2015: My year in graphic novels

2015 reading

I’m working on a big year-in-review wrap-up post, but it’s going pretty slowly… and meanwhile, I was thinking about all the terrific graphic novels I read in 2015, so let’s go with that for a topic, shall we?

In 2015, I read 22 graphic novels. Not too shabby! Some were stand-alones, some were volumes in ongoing series, and some were complete trilogies that I read all in one gulp.

(Note: The synopses quoted here are all from Goodreads. These are all books that I read in 2015, but they weren’t necessarily published in 2015. For those I’ve previously reviewed, the review links are included.)

For me, the best of the best in 2015 include:

A beautiful and eerie collection of graphic stories, which I know I’ll want to read again and again:

Through the WoodsDiscover a terrifying world in the woods in this collection of five hauntingly beautiful graphic stories that includes the online webcomic sensation “His Face All Red,” in print for the first time.

Journey through the woods in this sinister, compellingly spooky collection that features four brand-new stories and one phenomenally popular tale in print for the first time. These are fairy tales gone seriously wrong, where you can travel to “Our Neighbor’s House”—though coming back might be a problem. Or find yourself a young bride in a house that holds a terrible secret in “A Lady’s Hands Are Cold.” You might try to figure out what is haunting “My Friend Janna,” or discover that your brother’s fiancée may not be what she seems in “The Nesting Place.” And of course you must revisit the horror of “His Face All Red,” the breakout webcomic hit that has been gorgeously translated to the printed page.

Already revered for her work online, award-winning comic creator Emily Carroll’s stunning visual style and impeccable pacing is on grand display in this entrancing anthology, her print debut.

 

A totally fun, girl-power positive adventure:

Adventures of Superhero GirlWhat if you can leap tall buildings and defeat alien monsters with your bare hands, but you buy your capes at secondhand stores, and have a weakness for kittens, and a snarky comment from Skeptical Guy can ruin a whole afternoon? Cartoonist Faith Erin Hicks brings her skills in character design and sharp, charming humor to the trials and tribulations of a young, superhero battling monsters both supernatural and mundane in an all-too-ordinary world. (review)

 

 

I absolutely adored the Good Neighbors trilogy by Holly Black, featuring gorgeous illustrations and a tightly woven plot about an ordinary young woman with a connection to the world of faerie:

Rue Silver’s mother has disappeared . . . and her father has been arrested, suspected of killing her. But it’s not as straightforward as that. Because Rue is a faerie, like her mother was. And her father didn’t kill her mother — instead, he broke a promise to Rue’s faerie king grandfather, which caused Rue’s mother to be flung back to the faerie world. Now Rue must go to save her — and must also defeat a dark faerie that threatens our very mortal world. (review)

In 2015, we said good-bye to a truly astounding, rich graphic novel series — one of my absolute favorites — Fables. While the series has had some ups and downs over its run, overall, I consider it a masterpiece.

Fables v22It’s the final trade paperback volume of FABLES! No, wait – it’s FABLES #150, the grand finale of the best-selling, award-winning comic book series! And it’s also an original graphic novel in the tradition of 1001 NIGHTS OF SNOWFALL! Yes, it’s all this and more! Join us for 150 – that’s, right, 150! – pages of new stories starring your favorite Fables, all from the mind of Bill Willingham. It all starts with an 80-page lead story illustrated by series regulars Mark Buckingham and Steve Leialoha, plus stories illustrated by Mark Schultz, Gene Ha, Neal Adams, Andrew Pepoy and many more!
Don’t miss the final bows for Boy Blue, Stinky, Lake and more in this once-in-a-lifetime issue that also features a foldout cover by Nimit Malavia that opens into a four-panel mural! It’s even got metallic ink!

But before we get too teary-eyed over the end of Fables… look, it’s a prequel! The Wolf Among Us is the first volume in a new prequel series, and it’s quite good fun. Bonus for me: It revolves around my favorite Fables character, Bigby Wolf!

Wolf Among UsEven before the first issue of Fables , there were stories to be told, shadowy avenues to explore, and lives hanging in the balance! Bigby Wolf has seen plenty in his time as Sheriff of Fabletown…but nothing can prepare him for this…

It all starts with a simple domestic disturbance. But when Bigby learns that his old nemesis, the Woodsman who has an axe to grind, is part of the scene, things go downhill fast. And how will Bigby and Snow White keep their heads long enough to crack the case when they get caught up in a grisly murder mystery?

