legal drama | Bookshelf Fantasies

Book Review: The Girl You Left Behind by Jojo Moyes

The Girl You Left Behind Quick: When you think of looted art and reparations, what do you think of? Nazi Germany? So do most of the bystanders in this novel, which mixes a modern courtroom drama and love story with a devastating glimpse back at a wartime tragedy, with a missing (perhaps stolen) painting serving as the focal point. The twist in The Girl You Left Behind is that the painting in question went missing during the German occupation of northern France during the first World War — but that doesn’t stop popular opinion from tarnishing the main character’s reputation by accusing her of exploiting Nazi theft for her own personal gain. To say it’s complicated is putting it mildly.

In The Girl You Left Behind, we follow two timelines. In 1916, we meet Sophie Lefevre, devoted wife of up-and-coming artist Edouard, who is serving on the front lines with the French forces battling the invading German army. Sophie has been left behind in her home village, helping her sister manage the family inn and struggling to survive with ever-dwindling rations and a hostile German battalion occupying the town. Beautiful young Sophie catches the eye of the German Kommandant, and he is mesmerized as well by Edouard’s portrait of Sophie, which hangs in a back hallway of the inn. Ultimately, Sophie is forced into a decision that pits her own life and honor against the survival of her family and her husband.

Meanwhile, in modern day London, young widow Liv Halston lives alone in a beautiful glass house built by her late husband David, a remarkable and renowned architect who died suddenly four years previously. On their honeymoon, David had bought a beautiful portrait of an enigmatic young woman as a gift for Liv, and this portrait is literally the only spot of color in Liv’s bleak world. Liv meets handsome, gallant Paul and finally feels a spark of life returning — but Paul is an ex-cop now specializing in tracking and returning works of art stolen during wartime. When he is hired by the Lefevre family to find their missing painting and realizes it’s in Liv’s possession, legal drama threatens their blossoming love — as well as David’s legacy and Liv’s reputation.

The Girl You Left Behind tells both parts of the story quite effectively. The first several chapters are devoted to Sophie, and it was somewhat wrenching to have to leave her once the narrative switched to the modern era. Likewise, Liv’s story is affecting and engrossing, and I soon wanted to know much more about this lonely woman and the husband she’d lost. Sophie and Liv are both strong women dealt a series of painful blows in horrible circumstances, and in both streams of the story we see how their personal strength informs their decisions and actions.

The moral dilemma posed is an interesting one. It would appear that the Lefevre descendants are seeking the painting for its monetary value alone, whereas Liv truly loves the painting and feels a connection and fondness for Sophie herself, despite knowing nothing about her story until the legal case gets underway. So who is right in this situation? Are the artist’s descendants entitled to the painting based on their assertion that it was stolen during wartime? Or, barring convincing evidence, is Liv entitled to keep this artwork that she cherishes, even knowing that it may have made its way to her through questionable circumstances?

The story is compelling and well thought-out, and the alternating timelines prolong the suspense and the mystery. We know that something terrible happened to Sophie; we know that the painting disappeared; but the how and why of these occurences is not revealed until close to the end of the book. Author Jojo Moyes gives just enough detail to keep us guessing (although I’ll admit that I’d made an assumption about a key revelation that turned out to be correct), and both pieces of the story wrap up in a way that feels both right and satisfying.

My only quibble with this book is that I wanted to know a bit more about the relatives who started the legal proceedings. They’re referred to as descendants of the Lefevre family, but the exact relationship to the artist isn’t revealed, and we never actually meet them other than seeing them on the other side of the courtroom. I would have liked to have seen their role in the story fleshed out. While it’s implied that they’re only in it for the money (and I suppose their motivation is immaterial if the painting is in fact rightfully theirs), it would have helped me view their side of the proceedings more sympathetically if I’d gotten to know them in any way.

That issue aside, I found The Girl You Left Behind to be quite moving and well thought out. It reveals a piece of history that doesn’t get much attention, while hammering home a universal truth about the horror of war and the irreparable damage done to so many lives. In the contemporary pieces of the story, The Girl You Left Behind is also emotionally involving and very interesting as well — as a legal drama, as a love story, and as a portrait of a woman who has to figure out how to live again.

