Book Review: Writing Mr. Wrong by Kelley Armstrong

Title: Writing Mr. Wrong
Author: Kelley Armstrong
Publisher: Forever
Publication date: June 24, 2025
Print length: 333 pages
Genre: Contemporary romance
Source: Purchased

Rating: 4.5 out of 5.

From a New York Times bestselling author, a second-chance rom-com about an author who goes viral when readers discover her book’s hero was inspired by a beloved pro hockey player—and her high school crush.

Debut author Gemma Stanton knows romance readers love a bad boy—and she has the perfect prototype for her novel: Mason Moretti. High school hockey god-turned-pro player, Mason was Gemma’s first crush, but she couldn’t forget the sting of his very public rejection. So, she casts him as a hot-headed Highlander in her spicy new historical romance.

She never expected readers would find out on live TV when a morning show host invites Mason for a surprise on-air reunion . . .

As an aging hockey player with a rep for being ruthless on the ice—and roguish off of it—Mason has an image problem. So, when his meet-cute with Gemma goes viral, Mason proposes they build on the momentum with a few fake dates to boost her book sales—and his sagging profile.

But when the fictional flirting gets a little too real, Mason realizes Gemma actually makes him want to become a better man—someone worthy of her trust and her love.

I adore pretty much everything I’ve read by Kelley Armstrong, but I’ll admit I was surprised when she published her first contemporary romance last year, Finding Mr. Write. Quite a departure from her thrillers, ghost stories, and timeslip adventures! And yet, I shouldn’t have been surprised that the book was terrific. She’s such a gifted writer — there’s no doubt that whatever she writes, in whatever genre, will be well worth reading.

And now, Armstrong is back with a follow-up romance: Writing Mr. Wrong. Once again focused on a romance writer, this book connects with the previous in that the main character is the sister of the other book’s love interest. That said, it’s absolutely not necessary to read these in a particular order. (Just grab whichever you can find!)

In Writing Mr. Wrong, the main character is Gemma Stanton, a debut author in her mid-thirties who has returned to her true passion — writing — after a bitter divorce and too many years of stifling her dreams. When she’s invited on a local talk show to celebrate her book’s release, the host — a former high school classmate — blindsides her by including Mason Moretti, a huge hockey star for the Vancouver Growlers, and Gemma’s high school crush.

The first romance Gemma had written featured the kind of guy she liked—sweet and considerate. When it hadn’t sold, her writing group had talked her into penning what the market seemed to want. An alpha hero. A self-absorbed, egotistical, inconsiderate, talks-with-his-fists asshole. So she’d dipped into her past and pulled up the perfect guy for the role.

To anyone who knows Mason the similarity between him and Gemma’s fictional hero (and asshole) Laird Argyle is glaringly obvious. Gemma is mortified, but Mason does his best to save the situation and spare her embarrassment.

As they talk afterward, Mason is kind, but Gemma is wary. He hurt her badly back in high school, and it’s been almost twenty years since then with no contact. Mason has a suggestion: Why not pretend to date for a bit, with support from their publicists? It’s sure to boost her book sales, capitalize on the gossip from the talk show, and will also help with his own PR, which has taken a hit recently.

With hesitation, Gemma agrees, and Mason promises her a perfect date — which he then plans without consulting her in the slightest. It’s a disaster, to say the least. But when they go off-script for a more spontaneous outing, sparks fly, and some of their easy connection from their teen years starts to come back.

Gemma and Mason clearly have unfinished business and unresolved feelings, and could potentially be great together — but Mason is (as Gemma’s mother describes him) careless. He’s not intentionally or knowingly an asshole, but he makes assumptions and fails to see how his good intentions might backfire if he’s not considering the other person involved. Mason gets a rude awakening when he finally reads Gemma’s book and realizes that he should NOT be flattered by being the inspiration for Laird Argyle — the guy is awful, and Mason is forced to consider how much truth there is in his fictional portrayal.