Another ongoing series which I adore is Saga by Brian K. Vaughan and Fiona Staples. This interplanetary story of love and war has amazing characters, complicated plots, and Lying Cat!

Saga 5

Multiple storylines collide in this cosmos-spanning new volume. While Gwendolyn and Lying Cat risk everything to find a cure for The Will, Marko makes an uneasy alliance with Prince Robot IV to find their missing children, who are trapped on a strange world with terrifying new enemies. Collects Saga #25-30.

 

 

 

 

 

The Alex + Ada trilogy is a must-read. A love story and a meditation on what it means to be human, Alex + Ada tells a terrific, touching tale over a three-book arc. The trilogy is quick to read, but will stay with you for a long time afterward. (review)

 

The last thing in the world Alex wanted was an X5, the latest in realistic androids. But after Ada is dropped into his life, he discovers she is more than just a robot. Alex takes a huge risk to unlock Ada so she can think for herself and explore life as a sentient android. As Alex and Ada spend more time together, they become closer. But as restrictions tighten on artificial intelligence, Ada feels unsure about her place in the world, and Alex questions being with an android.

And finally, my most recently read graphic novel, about a girl who wants to be a sidekick, the supervillain she supports, and their archnemesis, golden boy Sir Goldenloin. Except nobody here is quite what they seem, and as it turns out, even supervillains have a moral code. Nimona is funny and sweet and surprising. Check it out!

NimonaThe graphic novel debut from rising star Noelle Stevenson, based on her beloved and critically acclaimed web comic, which Slate awarded its Cartoonist Studio Prize, calling it “a deadpan epic.”

Nemeses! Dragons! Science! Symbolism! All these and more await in this brilliantly subversive, sharply irreverent epic from Noelle Stevenson. Featuring an exclusive epilogue not seen in the web comic, along with bonus conceptual sketches and revised pages throughout, this gorgeous full-color graphic novel is perfect for the legions of fans of the web comic and is sure to win Noelle many new ones.

Nimona is an impulsive young shapeshifter with a knack for villainy. Lord Ballister Blackheart is a villain with a vendetta. As sidekick and supervillain, Nimona and Lord Blackheart are about to wreak some serious havoc. Their mission: prove to the kingdom that Sir Ambrosius Goldenloin and his buddies at the Institution of Law Enforcement and Heroics aren’t the heroes everyone thinks they are.

But as small acts of mischief escalate into a vicious battle, Lord Blackheart realizes that Nimona’s powers are as murky and mysterious as her past. And her unpredictable wild side might be more dangerous than he is willing to admit.

 

 

Have you read any great graphic novels this year? Please share your recommendations! I’m always on the lookout for new and different worlds to explore.

Cover Cousins #3

Everyone once in a while, a book cover will call to mind another for me… and when that happens, I think of them as Cover Cousins.

Here’s how I framed the concept for my first Cover Cousins post:

I love when I pick up a new book and am instantly reminded of another — not necessarily because the covers are the same, but more because there’s a common feeling to them, a style, a color pattern, an image. The connection may only be in my mind, but it’s something I really enjoy thinking about.

Here’s my newest set of Cover Cousins — first, a book that I read last year and loved:

girl with all the gifts

And now, two books whose covers immediately made me think of The Girl With All the Gifts:

The three books are all quite different when it comes to genre and content… but those yellow covers with a single, representational figure!

What do you think?

The best @#$%*! use of #%$&! F-bombs I’ve ever encountered

When is usage of the “f-bomb” artistry, and when is it simply crass?

For many, it comes down to an “I know it when I see it” situation. There are times when an author uses expletives to make a point, to highlight a particular character’s vernacular, to show personality or expressive style. Then again, there are those books where all the four-letter (and then some) words are used to excess, creating a distraction rather than adding flavor to the narrative.

I’m not here to debate which is which. I’m no prude, but there are times when I roll my eyes so hard they practically get stuck, because the language I’m reading is so unnecessary to the story being told.

That said, when it’s right, it’s right… and I have never come across a better use of f-bombs than in Nick and Norah’s Infinite Playlist by Rachel Cohn and David Levithan (review). The opening of chapter 11 is a masterpiece — and when I hear people complain about *salty* language in fiction and how awful it all is, I refer them to this book, this chapter, this page, because it’s left a huge impression on me. To me, this is great writing — so allow me my little indulgences as I treat you to the following excerpt:

[Chapter 11 – Told from Nick’s point of view]

Fuck her.

