, would he still have had so much fury? Would things have been different for Jamie?

As it turns out, Jamie has blamed himself for Jenny’s rape and Brian’s death all these years. As they talk, they realize and accept that neither of them is to blame, and that Black Jack Randall is the one who’s responsible for their family’s pain and suffering. Jamie and Jenny embrace and truly forgive one another, and can finally enjoy their reunion with love and happiness.

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At night, Jamie and Claire share a private moment in their room. Claire is beginning to feel at home at Lallybroch. Jamie tells Claire that he knew he wanted her from the moment he first saw her, and loved her from the moment she first wept in his arms. He’s loved her ever since, and loves her more every day.

For the very first time, Claire tells Jamie:

“I love you.”

Claire wakes up the next morning with a smile, and goes downstairs to find Jamie… standing in the main room as a strange man holds a pistol to his head.

Cliffhanger! Jamie is in danger, and that’s the end of the episode.

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Steam factor:

Nothing explicit, but the romantic moment between Claire and Jamie is very swoonworthy, especially their declarations of love. And okay, the naked-Jamie-in-the-water moment is hot, but I’m not giving into the urge to objectify Jamie Fraser any further, so you’ll have to look somewhere else for that visual treat. (Hint: Google “outlander jamie naked”. You’re welcome.)

Fashion statements:

There’s a wonderful moment in the episode when Jamie and Claire are in their glory as Laird and Lady greeting the tenants — and it’s a great visual touch to have Jamie wearing his father’s coat:

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For some reason, I’m just really in love with the fasteners on Jenny’s cloak in this scene:

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Key points:

Major facts that the episode gets on the table:

  • Jenny married Jamie’s friend Ian and has a child with him (and another on the way).
  • Jenny and Ian have been keeping Lallybroch going all this time.
  • Jamie has some major daddy issues and lots of guilt.

Memorable lines:

As Jamie and Jenny forgive one another, Jamie tells Jenny that he would gladly have been killed if it that could have kept Jenny safe from Randall. Jenny’s response:

“And if your life is a suitable exchange for my honor, tell me why my honor is not a suitable exchange for your life.”

Jenny to Jamie, as the two make peace:

“Welcome home, Laird Broch Tuarach.”

Character impressions:

Jamie and Jenny love each other deeply, but they’re both so hard-headed and quick to anger that they almost miss the chance to reconcile. It’s wonderful to see how their two more sensible spouses pave the way for them to admit their hurt and fear and find a way back to one another.

We get yet more insights into BJR’s desires and how he functions. He’s a danger to anyone who winds up in a situation where he holds the power. As Jamie rightly observed, BJR likes to toy with his victims, and causing fear and pain is obviously what turns him on.

Claire and Jamie!! Hearing Claire finally say that she loves Jamie is amazing!

Takeaway:

It’s a nice, warm scene finally at Lallybroch, so of course danger and trouble must be looming! Jamie and Claire get almost no time to enjoy normal life together. Claire reminds us early on that Jamie has a price on his head still, and Jenny asserts that he’s safe at Lallybroch, because there’s not a single tenant who would betray him. Uh oh… foreshadowing?

Outlander Rewatch: Episode 111, “The Devil’s Mark”

Outlander, Season 1, Episode 11: “The Devil’s Mark”

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The official synopsis, courtesy of Starz:

Claire and Geillis are on trial for witchcraft. Jamie manages to rescue Claire, but not before she discovers a secret about Geillis’s past.

My synopsis:

Boom! Claire and Geillis are dumped in the thieves’ hole — a dirty, smelly, rat-infested hole under the ground with a locked iron grate across the opening. The women are angry at each other and trade accusations.

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Geillis believes Claire is to blame:

“I kept your secrets, Claire. You should have kept mine.”

Claire points out that Geillis isn’t exactly spotless — she did, after all, murder her husband. Geillis doesn’t bother denying it, and in fact, owns up to dosing Arthur with white arsenic for a while now, building up to the final dose of cyanide. She’s confident that they won’t remain in the hole long — Dougal will come and take them both away from there.

Claire is horrified, and tells Geillis the cold, hard facts: Dougal is gone. Colum has sent him away, and Jamie too.

“No one is coming, Geillis.”

They spend a wretched night, but things don’t look better in the morning. In fact, things only get worse, as they’re hauled out of the thieves’ hole, dragged through the streets of the village with their hands bound by leather thongs, and brought into the church for a trial. As they’re led through the village, they pass the stakes erected in the town square, with branches being piled around them. It’s always handy to have a pyre ready when you’re trying witches.

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The courtroom/church is packed with angry townspeople who seem to find a lot of satisfaction in shouting angrily at the two women. There are no familiar faces in the crowd; Claire sees no one there from Castle Leoch. As the judges (priests, apparently, or some sort of religious figures, in any case) start the trial, there’s an interruption as Ned Gowan barges in. Ned points out that witch trials are no longer the law of the land in Scotland, but the judges are not impressed, as this is a religious matter. Ned insists on acting as defense lawyer for both women, and the trial commences.

First up is Geillis’s serving girl, who tells tales of women from the village coming to Geillis for charms and amulets, and reports seeing Claire in league with Geillis, with the two women chanting “ominous incantations” Ned discredits her testimony pretty easily, pointing out how she’s a disgruntled servant who’d been seeking other jobs and is now getting back at Geillis for not paying her more.

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Next is a young, grieving woman — the mother of the dead child Claire found on the fairy hill. The woman describes seeing Claire pick up the child and speak words over it, and the next morning it was dead. She claims that she’d left the ailing child for the fairies to take back, so they’d return her own child to her, but with Claire’s witchery, the fairies didn’t bring back her own child.  Ned offers sympathy to the woman, but gets her to admit that the child was too ill to survive and that Claire did nothing.

Still, the crowd continues to shout “Witch!” at Claire and Geillis, and Claire shouts back that she’s a healer. The courtroom is outraged that Claire is speaking out, and Ned cautions Claire to stay quiet and let him do his job.

