Title: The Rom-Commers
Author: Katherine Center
Publisher: St. Martin’s Press
Publication date: June 11. 2024
Length: 336 pages
Genre: Contemporary romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:
She’s rewriting his love story. But can she rewrite her own?
Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies―good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates―The Charlie Yates! Her personal writing god!―it’s a break too big to pass up.
Emma’s younger sister steps in for caretaking duties, and Emma moves to L.A. for six weeks for the writing gig of a lifetime. But what is it they say? Don’t meet your heroes? Charlie Yates doesn’t want to write with anyone―much less “a failed, nobody screenwriter.” Worse, the romantic comedy he’s written is so terrible it might actually bring on the apocalypse. Plus! He doesn’t even care about the script―it’s just a means to get a different one green-lit. Oh, and he thinks love is an emotional Ponzi scheme.
But Emma’s not going down without a fight. She will stand up for herself, and for rom-coms, and for love itself. She will convince him that love stories matter―even if she has to kiss him senseless to do it. But . . . what if that kiss is accidentally amazing? What if real life turns out to be so much . . . more real than fiction? What if the love story they’re writing breaks all Emma’s rules―and comes true?
Katherine Center books can be counted on to offer amazing women in the lead role, place them in challenging situations, and then give them a chance to shine — always with a sense of humor and a big heart. Here in The Rom-Commers, Emma is an aspiring screenwriter whose early talent never led to a shining career; instead, she turned down a prestigious Hollywood internship to be her father’s full-time caregiver, and works on screenplays in their apartment while teaching writing classes at the local college.
To be clear, Emma doesn’t regret her choice. She loves her dad (who sounds delightful), and knows what she’s doing is the most important thing she could possibly do. But still, she has dreams, and when her ex-boyfriend-slash-agent calls her with a once-in-a-lifetime opportunity, there’s no way she can give it up. (Well, there is, but her dad and sister won’t let her.)
Emma idolizes screenwriter Charlie Yates, has studied and annotated his scripts, watched ever interview he’s ever given, and knows his film career backward and forward. One thing Emma knows for sure is that Charlie Yates does not do rom-coms. So why is she being offered the chance to ghost-write a rewrite of his new rom-com script?
It turns out that Charlie has written a remake of It Happened One Night — which just happens to be Emma’s favorite movie ever — and his new version is AWFUL. The fact that she’s been picked to rescue the script is an unexpected break, and she’s all in. Until she gets to Charlie’s mansion, where she’ll be working and living, and discovers that agent Luke has hoodwinked them both. Charlie had no idea Emma was coming, has no interest in writing with her, and says a firm, irrevocable no.
After further arm-twisting by Luke, a deal is reached, and Emma does in fact move into Charlie’s guestroom and sets to work on his terrible screenplay. To get him to cooperate at all, she needs him to understand just why it’s so terrible — and he doesn’t see the problem at all. As it turns out, he fundamentally doesn’t believe in romance or love, which is a problem for someone writing a rom-com.
He clearly wanted to win — and settle this once and for all. “But doesn’t love conquer all? Doesn’t love find a way? Shouldn’t some cartoon woodland animals show up and help you find your happily ever ever?”
My eyes flashed. “Don’t use a romance term against me!”
“You’re the one who taught it to me!”
Emma’s mission, beyond rescuing the screenplay, is to get Charlie to experience some of the key staples of romantic movies (like unexpectedly falling on top of someone, or trying a silly new past-time — yes, there is line dancing involved! — or moving in for the perfect rom-com kiss).
Emma and Charlie end up being quite adorable together, but there are definitely hurdles for them to overcome. Charlie’s grumpiness and lack of emotion aren’t just random personality traits — he’s been hurt very badly in a previous relationship, and it makes sense that his belief in the possibility of love would be damaged (if not completely dead). As for Emma, she’s wracked by guilt over her father’s health, the accident that caused his current condition, and finally giving up the main caregiving role and allowing her younger sister to step in.
This is such a fun book! Sure, there were times when I wanted to bop Charlie over the head and tell him to snap out of it, but this book is so deftly written that even when the characters are annoying, they’re annoying for a reason.
“I don’t want to not be there for you.”
“That’s a heck of a double negative.”
The set pieces are really funny (the line dancing scene is amazing), and best of all, Emma and Charlie’s scenes together just sparkle. Their dialogue is quippy and smart and full of word-play, which is totally my jam.
“Emma,” Charlie said. “Please come here. You’re so drunk.”
“I’m not drunk,” I said. “I just drank too much.”
“That’s the literal definition of being drunk.”
Emma and Charlie also resort to googling the most ridiculous or random questions, among them how long it takes to fall in love, how to know when to take someone to the hospital after a bar fight, symptoms of a heart attack in a woman, and what a jazz box is (it’s a line-dancing move, in case you’re wondering). It’s cute and weird and spot-on for a pair of writers.
The Rom-Commers delivers on its title — a delightful blend of romance and comedy, with pathos and sorrow and day-to-day challenges that keep it grounded and real. Katherine Center once again provides a book with terrific lead characters, great chemistry, a plot that makes you feel all the feelings, and a promise of a happy ending to cheer for. Don’t miss it!
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