Fuck her for getting in that cab. Fuck her for fucking with my mind. Fuck her for not knowing what she wants. Fuck her for dragging me into it. Fuck her for being such a fantastic kisser. Fuck her for ruining my favorite band. Fuck her for barely saying a word to me before she left. Fuck her for not waving. Fuck her for getting my hopes up. Fuck her for making my hopes useless. Fuck her for taking off with my fucking jacket.

Fuck me.

Fuck me for always getting into situations like this. Fuck me for caring. Fuck me for not knowing the words that would’ve made her stay. Fuck me for not knowing what I want. Fuck me for wavering. Fuck me for not kissing her back the right way. Fuck me for getting my hopes up. Fuck me for not having more realistic hopes. Fuck me for giving her my fucking jacket.

Fuck.

When is a new book not a new book?

When it’s the same old story, just changed.

By now, everyone has heard the “big” new from the Twilight world, right?

Stephenie Meyer has chosen a somewhat odd way to celebrate the 10th anniversary of Twilight‘s publication: A rewritten version of the story, supposedly exactly the same as the original, but with all the genders swapped. So Bella becomes Beau, and Edward becomes Edythe… and I think supposedly she’s trying to prove everyone wrong who talked about Bella being a weak female?

Twi_new

 

According to Goodreads:

Celebrate the tenth anniversary of Twilight! This special double-feature book includes the classic novel, Twilight, and a bold and surprising reimagining, Life and Death, by Stephenie Meyer.

Packaged as an oversize, jacketed hardcover “flip book,” this edition features nearly 400 pages of new content as well as exquisite new back cover art. Readers will relish experiencing the deeply romantic and extraordinarily suspenseful love story of Bella and Edward through fresh eyes.

And from an article on PopSugar:

Part of the reason for the gender swap is that Meyer wants to prove that the character of Bella isn’t a “damsel in distress,” which is a commonly criticized element from the first book. She has also corrected some grammatical issues and word choices and altered some of the mythology for consistency.

I guess the “new” human character, Beau, will be sleep-stalked by Edythe and will find himself the weak, fragile one surrounded by a surreally beautifully undead family of vegetarian vampires. Yay, progress? Or something. (And maybe those grammatical issues and word choices could have been fixed without making fans buy an entirely new book?)

The book is 752 pages (!!!), and contains BOTH the original Twilight novel and the “new” version… and retails for $21.99 (Amazon lists it at $13.53). As of this moment, Life and Death is listed as the #1 bestselling book on Amazon.

Can anyone say “money grab”? Doesn’t Stephenie Meyer already have all the money?

I don’t know. This concept strikes me as utterly ridiculous, but then again, I’m not a die-hard fan of the original. (Yes, I read them all… and waited for the midnight release of the 4th book — but time passes and gives us the breathing space to reassess whether what we binge-read was actually, you know, good.)

I loved this piece on io9, which is mostly snarky but brings up some more serious points too. A snippet of snark:

Meyer says that writing this version was “fun, but also really fast and easy.” She totally used search and replace for the names, didn’t she?

News about this “reimagining” is all over the interwebs. Here are a few to check out:

This Tweet pretty much sums up my initial reaction to the Twilight news:

Does anyone actually plan on reading this? I don’t… although now that I’ve put together this post, maybe I should check it out. You know, for research purposes.

What do you think? Do you find the idea of a gender-swapped Twilight interesting — or is this a lame attempt to further cash in on a craze that we just wish would die already?

Cover Cousins #2

Everyone once in a while, a book cover will call to mind another for me… and when that happens, I think of them as Cover Cousins.

Here’s how I framed the concept for my first Cover Cousins post:

I love when I pick up a new book and am instantly reminded of another — not necessarily because the covers are the same, but more because there’s a common feeling to them, a style, a color pattern, an image. The connection may only be in my mind, but it’s something I really enjoy thinking about.

Here’s my newest set of Cover Cousins:

 

These two are quite different, but between the title fonts and the overall layout, including the flowers and plants around the edges, seeing Vengeance Road immediately made me thing of The Darkest Part of the Forest.

What do you think? Do see a connection, or is it all in my mind?

A tale of three Kates

As I was pondering my selection for my kick-off Shelf Control post this week, I realized that I seem to have a problem with Kates. Looking at my shelves, I found that I have three authors whom I tend to accumulate books by, but whose books I haven’t actually read.

