bestseller | Bookshelf Fantasies

Title: The Correspondent
Author: Virginia Evans
Publisher: Crown
Publication date: April 29, 2025
Length: 291 pages
Genre: Contemporary fiction
Source: Purchased
Rating:

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

Sybil expects her world to go on as it always has—a mother, grandmother, wife, divorcee, distinguished lawyer, she has lived a very full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes that the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

Filled with knowledge that only comes from a life fully lived, The Correspondent is a gem of a novel about the power of finding solace in literature and connection with people we might never meet in person. It is about the hubris of youth and the wisdom of old age, and the mistakes and acts of kindness that occur during a lifetime. Sybil Van Antwerp’s life of letters might be “a very small thing,” but she also might be one of the most memorable characters you will ever find.

The Correspondent is a lovely book about looking back at a life, understanding the past, making amends, and finding connections. It’s about a lot, actually — but isn’t life like that?

This epistolary novel takes place solely through the letters Sybil Van Antwerp writes and receives. Covering a span of ten years, we follow Sybil through her seventies, as she looks back on a life full of professional achievement, family joys and sorrows, good friends, and lots of literature. Through it all, she’s been a letter writer, sitting at her desk each day to write by hand on lovely paper. She writes to friends and family members, but also to a college dean, customer service representatives, obnoxious garden club members, and her favorite authors.

Sybil’s letters, one by one, provide readers with insight into the complicated inner life of a woman who, at first, seems like yet another somewhat cranky older woman character. But there’s so much more to discover: There’s a deep vein of grief that runs through all her letters, and as we learn, there are regrets from her past that she wishes to fix, if she can. Her family dynamics can be fraught, as we see in her often contentious relationship with her daughter, yet she displays a remarkable amount of kindness toward others in need, whether the son of a good friend with whom she corresponds throughout his difficult teen years or the high school student who reaches out for a school research project.

Themes of reconciliation and forgiveness add depth to the novel. Sybil affects others’ lives in big and small ways. A situation that seems threatening turns into an opportunity for making amends. Someone with whom Sybil interacts in a business capacity ends up having his life changed thanks to Sybil’s assistance.

And yet, we also see Sybil’s pain over a terrible loss, her ruminations on how and why her marriage ended, and her sorrow over her failures regarding her relationship with her daughter. Through her letters, Sybil communicates with others, but also investigates her own experiences. As we learn early on, Sybil has a condition that will lead to blindness, and while she doesn’t engage in self-pity, we see how deeply she fears the loss of vision, especially as a lifelong passionate reader who knows her time with books and writing may come to an end.

Lest this all sound quite dire, I must point out that The Correspondent has wonderful moments of joy and laughter as well. Sybil is courted by two very different men, and her descriptions of her experiences are sweet and funny. I loved her letters to authors. We might at first consider Sybil naive in her belief that a famous author might read her letters or remember her — but Sybil’s philosophy is to write to whomever she’s interested in communicating with, and who knows? She may actually get a response. There are several results of her letter-writing that absolutely delighted me — I won’t get into details, because these episodes are just too wonderful to spoil.

I’m so glad that I picked up The Correspondent. It’s a quick read that pulls on the heartstrings without becoming overly sentimental. There’s a deep sense of goodness here. Sybil isn’t perfect and hasn’t lived a perfect life. Through her letters, we understand her, and see what a difference one imperfect person can make.

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Title: The God of the Woods
Author: Liz Moore
Publisher: Riverhead Books
Publication date: July 2, 2024
Length: 490 pages
Genre: Mystery/thriller
Source: Library
Rating:

When a teenager vanishes from her Adirondack summer camp, two worlds collide.

Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found.

As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.

In The God of the Woods, an intricate timeline and multiple points of view bring to vivid life the story of missing children, a privileged family, and its influence over the working class people who depend upon them for their livelihoods.

The story opens at Camp Emerson, a summer camp located on the grounds of the Van Laar Preserve. The Van Laar family bought this vast property in the Adirondacks from loggers several generations back, and have turned it into their mountain getaway. Their huge house, named Self-Reliance, dominates the hilltop overlooking the lake; down the hill, the staff of the camp tend to the children of wealthy families each summer.

In the summer of 1975, 13-year-old Barbara Van Laar attends camp for the first time. She’s an independent-minded, punk rock-loving teen who’s happy to be out from under her parents’ control for the eight weeks of camp, and she quickly bonds with one of the other new girls in her cabin. But in August, Barbara’s counselor wakes up to discover that Barbara’s bed is empty, and fears the worst.

Fourteen years earlier, the first Van Laar child — named Peter (Peter IV, to be exact) but known as Bear, also went missing from the Van Laar Preserve and was never found, despite a huge search. Now, fears run high that the same fate has befallen Barbara, and news that a notorious serial killer has escaped prison and is on the lam in the Adirondacks only adds to the searchers’ desperation.

But there is so much more to the story than a missing person’s case. As each chapter begins, a different date is highlighted, and the narrative jumps between the 1950s, 1960s, and 1970s, as well as between different points in that fateful summer of 1975. The story is not told chronologically; confusing at first, but ultimately, adding to the depth of the character portrayals and giving readers plenty of clues and red herrings to chew over.

Beyond the dual mysteries surrounding Bear and Barbara, the book also is a portrait of the deep divide between haves and have-nots. The Van Laars are seemingly untouchable. They and their wealthy, powerful friends control the area, providing the only source of employment for the nearest small town since the paper factory shut down years earlier. No one can afford to get on the Van Laars’ bad side, even if it means looking away when bad things happen.

I was hesitant to pick up The God of the Woods, not sure that the genre and writing would appeal to me, based on comments I’d read here and there. I’m so glad I got past my concerns and gave it a try. After some initial struggles with the jumps between timelines, I became more comfortable with the book’s structure and ended up finding the chronology fascinating. As for the writing itself, it’s tense and illuminating, and doesn’t drag a bit — those 500 pages absolutely flew by.

With so many point-of-view characters, it may feel almost overwhelming at first to keep track of them all, but ultimately, having so many perspectives — some accurate, some not — on the events of 1975 as well as the earlier disappearance, only adds to the depth of the story. The depiction of the Van Laars and their guests, lounging about in satin pajamas even when a child goes missing, is a chilling portrait of cold power and indifference. And then there’s the setting itself, the beautiful, dangerous forests of the Adirondacks — where campers are taught to immediately sit down and start yelling if they realize they’re lost. The Van Laar home may seem luxurious and civilized, but it’s surrounded by wilderness, which ultimately holds more power than the people who come there.

My only quibble with this book is that the title seems like an odd choice to me. Yes, it’s somewhat clearer by the end, but generally speaking, it seems pretty disconnected from the overall story. On the other hand, the cover is brilliant. It’ll make more sense once you read the book!

I can’t say enough good things about The God of the Woods. By the time I passed the halfway mark, I couldn’t put it down and wanted nothing more than uninterrupted time to read straight through to the end. Don’t miss this well-written, thought-provoking, surprising, twisty book!