Another witness comes forth — a man who swears he saw Geillis call down lightning as she laughed in a storm, then fly into the sky like a bat. The crowd eats it up, of course… and the court is adjourned for the day. Back to the hole go Geillis and Claire, along with a flask from Ned to help them keep warm.

Geillis’s optimism from the previous day is gone:

“You still don’t understand, do you? They mean to kill us.”

Claire questions Geillis. Why has she done the things she’s done? Was it Dougal that she wanted? A better position? Money? Geillis scoffs — as Arthur’s wife, she had a respected position and plenty of money. In fact, she managed to divert over a thousand pounds from Arthur… for Scotland. Geillis is a Jacobite, dreaming of a Stuart king back on the throne.

“Come the Rising, I shall know I helped.”

She has no regrets, she declares. Claire responds by quipping, “I only regret that I have but one life to give for my country.” Geillis seems amused as she comments, “Nicely put.” Ah, a hint!

As the women bond over their miserable situation, Geillis asks Claire if she truly loves Jamie. It’s his name she cries out in her sleep. The two women huddle together to keep warm. As they’re pulled from the hole the next morning, it’s clear that they’ve reconnected. They describe themselves as a flock of two, and promise to protect one another. It’s a moment of shared affection and peace, before they head back into the storm.

Things at the trial take a dismal turn. Laoghaire strolls in as the next witness. She tells the court that she came to Claire for a love potion to open Jamie’s heart, and declares that she was the one that Jamie was meant to marry. But Claire took the potion herself, hexed Jamie, and stole him away from her. Ned tries to dismiss Laoghaire as just a heart-broken girl, but the crowd is on her side and Laoghaire seems gleeful to be getting revenge on Claire.

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From bad to worse — next is Father Bain… who, surprisingly, seems almost to be saying that Claire isn’t a witch. He tells the story of Claire saving the boy that he was trying to exorcise, and exclaims that he has failed God and the congregation, and therefore he’s giving up his post. It’s all a sinister, clever ruse. As Father Bain announces his departure, the crowd yells for him to stay, and shout that this is yet further proof that Claire is a powerful witch who has even managed to enchant and hex such a godly man. The crowd is incensed, the judges seem ready to pronounce a decision, and Ned calls for a recess.

He takes Claire and Geillis into a back room and tells them the harsh truth. The climate has turned ugly, and the only chance for either to survive is if one turns against the other. He bluntly tells Geillis that she’s beyond saving, given her history and reputation in the town, and advises Claire to denounce Geillis and accuse her of tricking Claire with her evil ways. Otherwise, they’ll both be burned. Ned leaves to give the women a moment to consider.

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Geillis, full of emotion, questions Claire. Why is she here? What is the real reason? She knows Claire is hiding something, and now she must tell the truth! Claire tells Geillis that she is there by accident, and her answer deflates Geillis. So she doesn’t want to change anything? Is it really all for nothing? She seems to accept Ned’s recommendation that Claire save herself by giving up Geillis.

As they return to the courtroom, Ned announces that Claire has something to say. But after a moment’s pause, Claire states that Ned is mistaken – she has nothing to say. The women are found guilty and condemned to death. As the crowd swarms around them, Geillis turns to Claire and tells her, “I think it is possible. 1968.” What does this mean?

The crowd goes nuts. Claire yells that they’re all murderers, and the judges decide to give Claire one last lesson on her way to the stake, ordering her to be “stripped and skelped”. Her dress is torn down the back, and she’s held still as another man begins to whip her. Claire cries out in pain — but then the door bursts open, and finally, Jamie is there! He storms in, defies the crowd with sword and pistol, and stands over Claire to protect her.

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He’ll be attacked in a second himself, but then Geillis offers the ultimate distraction: She yells out that Claire is not a witch, but she is — and pulls her gown from her shoulders to display what she calls a devil’s mark, but which Claire recognizes as a smallpox vaccination scar.

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Geillis continues to shout about serving the devil as she strips off her clothes and shows her pregnant belly. She’s bearing Satan’s child! As the mob rushes her, Geillis mouths the word “Run!” to Claire and Jamie, then continues to scream as she is lifted and carried out, providing enough cover for Claire and Jamie to make an escape. There’s nothing they can do to help Geillis. They escape on horseback, riding fast and far from the awful village.

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Finally, Jamie stops in a glade to tend Claire’s wounds. It’s a first — Claire is injured, and Jamie’s the one providing care. At last, they talk. Jamie asks Claire for honesty. He knows that there are things that she maybe can’t tell him, but whatever she does tell him, let it be the truth. Are you a witch, he asks. He’s seen the same mark on Claire that Geillis has.

No, she’s not a witch, Claire tells him… and tells him the truth. She was born on October 20 in 1918. She’s from the future. Jamie confesses that he doesn’t really understand, but he does believe her. He asks to know more, and she tells him everything — about the war, about Frank, and about the stones at Craigh na Dun, as well as about the Jacobite cause and the disaster of Culloden.

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Jamie realizes to his horror that when she ran away and ended up captured at Ft. William, she’d only been trying to get home, to her own time and to Frank. He feels awful that he beat her for this, now that he knows why she did what she did. He tells Claire how truly sorry he is, and vows that no one will harm Claire again.

They ride hard for several more days, leaving Leoch and the trial far behind. Jamie describes Lallybroch and what their life could be like there. They camp at night, and Jamie holds Claire by the fire, tracing her face with his fingers, gazing at her as he touches her and gives her pleasure. The next morning, he asks Claire if she’s ready to go home… and walks her up a hill so that she can see where he’s taken them. They’re back at Craigh na Dun.

“It’s what you wanted. What you’ve always wanted. To go home.”

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Jamie takes Claire by the hands and leads her to the stones. As she’s about to touch the main stone, he pulls her back for one last embrace. He wasn’t ready, but now he knows it’s time for them to part.

“There nothing for you on this side. Nothing, except violence and death. Good-bye, Sassenach.”

And he walks away. Heartbreak!