Why do I have all these books by these authors when I haven’t read a single one? Because my mind works in weird ways. Kind of like this:

  • Hey, this book looks interesting! Maybe I should buy it.
  • But wait! This author has a bunch of books out.
  • So, if one sounds interesting to me, probably the others will too.
  • Hey look! Here are the other ones RIGHT HERE.
  • What the heck. I just know I’ll love one, so odds are I’ll love them all.
  • … and suddenly, I have the complete works of an author on my shelf, and I’ve never read a single one.

So, back to the Kates. I think it’s quite funny that among my hundreds of unread books, I own:

KMorton2

… four books by Kate Morton

image

… three books by Kate Grenville

… three books by Kate Mosse (not shown: the Kindle edition of Citadel)

And yet, I have yet to pick up a single one of these to actually read. My book group even picked a Kate Morton book for discussion earlier this year — and I didn’t end up participating that month!

I know I really do want to read the Kate Grenville books, and plan to do so once I’m caught up, once and for all, on my ARC backlog. As for the others — well, time will tell. I suppose I had a reason for buying all these at the time, but the fact that I haven’t truly wanted to start any might mean that I’ll just always have something else I’d rather spend time on.

Have you read anything by any of these authors? Are there any of their books that you’d especially recommend?

And in more general terms — has this ever happened to you? Have you ever bought multiple books by the same author without having read any, just because you assumed you’d enjoy them? Please tell me I’m not alone!

Fire Touched has a cover!

I was so excited to see this on Facebook today! As a big fan of the Mercy Thompson series by Patricia Briggs, I feel totally justified in having a blog post dedicated to the joy of this cover:

Fire Touched

Fire Touched is book #9 in the series. The expected publication date is March 8, 2016… which can’t possibly get here soon enough!

Find Fire Touched at:

Goodreads
Amazon
Barnes & Noble

And PS – If you haven’t read any of the Mercy books, start with Moon Called and then keep going! Such an amazing series.

Cover Cousins

I love when I pick up a new book and am instantly reminded of another — not necessarily because the covers are the same, but more because there’s a common feeling to them, a style, a color pattern, an image. The connection may only be in my mind, but it’s something I really enjoy thinking about. So… I thought I’d create a feature to highlight great book cover pairs whenever I happen to stumble across them.

To kick things off, here’s my first set of Cover Cousins:

5 to 1

White Cat

 

They’re not identical or anything, but there’s something about the look — the black background, the stylized graphic, the color scheme — that makes me want to put these two together.

Pretty cool covers, aren’t they?

Cover Cousins is a just a goofy little diversion of mine… but I like it. I’ll be back with more cover match-ups from time to time!

Reaction: Go Set a Watchman by Harper Lee

Go Set A WatchmanThis isn’t a review, exactly. There’s certainly no shortage of reviews out there, for those who want to find them. I thought I’d just go ahead and share a few impressions, having finished the book today — if for no other reason than to get my thoughts straight.

So, background: I think everyone knows by now about the hoopla surrounding the discovery of this “lost” manuscript by Harper Lee. The debate continues to swirl around the question of whether the author truly wanted this book published, whether she’s in a position to be able to give full consent, and whether this book should have seen the light of day. Nevertheless, here it is.

To further recap the history, Go Set a Watchman was written before Harper Lee wrote her masterpiece, To Kill A Mockingbird. The story goes that Ms. Lee’s editor read Go Set a Watchman and then sent the author back to rewrite it, placing the emphasis on Jean Louise’s childhood and thus changing the setting from the 1950s to the 1930s… and the rewritten novel was To Kill a Mockingbird.

So really, Go Set A Watchman is neither a prequel nor a sequel — it’s a first draft.

In Go Set a Watchman, we see Mockingbird‘s Scout as a young woman in her mid-20s. Jean Louise is bright and independent (as you’d expect from knowing Scout), lives in New York, and at the outset of the story travels back to Maycomb, Alabama for her annual visit home.

Her beloved father Atticus is an old man with arthritis, still practicing law, but barely able to use his hands. His sister Alexandra has come to live with him and take care of his daily needs, and his brother Jack is around for company and conversation too. Atticus has taken on a younger lawyer to nurture in the early stages of his career, and this young lawyer, Henry Clinton, is Jean Louise’s devoted boyfriend. The housekeeper Calpurnia, who raised Scout and her brother Jem, has retired and moved back with her own family. And, sadly, Jem himself is dead, having died of a heart attack in his early twenties.