I’ve been hearing a lot about Jojo Moyes this year, especially since the publication of her highly praised novel Me Before You. The Girl You Left Behind is the first book I’ve read by this author, but it certainly won’t be the last. Jojo Moyes is a skilled storyteller with a great eye for capturing the small details that make a character feel real, and I look forward to exploring more of her work.

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The details:

Title: The Girl You Left Behind
Author: Jojo Moyes
Publisher: Penguin Group/Viking
Publication date: 2013
Genre: Historical/contemporary fiction
Source: Review copy courtesy of Penguin/Viking via NetGalley

Book Review: Gone Girl by Gillian Flynn

This review is going to have to be brief, because there’s almost no way to talk about Gone Girl without giving something away, and really, the less you know ahead of time, the better.

Gone Girl is a thriller, but you could also describe it as an analysis of a marriage. What makes a couple tick? How do people know if they fit? What happens to a relationship when the initial excitement and spark have faded?

Nick and Amy Dunne are a beautiful couple — truly, they are. It’s emphasized from the beginning of Gone Girl how very attractive they each are; they’re the golden boy and girl, the ones who get noticed, never ones to fade into a crowd. Nick and Amy meet at a party in New York when they are both magazine writers. They have an exciting romance and a beautiful wedding; the perfect couple — smart, attractive, fun, and completely in tune with each other. When the economy tanks and the magazine business dries up, they are both laid off, and end up moving back to Nick’s boyhood hometown of Carthage, Missouri to care for his dying mother, but really more to lick their wounds and figure out what a next chapter in their lives might look like.

Amy is the daughter of two psychologists who are famous for their bestselling Amazing Amy series of children’s books, based on Amy’s own life, which makes her both a curiosity and a celebrity. Nick is the son of a woman-hating father who left his mother when Nick was 12; Nick’s father now resides in a care facility from which he regularly escapes in an Alzheimer-fueled fog of anger.

Gone Girl opens with Nick and Amy’s 5th anniversary, as Nick contemplates just how miserable he is… and then discovers that Amy has disappeared. Day by day, evidence begins to pile up suggesting that violence, perhaps murder, has occurred, and Nick is slowly painted into a corner as the prime suspect, with only his high-profile lawyer and his twin sister Go to defend him.

What really happened to Amy? Why does Nick talk so much about the shape of Amy’s skull and have visions of harming her? Is Nick really a killer, or just a not-very-good husband who’s a convenient target for police interest and public scorn?

Told in chapters that alternate between Nick’s narration and Amy’s diary, we hear bits and pieces of the story from both Nick and Amy’s points of view. Gillian Flynn does a fantastic job of creating unique voices for each character, and the portraits we receive are detailed, rich, and chilling. Supporting characters feel well-defined and true-to-life.

The author skewers the current cult of crime TV, sensationalism masquerading as journalism, and seemingly endless parades of murder suspects dominating cable programming at all hours of the day. Nick realizes quickly that he’ll be considered the prime suspect, because everyone knows from watching TV that it’s most likely that the husband did it. He knows how police investigations work, understands that a sympathetic detective is just trying to soften him up, and knows that he’ll look guilty if he asks for a lawyer too soon — because he’s seen it all on CSI. His lawyer points out to him that by the time a case goes to trial, it’s been all but decided already on the cable legal shows and on the Internet. Control the message, control the outcome of the trial. The behind-the-scenes look at how publicity and public relations dictate the course of a crime investigation is actually quite fascinating.

Ultimately, though, it is the mystery at the heart of Gone Girl that makes it such a compelling read. Understanding Nick and Amy’s psyches and their inner workings is key to understanding what has happened and how it will all play out. I couldn’t put it down, and the twists and turns kept me guessing until the end.

I did find the ending unsatisfying, not because it left loose ends or because it didn’t fit — but because it wasn’t the outcome I wanted. Which means that I was enmeshed enough in the story and the characters’ lives to really care about what happened, which in my view makes this book a terrific success.

Read Gone Girl if you enjoy a good mystery, and most especially if you like to be surprised. Believe me, you will be.