Claire sits by the stones, looking at her hands with her two wedding rings, touching each in turn, deep in thought. She looks back toward Jamie, and looks toward the stones. We see her walking toward the stones, and then all goes black.

Next, we see Jamie sleeping by his fire. And then there’s Claire, saying “On your feet, soldier.” She’s made her decision — she’s staying with Jamie. She asks him to take her home to Lallybroch. In tears, Jamie takes Claire in his arms for a kiss and a loving embrace.

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Holy moly, what an emotional roller-coaster of an episode!

Steam factor:

That scene by the fire! It’s sexy and tender at the same time, and while all the clothes stay on, it’s a fairly explicit depiction of sexual exploration and gratification.

Fashion statements:

Claire  and Geillis are dirty and bedraggled most of the episode, wearing the same clothes they had on previously, so I wouldn’t say this was an episode for high fashion!

Key points:

Major facts that the episode gets on the table:

  • Geillis is from the future! There have been hints, but now Claire knows for sure. Apparently, Geillis is from 1968, although with her on the way to being burned as a witch, Claire has no opportunity to find out more.
  • Laoghaire shows her true colors, willing to bring about Claire’s death if it means she gets a shot at Jamie.
  • And the biggest moment of all: Claire has the opportunity to finally go home to Frank… but chooses Jamie instead.

Memorable lines:

Geillis, after Ned asks what she’s going to do:

“It looks like I’m going to a fucking barbecue.”

Laoghaire to Claire:

“I shall dance upon your ashes.”

Jamie, in heroic rescue mode:

“I swore an oath before the altar of God to protect this woman. And if you tell me that you consider your authority to be greater than that of the Almighty, then I must inform you that I am not of that opinion myself.”

Character impressions:

It’s all there, isn’t it? Geillis did murder her husband, but she considers herself justified by her devotion to Scotland and the Jacobite cause. Her morals are definitely shady, but she comes through for Claire in the end, sacrificing herself so that Claire can live.

Laoghaire is a vengeful little trollop. Ugh.

Jamie is brave and true, and listens to Claire with an open-heart. He believes her because he loves her, and trusts her to tell him the truth, whether or not it makes sense to him.

Takeaway:

LOVE! Claire finally has a real decision to make, the ability to choose her future, and she chooses Jamie. It’s a wonderful moment, and the confession scene between Claire and Jamie really gives us a chance to see how far they’ve come and how much trust and devotion exists between the two of them.

Geillis really shines in this episode, thanks to the amazing work of Lotte Verbeek. She does an extraordinary job of portraying Geillis as a powerful, driven, enigmatic woman, who may be delusional in her beliefs and aspirations, but ultimately is willing to give her own life to save her friend.

Outlander Rewatch: Episode 110, “By the Pricking of My Thumbs”

Outlander, Season 1, Episode 10: “By the Pricking of my Thumbs”

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The official synopsis, courtesy of Starz:

Jamie hopes the newly arrived Duke of Sandringham will help lift the price from his head, while Claire attempts to save an abandoned child.

My synopsis:

The episode opens on a private moment. A very private moment. Claire and Jamie are in bed, and let’s just say that Murtagh’s unrelenting pounding on the door is not at all welcome. Jamie, ever diligent, opts to ignore the door until he finishes the task in front of him, with apparent great success. Whew… is it getting hot in here?

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The news from Murtagh is important, though. The Duke of Sandringham has arrived. He’s always been fond of Jamie (hinting that he was *wink, wink* very fond of some of Jamie’s attributes), and perhaps he’s be willing to help get the price lifted from Jamie’s head. Claire warns Jamie not to trust the Duke blindly — she knows from her time with Frank that the Duke was suspected of being a secret Jacobite supporter, and also of being a protector of Black Jack Randall’s. Jamie promises to be cautious, but he’s also puppy-dog excited at the idea that he could be free and could finally take Claire home with him to Lallybroch, where they could have a good life and be happy.

Ned Gowan considers the best way to proceed. Even with the Duke’s backing, it would be next to impossible to prove that BJR is the one guilty of the murder Jamie’s wanted for. But perhaps there’s a different approach. If Jamie and Claire swear to a complaint again BJR, itemizing his cruelty and abuse, and have it presented by the Duke, BJR would be disgraced and would likely be recalled from the Highlands, perhaps even court-martialed or sent somewhere far, far away. And if BJR is disgraced, a general pardon for Jamie would be possible. This seems like the best chance they have for finally clearing Jamie’s name.

In the kitchen at Leoch, Mrs. Fitz is ecstatic over a new apron given to her by her granddaughter Laoghaire. Claire arrives and asks to speak with Laoghaire alone, then accuses her of leaving the ill-wish under her bed. Laoghaire denies it. Claire tries to be nice to the girl at first, telling her that she was misguided in thinking that Jamie had feelings for her, but Laoghaire insists otherwise:

“The truth is, he was never yours to begin with.”

“That’s a lie. Jamie Fraser was, and is, mine. And you did us both a wrong past bearing when you stole him away.”

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Their confontation ends with a big slap right across Laoghaire’s face, and Claire apologizes with a very not-sorry “sorry”. Laoghaire is well and truly pissed now, and tells Claire that yes, she was the one who placed the ill-wish, and furthermore, she got it from Geillis Duncan, supposedly Claire’s friend. Claire warns Laoghaire:

“Stay away from me and my husband.”

Claire goes to visit Geillis to find out the truth, arriving to find Geillis out, but Arthur Duncan rummaging about looking for a treatment for his usual gastric yuckiness. The serving girl tells Claire that she’ll find Geillis in the woods at night while the moon is full. And so Claire does, spying on Geillis as she lights fires and chants a prayer to the Earth Mother, dancing and rolling on the ground in a sort of religious ecstasy, clad only in the overshawl and brooch she’d worn at the gathering. Claire watches in shock, especially as Geillis’s near-nakedness reveals a distinct baby bump.