The action, such as there is, shifts between Jean Louise’s experiences during her visit and her vivid memories of her childhood, which are the sharpest and most enjoyable parts of the book. It’s easy to see why an astute editor wanted the author to expand the stories of Scout, Jem, and Atticus. In Go Set a Watchman, we get some new scenes of childhood, with an especially painful segment on Scout’s puberty and the terrible consequences of her misunderstanding how babies are made.

Atticus comes off as the offbeat, wise father we know and love in many of the scenes between him and Jean-Louise, and her Uncle Jack is really stellar as a slightly batty old man who loves to quote the classics, has a passion for Victorian literature, and somehow manages to sneak usable pearls of wisdom into his ramblings, quotations, and allusions.

So, onward to the controversy. I was actually on vacation the week that this book was released. I turned on the TV that morning, and every single morning talk show was busy proclaiming, more or less: UPROAR! ATTICUS FINCH IS A RACIST! ATTICUS FINCH WENT TO A KKK MEETING! And yeah, okay, that’s true, but I do feel as though many in the media were overly eager to swoop in on the sensationalistic aspects without context or clarity.

Yes, Atticus is a racist in Go Set A Watchman. He doesn’t hate African Americans, exactly – but in the wake of the Supreme Court’s 1950s-era decisions on desegregation, he is upset, to say the least. He sees African Americans as lesser, as children, not educated or developed enough to be able to handle the rights that states are now being forced to grant.

“Jean Louise,” he said. “have you ever considered that you can’t have a set of backward people living among people advanced in one kind of civilization and have a social Arcadia?”

After further explaining why they aren’t capable of fully participating in society with equal rights, he points out the practical and political drawbacks

“Honey… Use your head. When they vote, they vote in blocs.”

And still more:

“Honey, you do not seem to understand that the Negroes down here are still in their childhood as a people. You should know it, you’ve seen it all your life. They’ve made terrific progress in adapting themselves to white ways, but they’re far from it yet…

Jean Louise is furious and broken-hearted to discover the truth about Atticus’s beliefs. She feels that he pulled the wool over her eyes all her life, making her believe that he believed in one thing when the truth was something else.

“Jean Louise, I’m only trying to tell you some plain truths. You must see things as they are, as well as they should be.”

“Then why didn’t you show me things as they are when I sat on your lap? Why didn’t you show me, why weren’t you careful when you read me history and the things that I thought meant something to you that there was a fence around everything marked ‘White Only’?”

It’s Uncle Jack who prevents Jean Louise from fleeing Maycomb in anger, resolved never to return and never to see Atticus again. And this is the piece that I found the most affecting — Uncle Jack (after hitting Jean Louise across the face so hard that she almost loses consciousness, which was weird and disturbing), gets her to stop for a moment and to listen. He explains to her how, in essence, one of the hardest parts about becoming an adult is realizing that the perfect people from our childhoods are flawed humans like everyone else:

“… now you, Miss, born with your own conscience, somewhere along the line fastened it like a barnacle onto your father’s. As you grew up, when you were grown, totally unknown to yourself, you confused your father with God. You never saw him as a man with a man’s heart, and a man’s failings — I’ll grant you it may have been hard to see, he makes so few mistakes, but he makes ’em like all of us. You were an emotional cripple, leaning on him, getting the answers from him, assuming that your answers would always be his answers.”

In To Kill a Mockingbird, we see Scout’s coming of age tale, but Go Set a Watchman in its own way is Jean Louise’s coming of age. As Uncle Jack points out, she’s finally emerged into her own person, rather than the girl who confuses her father with God. And in recognizing this, she can find a way to keep Atticus and Maycomb in her heart and in her life, even if she sees actions and ideas that she hates. As Uncle Jack explains:

“… the time your friends need you is when they’re wrong, Jean Louise. They don’t need you when they’re right.”

There are some interesting ideas and points to be made, and some bear more thought, and I’m sure will be discussed for some time to come. The shattering of childhood idols is a major milestone, and Jean Louise faces the universal task of finding a way to love a flawed parent, despite how very strong those flaws are.