The latter part of the book focuses on Mason requesting anti-asshole lessons from Gemma — he’ll whisk them away to wherever she wants, to her specifications, where she can work on her next book, he’ll do all the meals and organizing, and in return, she’ll explain to him why his choices don’t always work, and where he could do better. Of course, things don’t always go as planned, but there’s quite a bit of fun to be had in seeing the two of them navigate travel mishaps, bad decisions, and readjustment of expectations.

Gemma and Mason clearly have chemistry, and both are portrayed sympathetically. For all that Mason screws up, he’s not a bad guy — not at all — and needs to learn to overcome the avoidance patterns drilled into him from childhood. His intentions and heart are generally lovely; it’s in the execution that he fails. Meanwhile, Gemma has lots of baggage from both her teen years with Mason and the years with her terrible ex-husband. She too has work to do, in terms of overcoming fears, learning to trust, and making sure not to lose herself for the sake of making someone else love her.

I really enjoyed both characters and their story arcs, and the book overall is a treat. There’s terrific banter, plenty of chemistry, and some lovely set pieces and funny mishaps.

I did wonder about Gemma’s book — to me, it sounds pretty unappealing, but I suppose there are readers who would enjoy such a story. (And it’s heartening to see that as Gemma gets her confidence back, she’s able to stand up for herself with her publisher and transform her second novel into the story that she truly wants to tell.)

Writing Mr. Wrong is a delight — clever, funny, serious when it needs to be, and totally entertaining. I’m not sure when exactly Kelley Armstrong sleeps: Writing Mr. Wrong is one of four novels novels she’s releasing in 2025. All I can say is that I’m grateful that it’ll be a very long time before I run out of her books to read!

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Audiobook Review: Beartown by Fredrik Backman

Title: Beartown
Author: Fredrik Backman
Narrator: Marin Ireland
Publisher: Atria Books
Publication date: April 25, 2017
Print length: 418 pages
Audio length: 13 hours, 11 minutes
Genre: Contemporary fiction
Source: Purchased
Rating:

Rating: 4 out of 5.

People say Beartown is finished. A tiny community nestled deep in the forest, it is slowly losing ground to the ever-encroaching trees. But down by the lake stands an old ice rink, built generations ago by the working men who founded town. And that rink is the reason people in Beartown believe tomorrow will be better than today. Their junior hockey team is about to compete in the national championships, and they actually have a shot at winning. All the hopes and dreams of the town now rest on the shoulders of a handful of teenage boys.

A victory would send star player Kevin onto a brilliant professional future in the NHL. It would mean everything to Amat, a scrawny fifteen-year-old treated like an outcast everywhere but on the ice. And it would justify the choice that Peter, the team’s general manager, and his wife, Kira, made to return to his hometown and raise their children in this beautiful but isolated place.

Being responsible for the hopes of an entire town is a heavy burden, and the semifinal match is the catalyst for a violent act that leaves a young girl traumatized and a town in turmoil. Hers is a story no one wants to believe since the truth would mean the end of the dream. Accusations are made, and like ripples on a pond, they travel through all of Beartown, leaving no resident unaffected.

I have to admit, my knowledge about the plot of Beartown before reading the book was limited to basically one word: Hockey. I knew it was set in a small town, and that the town’s focus was hockey. Period. I guess I never read a synopsis, and because the book came out a few years ago and I’d heard how much people enjoyed it, I didn’t read the synopsis before starting the audiobook either.

So let’s just be clear up front. I did really enjoy this book. And at the same time, this is one of the rare occasions when I wish I’d known more ahead of time.

I’m not usually in favor of content warnings, and maybe if I’d read a synopsis ahead of time, the content wouldn’t have taken me by surprise quite so much — but I do feel like this book should have had a much more explicit content warning.

So, here’s my content warning: The “violent act” referred to in the synopsis is rape. And I did not at all realize that I was reading a book that would focus so much on rape and its aftermath. I was expecting petty grievances and sports fanatics and small-town politics, perhaps. So the content took me completely off guard. I don’t have personal trauma associated with sexual assault, but I can easily imagine how upsetting it would be for someone who’s survived such violence to be confronted by it unexpectedly in a book.

But let’s get back to the book itself. Because in many ways, Beartown is excellent!