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Geillis acknowledges that she knows Claire is there, and tells Claire that she has a lover — Dougal MacKenzie. It’s his baby that she’s carrying, and she’s prayed to Mother Nature to ask for freedom for herself and Dougal so they can be together. Geillis admits selling the ill-wish to Laoghaire, but claims that she didn’t know who it was for.

The two women continue to walk through the woods, and Claire asks more about Dougal. It turns out that Dougal is married, but he keeps his wife back home at his estate while he lives at Castle Leoch. As they walk, Claire hears a baby’s cries. Geillis warns her to ignore it: They’re near a fairy hill, and that must be a changeling, not a human child. Claire insists on looking for the baby, and Geillis takes off. Claire finally finds the baby, but it’s dead already from exposure, having been left out all night. Jamie finds Claire cradling the dead baby and makes her put it back in its hiding place, explaining the superstitious nature of the local people, and making it clear that it could be dangerous to ignore these superstitions, even knowing that they’re ridiculous.

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Claire and Jamie sign the document outlining BJR’s crimes. Later, unbeknownst to Jamie, Claire pays a visit to the Duke of Sandringham, during which she insinuates that that the Duke’s reputation could be harmed if his support and connection to BJR were revealed. He calls Claire’s statements “libelous falsities”, but after the two exchange some veiled and not-so-veiled threats, it seems that the Duke will help Jamie after all.

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Claire returns to the castle to find everyone in a tizzy. Dougal has just received word that his wife has died of a sudden illness, and he’s going nuts, raging with grief and guilt, highly drunk, and flinging his sword about whenever anyone gets near. Colum wants Claire to do something to calm him down, so she slips a sedative into some wine which Dougal guzzles, sending him into a heap on the floor.

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Geillis acts as though all this is great news. “Can you believe it?” she asks Claire. It’s like her prayers have been answered, and now she and Dougal can be together. Claire reminds Geillis that she has a husband, but Geillis basically shrugs that off. No big deal.

Now it’s Jamie’s turn to visit the Duke. He’s always delighted to see Jamie (he apparently has an eye for pretty young boys), and would be happy to help Jamie out… in exchange for a wee favor. It seems that the Duke has a debt he owes to the MacDonalds, who’ve demanded satisfaction in a duel. It’s just for show, the Duke hastens to reassure Jamie. They’ll fire pistols off to the side, everyone’s honor will be satisfied, and that’ll be that. In exchange for helping Jamie in his case against BJR, Jamie must act as second to the Duke in the duel.

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That evening, there’s a banquet at the castle in the Duke’s honor. Everyone is dressed up and fancy, and it’s quite an evening… until Arthur Duncan begins to choke and then collapses on the floor, foaming at the mouth. He’s dead, and Claire catches a whiff of bitter almonds, the tell-tale scent of cyanide. While everyone else is focused on the dead man, Claire spots Geillis and Dougal exchanging a meaningful glance.

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Back to the Duke’s duel. It’s a simple and straightforward formality, but afterwards, the MacDonald lads get rude and insulting. When Jamie responds to their taunts with a diss against their mother, the swords come out. The Duke scampers off (a duel is one thing, but a common brawl quite another), and it’s three against one. Jamie holds his own until the fight is over, but he comes out of it with a nasty wound on his side.

Claire must stitch Jamie up once again, and she’s pissed. Jamie is summoned to Colum’s chamber, where Colum reams out Dougal for his stupidity in carrying on with Geillis Duncan. Colum exiles Dougal back to his own estate until the scandal blows over, and orders Jamie to go with Dougal, along with Rupert and Angus. And just to make sure that Jamie is doing Colum’s bidding and keeping Dougal out of trouble, Colum insists that Claire remain behind at Castle Leoch.

After a loving and tender good-bye, Jamie rides off, but not before warning Claire to stay away from Geillis Duncan. There’s a good chance that Colum will go after Geillis, and Jamie doesn’t want Claire anywhere near when or if this happens.

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So, naturally, Claire goes rushing off to Geillis’s house after receiving a note summoning her — only the note is a forgery, not from Geillis. Claire begs Geillis to pack up her belongings and leave. She’s in danger — but Geillis dreamily replies that “Dougal will never allow anything to happen to me. To us.”

A banging on the door — it’s the warden. Geillis is arrested for witchcraft, and so is Claire. As they’re shoved into a barred wagon to be taken away, Claire catches sight of Laoghaire peering around the corner with a very satisfied little smirk on her face.

Steam factor:

The opening scene is intimate and explicit, showing a lot without showing anything that can’t be shown on TV. It’s an intense, passionate moment, and shows the deepening connection and trust between Jamie and Claire.

Fashion statements:

Claire looks amazing with her fur cowls and cloaks, but Geillis really takes the cake in this episode. From her filmy shawl in her woodland ritual to the point-hooded cloak in the woods to her black-and-white dress at the end, Geillis continues to have one of the most unique looks on the show.

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Key points:

Major facts that the episode gets on the table:

  • Laoghaire is out to hurt Claire, even to the point of endangering Claire’s life.
  • The Duke is slippery, and it’s impossible to know where his loyalties lie or whether his pledges of help can be believed.
  • Dougal gives into his passions despite the consequences, and Colum can’t stand it.
  • Jamie dreams of taking Claire home to Lallybroch, where he’ll once more be Laird and Claire his lady.

Memorable lines:

The Duke, to Claire:

“Has anyone ever told you you have the most gorgeous neck? It holds your head so prettily. I’d hate to see them parted.

Dougal, watching Jamie and Claire having a looooong kiss good-bye:

“I said kiss her. Dinna swallow her.”

Jamie, as Claire silently glares while she stitches his wound:

“Ye’re not normally a closed-mouth woman, Claire. I expected noisier displeasure. But, quiet anger can be very effective.”

Character impressions:

The differences between Colum and Dougal are very clear in this episode. Dougal thinks with his heart and his… um… other head, but Colum always takes the rational, logical approach. Emotions be damned — it’s the well-being of the clan that always comes first.