(I realize that I’m not really addressing Atticus’s views on race and segregation, and that’s because I don’t really think it’s necessary. If this book had been published in the 1950s, as originally intended by Harper Lee, I think the content would have been truly provocative. Here and now, it’s a window into a world that’s so clearly passed that I don’t really feel the need to spend time on Watchman‘s Atticus, why he feels the way he does, etc.)

I think, if this book existed in a universe that didn’t also contain Mockingbird, the message might be a more acceptable one about growing up, recognizing the imperfections of people we used to think perfect, and trying to find a way to move forward and fight for what’s right without having to completely disown the less savory parts of our family, our home, our past.

But the idea that it’s Atticus who’s shown to be so imperfect is certainly a hard one to swallow, given how for decades Atticus Finch has been pretty much everyone’s ideal of a perfect father as well as a noble and decent man. How do we reconcile the two?

For me, I decided to read Watchman, as much as I could, as a separate and distinct entity. As a story of a Southern-born girl coming home and facing hard truths, it’s interesting. The reminiscences of Southern childhood are as charming as they should be, and Jean Louise has that ornery, contrary streak that we’d expect of a girl who behaved so rambunctiously as a child.

I’m not a Mockingbird expert by a long shot, and I’d guess that those who are will have a lot more to say about Watchman than I do. I read Mockingbird once in high school (many years ago!) and once again earlier this year. And I love that book… and Go Set a Watchman doesn’t change that.

Go Set a Watchman is interesting as a glimpse into an author’s process, as well as providing a view of what Harper Lee’s intentions were when she first began writing a novel. Also of note, of course, is the fact that Go Set a Watchman has been published as is, unedited, and it shows. Especially in the first half of the book, the writing itself is inconsistent and there are rough patches which clearly would have been polished and refined if this book had been intended for publication. The action and pacing are also inconsistent, and the pieces set in modern-day Maycomb involving Jean Louise’s dates with Henry and her aunt’s social Coffee held in Jean Louise’s honor tend to drag a bit. There were definitely times where I felt as though I were reading a draft of a novel, rather than a novel itself.

The question of whether Go Set a Watchman is a good novel in and of itself is one that’s hard to answer. It simply can’t be read in a vacuum. It exists because Mockingbird exists, and we read it to see what it is in light of what we know about Harper Lee, to see how the characters we love from Mockingbird were treated in her first go-round.

So, no, for someone with no attachment to To Kill a Mockingbird or for someone who’s never read it, I wouldn’t say they should rush right out and read Watchman. There really isn’t a reason to, except to compare and contrast with Mockingbird.

Bottom line: There were parts of Watchman that I enjoyed, especially the memories of Scout’s childhood and adolescence. I found the conflict around Atticus’s racism and Jean Louise’s reaction to this discovery to be quite interesting, and some of the arguments and speeches made at the climax were really well-written and insightful. My best advice? Read this book to see what it is, see if you find any good food for thought in it, and see how you respond to the fuss being made over Atticus’s character. But hold onto everything you cherish about Mockingbird — there’s no need for that to be tarnished.

It’s almost like reading fan fiction or a sequel written by another author (kind of like how Scarlett by Alexandra Ripley is to Margaret Mitchell’s Gone With the Wind). You can read it to be informed about the pop culture happening of the moment, or as a piece of literary entertainment, or as a “what if” scenario. For me, I choose to see it as a “I suppose this is one way it could go” situation. I read this story of Atticus and Jean Louise, and found some interesting points, but in my mind, these are not the same Atticus and Jean Louise/Scout whom I already know. The Atticus and Scout from Mockingbird remain, for me, the “real” versions of themselves.

And that’s how I choose to think about it.

Food for thought: Does the author matter?

Well, of course the author matters! We wouldn’t have books in our hands without authors!

But hold up. That’s not what I’m talking about.

What I’m really pondering is whether or how much the details of an author’s life influence our reactions to a book.

For the most part, I usually take the stance that once the author has released a book, the book should stand on its own and be judged on its own merits. It’s what’s in the book itself that counts. So if an author makes a statement that I think is ridiculous during an  interview, or if I find out that the author has a political stance that I object to, does it matter?

Well, sometimes. I don’t research authors’ personal views before deciding to read their books. In general, who cares? So long as the book appeals to me, touches me, or makes me think, I don’t particularly need to know more.

On the other hand, if I knew that a particular author was out there promoting hate, or had a bias or prejudice that he/she actively promotes, or uses the revenues from his/her books to fund something I find objectionable, then yes, I guess it does matter. Although… (and this just shows my ambivalence on the subject), I suppose a work-around on the funding issue might be to borrow the book from the library, rather than buying my own copy.