Beartown is a small town in the forest (in Sweden) that’s seen better days… a long time ago. The town has a factory that’s going downhill, and it has an ice rink. The town is fanatical about hockey, and this year, it looks like the juniors team (15 to 17-year-old boys) has a shot at the national final. And if they win? The club’s sponsors have starry-eyed visions of a championship bringing a national hockey academy to Beartown, revitalizing the local economy and once again making the town a real place on the map.

It’s only a game. Everyone who plays it gets told that from time to time. A lot of people try to tell themselves that it’s true. But it’s complete nonsense. No one in this town would have been the same if that game hadn’t existed.

Through the novel, we get to know a huge cast of characters. There are the boys on the team, including superstar Kevin, who’s expected by everyone to turn pro. There’s Kevin’s best friend Benji, a stoner who also throws himself into every moment of the game in defense of his teammates. There’s Amat, son of the rink’s immigrant cleaning woman, finally given a shot to belong and to prove himself.

Then there are the boys’ families — some supportive, some demanding perfection while ignoring their children, some doing what they can, some doing nothing at all.

We also get to know the hockey club’s General Manager and his family; the coach of the A-team and the rising star coach of the juniors; the local pub owner, the school teacher, and so many more.

It’s only a game. It only resolves tiny, insignificant things. Such as who gets validation. Who gets listened to. It allocates power and draws boundaries and turns some people into stars and others into spectators. That’s all.

Author Fredrik Backman masterfully weaves together all of these people to paint a portrait of a community, with all its flaws and spots of ugliness as well as points of light and kindness. The small-town politics is real and cutthroat when it comes to hockey, and the toxic masculinity simply oozes off the page in various locker room and bar room scenes.

As I said, I expected a hockey story, but Beartown is so much more than that. The attack on the young girl is depicted with sensitivity, but doesn’t shy away from showing us the violence involved and the terror the girl feels.

From there, the focus becomes how the girl’s reporting of the rape triggers a huge and ugly reaction from the town, most of whom see her as a liar, a pathetic girl who got drunk, hooked up with a boy, and then got mad when he rejected her. It’s disturbing to see how far the town goes in portraying her as at fault, and how much abuse and intimidation is thrown at her, at her family, and at the few people who speak up for her.

I listened to the audiobook, and narrator Marin Ireland does a fantastic job with the dialogue and with portraying the different characters, giving them distinct sounds and personalities through her voice.

Maybe because I listened to the book, I became very aware of the author’s use of repetition as a device to drive home certain points. And perhaps in print, I wouldn’t have found it quite so annoying. Throughout the book, there are moments where we get lines of “Bang. Bang. Bang.” representing the sound of hockey pucks. Too much, after a while.

Likewise, I wasn’t crazy about the author’s habit of starting and ending chapters with declarative statements or big questions:

Why does anyone care about hockey?

A long marriage is complicated.

It’s Saturday, and everything is going to happen today.

Pride in a team can come from a variety of causes.

When you love hockey it feels like having your heart scalded.

I’m afraid I’ve focused too much on the negative, which doesn’t truly convey my feelings about this book. I do think Beartown is terrific storytelling. I was completely wrapped up in the plot and the characters — as proven by my tendency to make my walks longer and longer each day so I’d have more time to listen to the audiobook.

Some of these characters made me want to cry. I could really feel the accumulated hurts of so many of them, all the ways in which lifetime experiences add up to more than anyone could anticipate, all the ways in which spoken and unspoken words, actions allowed and forbidden, come back around with unintended and unanticipated consequences.

I was very invested in my favorite characters’ well-being, and wanted desperately to know that they’d be okay. When characters make choices that put them at risk as they stand up to do what’s right, I wanted to cheer, and at the same time, to yell at them to run far away and never turn back.

I guess that’s the sign of a great book — that despite any quibbles with the writing, the power of the characters makes you care so very, very much.

The sequel to Beartown, Us Against You, was released in 2018. And while Beartown felt complete and had a definitive ending, now that I know there’s more, I definitely have to get a copy.!