Geillis seems foolishly indifferent to consequences here. She’s usually so aware of actions and reactions and how to take advantage of any situation, but she seems to let her reliance on Dougal and her hopes for their future blind her to the real risk, not just of murdering her own husband but of making Colum angry. You wouldn’t like him when he’s angry.

Claire seems much more settled into her marriage to Jamie. They’re happy together, and she wants him.

Takeaway:

While the situation with the Duke of Sandringham may bring either safety or greater danger to Jamie, the ultimate threat in this episode is against Claire. Jamie is now conveniently out of the way, while Claire’s been arrested and accused of witchcraft. Claire lacks a protector, and unless Jamie returns in a hurry, she may not last.

 

Is reading before watching always the best policy?

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I’ve always been a big believer in reading books before seeing the movie or TV adaptations. But lately, I’ve been wondering if that’s necessarily the best approach.

For sure, I don’t enjoy a book nearly as much if I’ve already seen the movie/TV version. But the same can be said for the opposite, and I’m debating whether there are times when reading (or rereading) first doesn’t make sense.

In my case, the issue comes down to enjoyment. How much do I want to really savor the viewing experience for its own sake?

What I find is that when I’ve read the book first, especially if I’ve read it immediately before watching the movie/TV version, is that I spend the entire time watching with a little running commentary going on in the back of my head. I’m so distracted by noticing and cataloguing all the differences from the book that it’s hard to just sit and back and enjoy it for what it is. And at the same time, reading first is like intentionally giving myself spoilers, so the viewing experiences tends to lack the punch it might pack if I’d watched it as something completely fresh and new.

Two examples from last year:

One — I fell in love with Poldark on PBS. (The show, not specifically the character, although… damn. Check out my Poldark love here.) Poldark was completely new to me, and after watching the first episode, I was burning with impatience to know more. So, I dashed right out (or actually, dashed right to Amazon) and got myself the first two books in the series, which correspond to the TV show’s first season. I gobbled up the books and then watched the remaining episodes… and while I loved the books, I missed the sense of suspense that was now missing as I watched. Even worse, the big, dramatic, emotionally intense moments from the show’s finale were flat for me. I could tell that they were very well done, but the emotional impact was missing, because I’d already experienced the feels while reading the book.

Okay, second example: OUTLANDER. I think I’ve given a hint or two (or a thousand) about how much I love everything Outlander. So, season one last year — I obviously love the TV show madly and deeply. As the season progressed, I decided to read along. That is, I started the book from the beginning and read as far as I guessed each week’s episode would cover. Definitely not my first time through the book — it was more like my 4th or 5th. Still, I decided I wanted to have it all fresh in my mind so I could pick up all the little nuances that are straight from the book.

And as an approach, it wasn’t bad. I had a strong appreciation for how much dialogue was word-for-word from the source material, which is especially gratifying when it’s some of the most swoonworthy Jamie-isms. On the flip side, though, rereading right before watching made me hyper-aware of every little deviation, every little omission. And that wasn’t always a good thing.

I ended up watching each episode several times each week. The first time through, I couldn’t shut down the mental gymnastics involved in comparing the book and the show. My little internal calculator was busy tracking every change or every point of staying completely true to the book. I still enjoyed the show, but with distractions. By the second viewing, I could let go of all that. Now that I knew the content, I could sit back and just enjoy it for itself. And by a third time through, it was just a chance to soak up the atmosphere, notice themes and cinematography, and the overall artistry of each episode.

So, here’s where the dilemma comes into play. Season two is fast approaching (TWO WEEKS FROM TODAY), and I haven’t quite decided what to do about it.

I’ve read the source material, Dragonfly in Amber, more than once — but it’s been a couple of years since I last read it. I’m trying to decide whether to read along with the episodes, or just watch the show on its own, perhaps going back to the book for reference afterward. Either approach has its pros and cons, and I’m still up in the air about which path I’ll end up following.

So, share your thoughts and experiences please! Do you watch (or re-watch) before viewing, and how do you think it affects your experience? Are there times when you wish you hadn’t read the book first (or recently)? I’d love to hear some opinions!

Outlander Rewatch: Episode 109, “The Reckoning”

Outlander, Season 1, Episode 9: “The Reckoning”

OL rewatch

The official synopsis, courtesy of Starz:

Jamie and the Highlanders rescue Claire from Black Jack Randall. Back at the castle, politics threaten to tear Clan MacKenzie apart and Jamie’s scorned lover, Laoghaire, attempts to win him back.

My synopsis:

“Strange, the things you remember.”

We open the episode with a voice-over reciting the same line that we heard at the start of the very first episode — but this time, it’s Jamie’s voice we hear. For the first and only time this season, all events are seen through Jamie’s eyes as he ponders the choices made throughout his life that have led up to this moment.

From a peaceful and contemplative view of Jamie by a beautiful stream:

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… we jump right back into the action, seeing the other side of the events that ended episode 108 for the mid-season finale. Jamie had left Claire behind when he went to meet the deserter Horrocks, after which Claire made a run for the stones of Craigh na Dun and ended up in the hands of the evil Black Jack Randall. But where was Jamie while all this was happening?

Jamie and the MacKenzies have met up with Horrocks, who is not a trustworthy guy. He demands gold before he’ll tell Jamie the name of the person he saw kill the man that Jamie is accusing of murdering. There’s no choice — Jamie has to know, so he tells Dougal to pay Horrocks. Horrocks takes the money, then provides the name: Captain Jonathan Randall. Jamie is distraught, as this does him no good whatsoever. Even assuming it’s true, there’s no way he can use an accusation against BJR as a means to clear his own name. Just then, Willy rides up with the news that Claire has been captured by redcoats, and Jamie goes charging off to the rescue.

At nightfall, Jamie, Murtagh, Rupert, and Angus steal into Ft. William. Jamie engages in some thrilling heroics, rappelling down the side of the fort to get to BJR’s lair. He hears Claire scream, and bursts in the window. BJR is delighted — tormenting Claire will be so much more fun with his favorite victim as a witness. Jamie has a gun in his hand, but BJR is holding a large knife to Claire’s throat and threatens to kill her.