I’d like to think that the work of art stands on its own and can be appreciated even if the artist is abhorrent, but in practice, that doesn’t always work for me. I mean, if I find out that an author is a no-question-about-it homophobe or anti-Semite or racist, then I just really can’t.

And also, it’s not like an author’s bio or background is completely irrelevant. If someone writes about a complex medical issue, for example, knowing that the author has a Ph.D. in a relevant field might make me feel more confident that the scientific elements of the storyline are plausible. Knowing that Mary Doria Russell has a doctorate in anthropology helps me appreciate the fabulous work she’s done in The Sparrow, exploring issues related to first contact with unknown cultures, social structures and hierarchies, and the impact of exploration on native populations. (PS – I probably haven’t raved about The Sparrow for a while, so let me just take a moment to say READ THIS BOOK. It’s amazing.)

Anyway…

I’ve now wandered far afield from what started me thinking about this topic, which is my thoughts on reading Eragon by Christopher Paolini. You can check out my review here.

Christopher Paolini was about 15 when he wrote Eragon, so I’m guessing he must be somewhere around 30 by now. To what extent should reviewers take his age into account when writing about Eragon?

As a reader, if I knew nothing about the author, I’d be thinking that the book is pretty derivative, a giant mash-up of every standard fantasy trope, repackaged into an overlong book that lacks narrative flow and uses very awkward language. But — the author wrote this book when he was 15! According to author info found online, he originally wrote Eragon for his own entertainment, trying to create something he’d enjoy, and the book was self-published by his parents prior to being “discovered” and picked up by a major publisher, then achieving bestseller status.

Eragon was published in 2002. That’s a lot of years ago! So in reviewing Eragon today, in 2015, is it still relevant that the book was written by a teen? On the one hand, I say kudos are in order for the young man who wrote such a detailed and complicated story at such a young age. At the same time, if I were strictly considering whether I’d recommend the book, then the age of the author is irrelevant. What counts is the book itself, and whether I think others would enjoy it. Period.

Here’s another weird example: I really loved Before I Go To Sleep by S. J. Watson when I read it a couple of years ago, and just finished reading the author’s second novel, Second Life, this past week. All along, I’ve been under the impression these books were written by a woman, but only found out while preparing my blog tour post that this:

S-J-Watson… is S. J. Watson.

But does the author’s gender matter?

In this case, I’d have to say that it does have an impact on my impression of the books and my reaction to them. In both books, the main character is a woman going through hell. In the first book, she’s someone who loses her memory each day and is at the mercy of the people around her while she tries to figure out who she really is. In the second book, she’s a woman with a troubled past dealing with her sister’s murder and getting in way over her head with a creepy online hook-up.

Somehow, knowing that these books were written by a male author and not by a female, as I previously thought, makes the books feel ickier to me. Looking at them through this new lens, the women’s victimization becomes a lot starker and the overall tone strikes me as more sensationalized. This probably makes no rational sense, but I can’t help how I feel — and my feeling is that in Second Life, knowing that I’m reading a man’s idea of how a woman would feel about the horrible situation she’s in is much different from reading about a woman’s pain from a woman’s perspective. In addition, infidelity plays a big role in each book and leads to disaster for the main character — so in retrospect, now that I’m thinking about a male author, is the subtext in these books that women are somehow deserving of horrible fates because they explored their sexuality outside the bounds of marriage?

If I’d known ahead of time, I might have felt differently about the books while reading them. I just pulled my copy of Before I Go To Sleep off the shelf, and nowhere in the author bio or anywhere on the jacket copy is there a gender-specific pronoun used. Intentionally vague? Deceptive? I’m not saying that anyone necessarily set out to pull the wool over the readers’ eyes… but I do wonder why the books were published with just initials in the first place.

Should things like an author’s age or gender matter? Open to debate. But does it matter? Well, yes, I think it does.

In the case of Eragon, I can praise the efforts of a young author, even though I wouldn’t put it anywhere near the top of my list if I were setting out to recommend fantasy epics. In the case of Second Life and S. J. Watson — well, all I can say is that it clearly does matter to me, rightly or wrongly, and that I’m rethinking my reaction to the author’s books now that I know more about the author himself.

How about you? Has information about an author’s life ever changed the way you’ve felt about a book? I’d love to hear other perspectives!