Title: Cinder House
Author: Freya Marske
Publisher: Tor
Publication date: October 7, 2025
Length: 144 pages
Genre: Fantasy
Source: Library
Rating:

Sparks fly and lovers dance in this gorgeous, yearning Cinderella retelling from bestselling author Freya Marske—a queer Gothic romance perfect for fans of Naomi Novik and T. Kingfisher.

Ella is a haunting.

Murdered at sixteen, her ghost is furiously trapped in her father’s house, invisible to everyone except her stepmother and stepsisters.

Even when she discovers how to untether herself from her prison, there are limits. She cannot be seen or heard by the living people who surround her. Her family must never learn she is able to leave. And at the stroke of every midnight, she finds herself back on the staircase where she died.

Until she forges a wary friendship with a fairy charm-seller, and makes a bargain for three nights of almost-living freedom. Freedom that means she can finally be seen. Danced with. Touched.

You think you know Ella’s story: the ball, the magical shoes, the handsome prince.

You’re halfway right, and all-the-way wrong.

Rediscover a classic fairy tale in this debut novella from “the queen of romantic fantasy” (Polygon).

Cinder House by Freya Marske is a magical, memorable novella-length retelling of Cinderella, and it includes a haunting unlike any I’ve read before.

Cinder House starts by killing the main character:

Ella’s father died of the poison in their tea. Ella drank less and so might have lived, and not turned ghost at all, if the house hadn’t shrieked for its master’s murder in the moment she stood, dizzied and weak, at the top of the stairs.

Ella is dead… but that’s not the end of her story. As she comes back to consciousness, she finds herself tethered to her home, visible to those who live there — her stepmother Patrice, and her two stepsisters, Danica and Greta. None of them care about Ella in the slightest, but they do come to realize that she’s convenient.

Ella is not just an airy, incorporeal ghost floating around a particular place. Instead, she truly becomes the spirit of the house — she feels the house, as if it’s an extension of her own body.

How does a house, lacking flesh, feel fury? With the fire in its hearth and in the wide black stove.

She’s aware of the mice in the walls, the water in the pipes, the heat in the stove… but she’s also aware of anything wrong or out of place, and she can interact physically with anything that belongs to the house. She has an obsessive need to clean anything messy, to mend anything broken. For Ella’s stepfamily, it’s handy to have a ghost around to do their bidding, and it’s even economical! They’re able to dismiss the servants, and have Ella at their beck and call. Worst of all for Ella, when her sadistic youngest stepsister realizes that Ella feels what the house feels, she’s able to use pain — like sawing away pieces of woodworking or breaking windows — to coerce Ella into obedience.

Ella is trapped, until she discovers a trick for leaving the house — but no matter how far she wanders, she snaps right back to the staircase where she died at the stroke of midnight. Years pass, until finally, events in the world outside the house affect Ella and her family.

The Prince invites all the young unmarried women of the kingdom to a ball, during which he’ll choose a bride. Of course, most people suspect that there’s already a betrothal being arranged for political purposes, but that doesn’t stop the eligible women of the kingdom from dressing up and hoping for attention — including Ella’s stepsisters.

As the story progresses, we see Ella find a magical means for attending the ball too, thanks to her friendship with a fairy she meets in the marketplace. There are conditions, of course, and nothing goes quite according to plan — but she does meet the prince, and discovers that he’s dealing with magical complications of his own… and that the two of them may be able to help one another in ways that no one else can.

Cinder House is such an inventive retelling! I loved the details around what Ella feels and goes through as a house ghost, and the encounters with the prince, and the details of his curse, are fascinating too. The plot is tightly woven, yet never feels rushed, and the overall tone is full of magical, fantastical elements that create an atmosphere of surprise and delight.

The ending does get surprisingly… well… kinky, in a certain way, but it’s not terribly explicit (and definitely is not your typical fairy tale ending!)

Overall, I thought Cinder House was great! I’m so glad I saw so many positive reviews and decided to check it out for myself. Cinder House is a terrific example of what a novella can be: It tells a full story, provides characters to care about, and wraps up a compelling plot with just enough storytelling.

I’d never read anything by Freya Marske before, but now I’m eager to explore more of her books. I know people love the Last Binding series — adding to my TBR!

Purchase links: Amazon – Audible audiobook – Bookshop.org – Libro.fm
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