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Claire screams for Jamie to go. BJR is creepy and perverse, asking Claire if she wants her husband to join them… or would he prefer to watch? Jamie finally manages to disarm BJR and knock him unconscious, then he and Claire make a hazardous escape, jumping from the fort’s walls into the surf below.

Of course, Jamie should have just killed BJR, but it’s against his nature to kill a helpless man. Sometimes Jamie’s conscience is too much of a good thing, in my humble opinion.

The brave rescue party rides off with Claire, but Jamie calls for a halt so they can water their horses… and really, so he and Claire can have a rip-roaring, no-holds-barred fight. Jamie yells at Claire for putting herself and all of them in danger, and blames her for being the cause of it all. If she’d obeyed his orders and stayed put, none of this would have happened.

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Claire’s not having it:

“I don’t have to do what you tell me to!”

But Jamie’s not wrong, given the time and place:

“Aye, you do. You’re my wife.”

They say horrible things to one another, and it gets heated and ugly. Claire calls Jamie a “fucking bastard”. Jamie calls Claire a “foul-mouthed bitch”. But the anger and shouting are simply a cover, and Jamie finally collapses in tears. The fear he felt at almost losing her was almost more than he could bear. They both realize that they’ve gone too far.

“You’re tearing my guts out, Claire.”

“I’m sorry. Jamie, forgive me.”

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Although they’ve reconciled, there’s still tension amongst the travelers. The men ignore Claire, and it’s clear that she’s crossed a line with her behavior. As Jamie knows, if a man had put the group in danger the way Claire had, there would be harsh punishment. As Murtagh points out to Jamie, “She doesna understand what she nearly cost us.”

Jamie goes to join Claire in their room upstairs at the tavern, where she’s waiting for him in bed — but he tells her there’s still a reckoning due. It’s his duty as her husband to punish her. Claire is freaked out, and swears that she’ll never do such a thing again. But no, it’s not enough to say she gets it — she must really feel it in order to make sure it doesn’t happen again. Claire tries to flee and to fight Jamie off, but to no avail. He finally pins her down and gives her a whacking with his belt, accompanied by her screams. Downstairs in the tavern, the men are amused and seem satisfied that justice has been done.

It may have been justice, but it’s shattered the peace between Claire and Jamie, and she is pissed. Upon the group’s return to Castle Leoch, they’re cheered by Mrs. Fitz in celebration of their marriage, but Colum’s words of congratulations are lukewarm at best. Later, he meets with Jamie, Dougal, and Ned and chastises them for their Jacobite plotting. It looks like there will be a serious rift between Dougal and Colum, which could tear the whole clan apart. Fortunately, Jamie is later able to smooth things over by advising Colum to tolerate Dougal’s political scheming for now, as there’s no immediate chance that Bonnie Prince Charlie will show up in Scotland any time soon. Time enough to worry about it when it actually happens, and meanwhile, the MacKenzies can go about their clan business with unity between brothers.

All is not well between Claire and Jamie. Although they talk and share a room, Claire will not allow Jamie back into her bed. He wanders the grounds and ends up back at the stream we saw in the opening moments of the episode. As he ponders his future with Claire and what path to take, Laoghaire shows up and tells Jamie how she’s always wanted him. She waited for him to come back, after their passionate kiss in the kitchen weeks earlier, and understands that he was gallant to marry Claire in order to save her. Laoghaire basically propositions Jamie on the spot, dropping her cloak to reveal some slutty corset-wear underneath. He can still have her, if he wants. She’s a virgin, and she wants Jamie to be her first.

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Jamie seems tempted, especially after she places his hand on her breast. As their lips near, he pulls back. He’s married. He made a vow, and will not break it. He knows this is a moment of choice for himself: Make things right with Claire and make their marriage one of trust and love, or accept it as a duty that he’s fulfilled and now seek pleasure elsewhere?

Jamie goes back to Claire, and goes down on his knees in front of her to declare an oath of loyalty, swearing on his dirk that he will never raise a hand to her again. He begs her:

“Is it not enough, Claire? Do ye not want me anymore? Do you wish to live separately?”

Claire responds, “That’s would I should want” — but it’s clear that that’s actually the last thing that she does want.

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They reach for each other, after Jamie finally explains that the wedding ring he gave her is made from the key to Lallybroch, his home. Claire is his home now, he tells her, and the two fall into a passionate embrace that ends with a hot and heavy lovemaking session on the floor — interrupted momentarily by Claire holding Jamie’s dirk to his throat and threatening him:

“If you ever raise a hand to me again, James Fraser, I will cut your heart out and have it for breakfast. Do you understand?”

He understands.

Afterward, curled up in loving satisfaction in front of the fireplace, it’s clear that the emotional bridge between the two has been rebuilt and their passion and desire is as strong as ever. Their happy moment lasts until Claire spies something odd under the bed, a bundle of sticks and leaves tied together with a bone. It’s an ill-wish, Jamie informs her — a magical charm meant to cause them harm. Who could have placed something like that in their room? Who wishes them ill? wonders Claire.

Laoghaire, of course.

Steam factor:

Oh my, the scene on the floor by the fire is ultra steamy and sexy. What’s more, like other love scenes in Outlander, it feels real, not prettified as so many such scenes are in movies. The sex is gritty and realistic, and Claire continues to make her physical needs and enjoyment plain. Jamie and Claire seem as well matched physically as they are emotionally. Claire holding the knife to Jamie’s throat in the middle of the action is a bit funny, but it fits with their characters and their full-out style of fighting from earlier. Whatever they do together, whether it fighting or making love, they thrown themselves into it 100%.

Fashion statements:

In the post-credits scene, we see Jamie putting on his kilt, which is pretty amazing. Alas, I could not find a video clip! But it involves spreading the kilt out on the floor, lying down on top of it, and then rolling it on and fastening it. Like I said, amazing!

