Title: Hula
Author: Jasmin ‘Iolani Hakes
Publisher: HarperVia
Publication date: May 2, 2023
Length: 400 pages
Genre: Historical/contemporary fiction
Source: Library
Rating:
Set in Hilo, Hawai’i, a sweeping saga of tradition, culture, family, history, and connection that unfolds through the lives of three generations of women–a brilliant blend of There, There and Sharks in the Time of Saviors that is a tale of mothers and daughters, dance and destiny, told in part in the collective voice of a community fighting for its survival
“There’s no running away on an island. Soon enough, you end up where you started.”
Hi’i is the youngest of the legendary Naupaka dynasty, only daughter of Laka, once the pride of Hilo; granddaughter of Hulali, Hula matriarch on the Big Island. But the Naupka legacy is in jeopardy, buckling under the weight of loaded silences and unexplained absences, most notably the sudden disappearance of Laka when Hi’i was a child. Hi’i dreams of healing the rifts within her family by becoming the next Miss Aloha Hula–and prove herself worthy of carrying on the family dynasty. She demonstrates her devotion to her culture through hula–the beating heart of her people expressed through the movement of her hips and feet.
Yet she has always felt separate from her community, and the harder she tries to prove she belongs–dancing in the halau until her bones ache–the wider the distance seems to grow. Soon, fault lines begin to form, and secrets threaten to erupt. Everyone wants to know, Hi’i most of all: what really happened when her mother disappeared, and why haven’t she and her grandmother spoken since? When a devastating revelation involving Hi’i surfaces, the entire community is faced with a momentous decision that will affect everyone–and determine the course of Hi’i’s future.
Part incantation, part rallying cry, Hula is a love letter to a stolen paradise and its people. Told in part by the tribal We, it connects Hawaii’s tortured history to its fractured present through the story of the Naupaka family. The evolution of the Hawaiian Sovereignty movement is reflected in the journeys of these defiant women and their community, in whose struggle we sense the long-term repercussions of blood quantum laws and colonization, the relationship between tribe and belonging, and the universal question: what makes a family?
Hula is a complex, multi-layered story about family, history, and heritage. I read this for a book discussion (coming in a couple of weeks), after having it on my to-read list since it was released last year. I’m glad to have read it, and even more glad to be able to look forward to sharing thoughts and responses with the book group.
Hilo’s no place for soft feet. Gotta build calluses. Then a girl can run on lava.
In Hula, the narrative is often presented through the community’s eyes, using the “we” voice to explain the dynamics within the Naupauka family and the changing world of the community itself. The history of Hawaii’s colonization and the dismantling of the monarchy is crucial to the story, and through the community’s narration, we’re presented with important people and events from the past which directly impact the unfolding events in the lives of the characters.
The novel itself revolves around Hi’i, first as a child, then as a grown woman. Hi’i is described as being different from the start. Her mother Laka disappeared as a teen, then came back with baby Hi’i with no explanation. Hi’i doesn’t look Hawaiian, with her red hair and green eyes and her susceptibility to sunburn, and yet, she’s soon absorbed by the rhythms of life in Hilo. Still, when Hi’i insists on learning hula, something sacred within her people’s lives and of central importance within the Naupauka family, Laka fears what may come of it.
Secrets abound, especially in terms of Laka’s past and Hi’i’s origins. Eventually, we learn more, but it takes the entire book for these secrets to be shared fully between Hulali (Laka’s mother), Laka, and Hi’i herself.
Mother and daughter had picked up where they’d left off, a fight that had been going on since the time the first navigators were in their canoes charting the stars to find the islands.
The writing is beautiful and often visceral. The dialogue and descriptions have a flow to them, although the heavy usage of Hawaiian words and phrases can present a challenge to a reader. (I kept Google Translate open while reading, and it helped a lot, despite some failures around idiom or intent.)
One by one the dancers shifted into the shape of the wind rattling the branches, the rain pattering upon the grasses, the dew dripping from the leaves. Stethoscopes pressed to Hawai`i’s heart. Through them Hi`i could hear it beating.
Given the book’s title, I’d expected more about hula as a dance form to feature within the story. It’s important, but not as central or dominant as I’d expected. Instead, the family dynamics and the politics around sovereignty, Hawaiian Homelands, and various government actions are what drive the story.
Nothing is spoon-fed to the reader, so for me, it was both eye-opening and occasionally frustrating to have to figure out what was going on and what the political elements actually meant. It also made me realize that I should make an effort to read more non-fiction about Hawaii’s history and the ongoing current struggles among the Native Hawaiian population to reclaim land and autonomy.
They had stolen a finger, then a hand. Then an arm, a shoulder, a hip, a leg, and soon the entire body. Now they wanted our breath, our soul.
The story of the generations of women — their complicated relationships, the concepts of belonging and responsibility, the traditions and expectations — was the most compelling element of Hula for me. I found the sections about Laka’s past and Hi’i’s adult life the most emotionally engaging, although adult Laka is hard to know and didn’t feel entirely consistent to me as a character.
Some loose ends remain at the end of the book, but overall, I appreciated how the author weaves together so many characters and plot points to create a cohesive, meaningful whole.
Hula is not an easy book to read, and requires a lot of concentration to get through, but it’s worth the effort. It left me wanting to know more, and that’s always a good sign about a book’s impact. Hula makes a reader think as well as feel, and leaves a lasting impression.
Bookshelf Fantasies 
I don’t really love that community we voice in a novel. But I love those two quotes about how there’s no running away on an island and about running on lava.
There are a few books I’ve read where the community voice is effective. It’s not the only voice throughout this novel, so when it does pop up, it’s done very well without feeling like too much.
I rarely see books about Hawaiian history, so this fascinates me. I’m glad you enjoyed it!
Thank you! I’ve read historical fiction about Hawaii over the years (including the huge Michener book), but not actual history, and I’d like to fix that. 🙂