Key points:

Major facts that the episode gets on the table:

  • BJR now knows that Jamie is with the MacKenzies, and will be looking for him.
  • Colum is much more concerned with the well-being of the clan that with the Jacobite cause.
  • Colum had envisioned Jamie as his successor, but now that he’s married an Englishwoman, the clan would never accept him as laird.
  • Laoghaire may have seemed sweet to begin with, but that girl is trouble.

Memorable lines:

The best lines are all Jamie’s, of course:

“Every day, every man has a choice, between right and wrong, between love and hate, sometimes between life and death… and the sum of those choices becomes your life.”

“She asked forgiveness, and I gave it. But the truth is, I’d forgiven everything she’d done, and everything she could do, long before that day. For me, that was no choice. That was falling in love.”

“I am your master, and you are mine. It seem I cannot possess your soul without losing my own.”

Character impressions:

Having Jamie provide the voice-overs and perspective in this episode gives us a look inside his soul — and of course, he’s just as loyal and brave as we’d suspected. Jamie has clearly fallen madly in love with Claire. We see the aftermath of her attempt to return to Frank and her capture by BJR, as Claire deals with her anger and disappointment. Both characters have choices to make here, and both have compelling reasons to pull away from their marriage, but neither one can. Even though Claire is far from being ready to say it explicitly, it’s plain to see that her feelings for Jamie are much stronger than she’d thought, and that this is quickly becoming a marriage of mutual love.

Takeaway:

This episode had a lot going on in just an hour — from the daring rescue at Ft. William, to BJR’s perversity, to Jamie and Claire’s fight, reconciliation, and reckoning, and then back again to Castle Leoch! The action was pretty intense, but so were the emotions. This episode moves Claire and Jamie several steps further into their marriage. They’re no longer in the afterglow of the wedding night — now they have to deal with the start of life as a married couple. Whatever happens next will happen to them together, and they end the episode firmly united and on the same side.

Outlander Rewatch: Episode 108, “Both Sides Now”

Outlander, Season 1, Episode 8: “Both Sides Now”

OL rewatch

The official synopsis, courtesy of Starz:

Frank desperately searches for his missing wife, while Claire tries to come to terms with her new marriage. Claire is faced with an emotional quandary as a life-altering opportunity presents itself.

My synopsis:

The episode opens with the ringing of a telephone.

What? A telephone? In 1743?

Nope, it’s 1945, and we’re catching up with Frank, the husband Claire left behind. It’s been weeks since Claire’s disappearance, and Frank is not giving up. In fact, he’s been hounding the police so relentlessly that the detective is fed up, and finally confronts Frank with the cold hard truth as he sees it: His wife has obviously left him for another man.

Rather hilariously, the “missing” posters on the police station wall are of Claire and of the mysterious Highlander whom Frank saw outside the inn back in the first episode. Hmm, look familiar much?

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Cut to the 18th century, and Claire and Jamie seem like a pair of blissful newlyweds, having a rather damp picnic on a misty, drizzly hillside. Jamie wants to know if what they have is typical — are these intense feelings and connections between the two par for the course for a man and a woman? Claire assures him that what they have isn’t typical at all.

The lovebirds are interrupted by an arrow landing nearby, and after a startled moment, Jamie recognizes an old friend, Hugh Munro. Hugh Munro is a mute, but is able to converse with Jamie through gestures and a basic sign language. He has news: There’s a man named Horrocks who witnessed the murder that Jamie is accused of, and can clear Jamie’s name. The catch is that the man is a British deserter, and might not be trustworthy. Hugh gives Claire a wedding gift — a chunk of amber with a dragonfly inside.

It’s a DRAGONFLY IN AMBER!!! Book two, yo.

Outlander 2014

Back we go to the 20th century. Frank has been staying at the manse with Reverend Wakefield, who seems just full of theories about Claire’s disappearance, including the idea that perhaps she fell in the river, washed up on a deserted island, and has been living on frogs ever since. Um, okay Reverend, whatever you say. A charming lad makes an entrance bearing biscuits:

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It’s wee Roger! Watch for him in season 2, when he’ll look a bit different:

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Frank is fed up with doubts and theories, and goes off to the local pub to get plastered. A mysterious blonde approaches him, says she knows where the Highlander from the missing poster can be found, and tells him to meet her in an alley after midnight and she’ll take him to meet the man. Oh, and bring the reward. And come alone. And don’t alert the police.

That’s not suspicious in the slightest.

Back to the 18th century (this episode does a lot of century-hopping). Jamie and Claire are at a mountain campside with the MacKenzie men, listening to Rupert telling stories by the campfire. Claire and Jamie are cozy and cuddly and smoochy, and very, very cute. The horses are restless, which alerts the men that trouble is near. They subtly move into defensive positions and get their weapons ready, and then they’re attacked by a band of men from the Grant clan, who make off with a horse and some grain.

20th C: Frank shows up in the alley as the rain pours down, and of course, it’s a set-up. The blonde’s two thuggish friends assault him and demand the reward money, but Frank is not having it. He pulls a blackjack (a BLACKJACK!) from his coat pocket and begins to beat the men senseless. Basically, he goes berserk. Back at the Reverend’s house, Frank realizes he’s slipped too close to the dark side, and that this has to end. The Reverend advises Frank to return to Oxford and start over, to let Claire go, as she has so clearly let Frank go.

18th C: The next morning, the men decide that Claire had better learn to defend herself, and she gets some stabbing lessons from Angus, who demonstrates the best way to kill a man with a sgian-dubh, a small blade often hidden in one’s socks. Claire gets the knack pretty quickly.

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20th C: Frank packs to leave, and leaves Claire’s suitcase — with their wedding photo — behind.

18th C: Jamie and Claire still can’t keep their hands off each other.

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They sneak off for a quickie in the grass, quite passionate but also full of laughter, but are rudely interrupted by a gun held to Jamie’s head right when they’re in the middle of the act. It’s two redcoat deserters, who pull Jamie off Claire, then decide it would be fun to have Claire themselves and make Jamie watch. As one of the deserters attempts to rape Claire, she stabs him in the kidney just like Angus taught her, and Jamie kills the other man. Claire is in shock, shaking and staring at the blood on her hands.

20th C: Mrs. Graham insists on telling Frank what she thinks really happened to Claire. She didn’t abandon him, Mrs. Graham declares — she’s gone through the circle of standing stones at Craigh na Dun, known to have magical powers. There are stories of this throughout the legends and songs of the Highlands… and the travelers often come back! Frank scoffs. Mrs. Graham tries to persuade Frank, but it’s no use. He’s officially done, and he leaves.

Dougal tells Jamie that they’ll all go with him to meet Horrocks, since they’ve just seen how dangerous deserters can be. Jamie tells Claire to stay put in a hiding place in the woods, and Claire is upset and defiant. She seems very angry with Jamie for not protecting her, but promises to be there when he returns. After Jamie rides off, Claire realizes that it’s not Jamie she’s mad at — she’s angry at herself for allowing herself to become distracted by happiness with Jamie rather than keeping to her vow to find a way to return to Frank. Talk about convenient timing — at that moment she looks up and sees the hill of Craigh na Dun in the distance, just across the valley.

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She realizes she must choose who she wants to be — Jamie’s wife, or Frank’s? Claire takes off at a run for Craigh na Dun, calling out Frank’s name.

20th C: Frank is driving away from Inverness when he sees a sign for the turn-off to Craigh na Dun. He goes there one last time, looking for some sign of Claire.

We cut back and forth between Claire and Frank as each climbs the hill, desperate to find one another across time, calling each other’s names. Claire finally reaches the top and is about to place her hands on the stone… when she is yanked backward by a troop of redcoats, who pull her away.

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Frank is left alone on the 20th century hilltop, and has no choice but to realize that Claire is gone for good.

The rest of the action is set firmly in the 18th century.

Claire is tied up and taken away in the back of a cart, and she’s knows with certainty that she’s being taken to Ft. William to be handed over to Black Jack Randall. She has only the length of the journey to try to come up with a plan.

Brought to BJR in his fortress room, she’s terrified but looks for an opening. BJR is ultra creepy as he congratulates her on her marriage. He doesn’t know, of course, who her husband is, other than being the nephew of the Laird of the MacKenzies. He threatens Claire, without subtlety:

“I fully intend, by any means necessary, to discover both your true nature and the secrets you hold.”

Claire bluffs her way forward for a time by asserting that she’s an agent of the Duke of Sandringham, just like him, and that the Duke wouldn’t appreciate BJR’s interference with her mission. It almost works, but BJR catches her in a factual error, and Claire is once again tied up and at his mercy. BJR is done with preliminaries — he slices open her bodice and throws her onto his desk, intending to rape and torture her.

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The window bursts open, and there’s Jamie! Pistol in hand, he states:

“I’ll thank ye to take your hands off my wife.”

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BJR reacts with glee, as he realizes that Claire’s husband is none other than Jamie Fraser, the Highlander he flogged almost to death.

And… scene!

Episode 108 was Outlander’s mid-season finale, so Jamie was left in the window for six long months before viewers learned his fate.

Steam factor:

The chemistry between Jamie and Claire is so strong. They spend the first half of the episode never out of reach of one another, constantly touching hands or smiling or simply looking at each other. Sparks galore!

Fashion statements:

Claire’s traveling cloak and clothes are sturdy yet lovely. Although I couldn’t help feeling sorry for Claire as she ran toward Craigh na Dun — running in all those heavy layers looks exhausting!

Beautiful shot of Claire’s two rings — I love the visual representation of Claire’s dilemma:

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Key points:

Major facts that the episode gets on the table:

  • Claire acknowledges to herself that she’s allowed herself to develop dangerously strong feelings for Jamie. She doesn’t call it love just yet, but recognizes it as something powerful and real.
  • Claire seems to have proven herself as a member of the MacKenzies and has earned herself a place among them.
  • No matter what has happened up to now with Jamie, Claire can’t put aside her yearning to return to Frank.
  • Frank held onto hope for a long time, but seems to have finally given up on Claire.
  • Black Jack Randall is bad, bad news… and now he knows that Jamie is within reach, making his torment of Claire that much sweeter.

Memorable lines:

Jamie’s question to Claire:

“Is it usual, what it is between us, when I touch you, when you lie with me? Is it always so, between a man and a woman?”

Finding the right knife for Claire:

Claire: “It’s too long and heavy for me.”
Rupert: “Lassies say that to me all the time.”

While watching Claire’s training with Angus:

Murtagh: “I still say, the only good weapon for a woman is poison.”
Dougal: “Perhaps. But it has certain deficiencies in combat.”

Character impressions:

Frank definitely has a dark side. He holds himself back, but I think part of the reason he ultimately gives up the search is because he’s afraid of what his desperation may drive him to.

Jamie is, as always, a prince of a guy — clearly already madly in love with Claire, a lover and a protector who feels terrible when Claire must defend herself against the redcoat wannabe rapists. He sees it as his duty to keep Claire safe, and feels that he’s failed her. He swore to her on their wedding day that she’d have the protection of his body, and he proves it to her over and over again… such as climbing in the window of Ft. William to rescue her.

Takeaway:

I have to admit that I was irritated no end by Claire’s running off to Craigh na Dun, so desperate to reach Frank… but I know that my reaction is based on my love for Jamie. Really, Claire’s attempt to get back to Frank makes sense. She’s only been married to Jamie for two days at this point, and she still thinks of Frank as her real husband. The scene is built with a great deal of artistry, cutting back and forth between Claire and Frank, and I was cringing watching Claire get closer and closer to the stone — even though I knew full well from reading the book that she wouldn’t get there.

For people watching the show when it first aired, this episode marked the beginning of Droughtlander… the long six month wait for a new episode. Fortunately for re-watchers, no wait is required! I’ll be back shortly with the next episode. After all, we wouldn’t want to leave Jamie in that window any longer than necessary, would we?

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